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Machine Heads: Deep Purple burn New York City down, 1973

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Deep Purple, topless
 
There was a point back in the 1970s that whenever you went into a guitar store there was always some dude flicking his locks and playing the familiar plodding riff from Deep Purple’s “Smoke on the Water.” Well, either that or “Stairway to Heaven” depending on the taste of who was playing. These guys were either shop staff or some kid dreaming of a future rock career. When I bought my first and only guitar the assistant did in fact strum out a few blasts of “Smoke on the Water” to show me just how it was done. That kinda ruined it for me, I have to admit. I was more the Bonzo-Django-Benny Hill kinda player, which might explain my taste in music but doesn’t excuse my lack of any musical talent whatsoever. Least played, soonest mended. I eventually traded my guitar for a portable typewriter from a Bowie fan who had slavishly typed “I Love David” all over its ribbon.

If you hung around long enough listening to that dude riff on “Smoke on the Water” he would also probably tell you why Deep Purple were better than Led Zeppelin—because they were “proper” musicians who had performed “your actual” Concerto for Group and Orchestra with the Royal Philharmonic Orchestra at the Royal Albert Hal, London in 1969. And why the recent incarnation of the band was better than the first—because (again) they were “proper” musicians not just pop stars, musicians who had honed themselves to the pursuit of musical excellence. Or something like that.
 
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He would also undoubtedly tell you how “Smoke on the Water” was based on a very real fire at the Montreux Casino during a Frank Zappa concert in 1971, where the venue was burnt to the ground. Depending on which version you heard, the fire was caused by either a flaregun fired by a member of the audience, or possibly a firework, or possibly by a “boy throwing lighted matches in the air, and one of them got stuck on the very low ceiling.” Whichever, the fire started and quickly engulfed the building.

Founder of the Montreux Jazz Festival, Claude Nobs was at the venue that fateful night and helped rescue quite a few of the audience from death. He was also key in persuading Deep Purple not to “scrap” “Smoke on the Water” from inclusion on their mighty album Machine Head. As Nobs recalled:

Deep Purple were watching the whole fire from their hotel window, and they said, “Oh my God, look what happened. Poor Claude and there’s no casino anymore!” They were supposed to do a live gig [at the Casino] and record the new album there. Finally I found a place in a little abandoned hotel next to my house and we made a temporary studio for them.

One day they were coming up for dinner at my house and they said, “Claude we did a little surprise for you, but it’s not going to be on the album. It’s a tune called ‘Smoke On The Water.’” So I listened to it. I said, “You’re crazy. It’s going to be a huge thing.” Now there’s no guitar player in the world who doesn’t know [he hums the riff]. They said, “Oh if you believe so we’ll put it on the album.”

It’s actually the very precise description of the fire in the casino, of Frank Zappa getting the kids out of the casino, and every detail in the song is true. It’s what really happened. In the middle of the song, it says “Funky Claude was getting people out of the building,” and actually when I meet a lot of rock musicians, they still say, “Oh here comes Funky Claude.”

Deep Purple were originally called Roundabout—when the band was just a concept conjured up by Searchers drummer Chris Curtis in 1967. Curtis shared a low rent apartment with young musician Jon Lord, who was earning his spurs playing with many different bands—including a tour with the Flowerpot Men (best known for the song “Let’s Go to San Francisco”). Curtis explained his idea of the Roundabout being a group of three people—Curtis, Lord and a guitarist named Ritchie Blackmore—around which other band members would hop on and off when required. Not much happened. Lord toured. And Blackmore never turned up for a meeting about this “concept band.” That is, until Curtis took way too many drugs, covered the apartment in aluminum foil—reasoning it stopped all the good vibes escaping, and upped and left Lord with rent due, no band, and not much of a future.

That very day, the fabled Ritchie Blackmore turned up at the door to discuss Roundabout with Curtis. Instead, he and Lord discussed forming their own band, which eventually became Deep Purple. The name came from the song “Deep Purple”—a favorite of Blackmore’s aunt. Other possible band names were Concrete God, Orpheus and Zephyr.
 
More after the jump, plus Deep Purple live in New York…
 

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Posted by Paul Gallagher
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04.05.2016
10:42 am
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Deep Purple’s Jon Lord dead at 71

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One time Deep Purple keyboardist, Jon Lord has died in London at the age of 71. In a band with such a continuously flucuating line-up, Lord was one of the heavy group’s few constant members, co-writing hits like “Smoke on the Water,” “Strange Kind of Woman” and “Black Night.” Lord played keyboards in Deep Purple from the band’s formation in 1968 through their first split in 1976 and when they reformed in 1984 until he retired from music in 2002.

The statement from his website reads:

It is with deep sadness we announce the passing of Jon Lord, who suffered a fatal pulmonary embolism today, Monday 16th July at the London Clinic, after a long battle with pancreatic cancer. Jon was surrounded by his loving family.

Jon Lord, the legendary keyboard player with Deep Purple co-wrote many of the bands legendary songs including Smoke On The Water and played with many bands and musicians throughout his career.

Best known for his Orchestral work Concerto for Group & Orchestra first performed at Royal Albert Hall with Deep Purple and the Royal Philharmonic Orchestra in 1969 and conducted by the renowned Malcolm Arnold, a feat repeated in 1999 when it was again performed at the Royal Albert Hall by the London Symphony Orchestra and Deep Purple.

Jon’s solo work was universally acclaimed when he eventually retired from Deep Purple in 2002.

Jon passes from Darkness to Light.

Born in Leicester, June 9, 1941, Lord was a classically trained pianist, who originally planned a career as an actor. He attended the Central School of Speech and Drama in London, while keyboards (piano, Hammond organ) with various Jazz combos.

In 1960, he joined the jazz band the Bill Ashton Combo. He also worked a as session musician playing keyboards on The Kinks first hit “You Really Got Me”. During the mid-1960s, Lord formed and played with a variety of bands (including one with Ronnie Wood) before forming Deep Purple with Ritchie Blackmore and Ian Paice in 1968.

Deep Purple, along with Black Sabbath, pioneered Heavy Metal during the late 1960s and early 1970s. Purple had the edge through the Blackmore’s brilliant guitar-playing and Lord’s mastery of the keyboards (primarily the Hammond organ). Together they made Deep Purple one of the most exciting bands on the planet. Of particular merit was their ability to perform a classical album Concerto for Group and Orchestra, mainly under Lord’s influence, and one of Rock’s greatest albums Machine Head, mainly under Blackmore’s influence. It was this ability to try out each other’s musical ideas that made the band so successful. Or as Lord said in 1973:

‘We’re as valid as anything by Beethoven.’

After he left Deep Purple in 1976, Lord released a solo album Sarabande and then went on to join Whitesnake, remaining an integral part of the band until 1984.

Lord was a brilliant musician, whose talents went beyond his work in Rock and Heavy Metal. He wrote and released several classical music albums including The Gemini Suite , Windows and To Notice Such Things. He also had a fruitful collaboration with the singer Sam Brown on the albums, Before I Forget, the concept album, Picture Within and Beyond the Notes.

Jon Lord 9 June 1941 – 16 July 2012.
 

 
Bonus: Deep Purple in concert from New York, 1973, after the jump…
 

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Posted by Paul Gallagher
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07.16.2012
03:21 pm
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