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Where did this popular children’s farting song originally come from? (+ the Doctor Who connection!)
06.25.2021
05:42 pm
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Rufe Davis was an American actor, singer and “imitator of sounds.” He was best known for his “rural” comedic radio act, “Rufe Davis and the Radio Rubes” during the 1930s, for being a co-star along with Hoot Gibson, John Wayne, Gene Autry and Roy Rogers in dozens of Hollywood B-Westerns and for his role as “Floyd Smoot,” the train conductor of the “Hooterville Cannonball” on the 60s CBS TV comedy series, Petticoat Junction.

Davis’ rendition of “The Old Sow Song” was his musical calling card for obvious reasons and something that those of us of a certain age might remember from a popular 60s kiddie record made by Mel Blanc and others called Bozo And His Pals (which is where I first heard it—and loved it—as a tyke), although it was originally released as a 78rpm record many years before that. The same song was also given away as a cardboard record in cereal boxes. His version of the song was probably what kept the song alive in the 60s and 70s, and even beyond, but there was another famous version that we’ll get to in due course.

Maybe you heard “The Old Sow Song” from one of your grandparents singing it to you? They might’ve heard it in a vaudeville theater. It might also be something that was passed down from long before that, an actual working class English folk song. I’ve also seen it described as a Yorkshire farmer’s song. It’s claimed by Scotland and Ireland, too. One of the earliest recorded versions was one done in 1928 by Albert Richardson. It was also recorded by Cyril Smith and Rudy Vallee, as well as by opera singer Anna Russell. Novelty songsmith Leslie Sarony did his hit version of “The Old Sow Song” in 1934. Apparently John Ritter performed the song on Three’s Company but sadly I could find no clip of this. According to YouTube comments, Hee-Haw featured more than one rendition of “The Old Sow Song.”

Perhaps many of you learned “The Old Sow Song” at summer camp or grade school, where I am guessing it can still be heard to this day, since children’s songs with farting noises never truly die. This evergreen sing-a-long is up there with “Bingo was his name-o” and “John Jacob Jingleheimer Schmidt” but neither of them has blowing raspberries as an integral part of the song. Can you imagine what the sheet music must’ve looked like?

I’m truly delighted that a vintage visual representation of “The Old Sow Song” exists. I don’t have an exact year for the clip, but it’s described as a “talkie” or “soundie” in the descriptions of the various uploads which might indicate that this was an early sound film, and yet there is a Hitler reference, so I think it might be a bit later than the uploaders think. Maybe an early kinescope?

I high recommend taking any—and all—drugs that you have handy before hitting play. If Rufe Davis’s face doesn’t turn green and if time doesn’t seem to bend like taffy and come to a complete standstill while you watch this, then you clearly haven’t taken enough drugs. So take more.
 

 


 
After the jump, the Doctor Who connection!

READ ON
Posted by Richard Metzger
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06.25.2021
05:42 pm
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Doctor Who’s 1972 pop single on Deep Purple’s label
10.20.2017
09:54 am
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Jon Pertwee starred in the reruns of Doctor Who my local PBS affiliate started airing in the Eighties; perhaps the station decided to start with the color episodes. Ever since, when someone else is playing Doctor Who, even Tom Baker, I miss Pertwee’s lisp and Edwardian dress, his dandyish manner, the wild look in his eyes.

Doctor Who novelty records were born in 1964 on “I’m Gonna Spend My Christmas with a Dalek” by the (Newcastle) Go-Go’s. They intersected with punk on the Art Attacks’ 1978 debut “I Am a Dalek” (“EXTERMINATE! KI-I-I-ILL!”) and reached their creative peak in 1988, when the Timelords’ “Doctorin’ the TARDIS” attained the unsurpassable zenith of excellence in the genre.

Pertwee, who had a long and colorful career as a recording artist, was the first Doctor to release his own single. On 1972’s “Who Is the Doctor,” recorded for Deep Purple’s label, producer Rupert Hine added rock drums to Ron Grainer’s Doctor Who theme, and Pertwee intoned some cosmic verse about how to love your Time Lord, or something:

Is your faith before your mind?
Know me
Am I the Doctor?

 

The 1985 Safari Records issue of “Who Is the Doctor”
 
Neil Priddey’s Purple Records discography explains Pertwee’s connection to the label and notes that one of the artists on Brian Eno’s Obscure label took part in the session:

Jon Pertwee was a personal friend of [Deep Purple manager] Tony Edwards, so he asked Rupert Hine and David MacIver to write and produce this project. They tried to get the BBC involved, but (according to MacIver) they were given the cold shoulder.

MacIver wrote the lyrics in 20 minutes and Hine produced the session. Simon Jeffes [of Penguin Cafe Orchestra], a good friend of theirs, also played on the tracks with Rupert playing his ARP 2600 synthesizer.

Time is a wondrous thing. MacIver’s 20 minutes of labor paid off again in ‘82, when BBC Records reissued the single with a different B-side, and in ‘85, when the synth-pop label Safari Records repackaged it with Blood Donor’s “Dr . . . ?” Hear its total extratemporal majesty below.
 

Posted by Oliver Hall
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10.20.2017
09:54 am
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