follow us in feedly
‘Here are the Young Men’: Classic Joy Division live footage, 1979-1980
08.26.2014
10:19 am

Topics:
Music

Tags:
Joy Division


 
While you won’t find many people questioning the aesthetic merit of Joy Division’s music, it’s also hard to argue that the tragic suicide of singer Ian Curtis didn’t contribute mightily to the band’s enduring allure. But there was another component that nurtured JD’s mystique—scarcity. All a fan in the US could readily get without paying a hefty import premium were Unknown Pleasures, Closer, and the iffy, posthumous, blood-from-a-stone compilation Still. A lot of single and EP tracks were difficult to come by here until the Substance compilation arrived in 1988. The Heart & Soul set eliminated a lot of scarcity issues as regards JD material, but that didn’t arrive until the late ‘90s.

Resorting to bootlegs wasn’t such a great option, as a hell of a lot of JD boots sounded like total garbage. I remember when a much sought-after Italian JD bootleg called Dante’s Inferno turned up in a record shop I frequented, when I was 17. I snatched that thing up fast and excitedly brought it home to play it, only to find that the music was barely audible. Was I pissed off? OH YES, I was pissed off.
 

 
Concert videos were even slimmer pickings. While today, between DVD and YouTube there’s plentiful Joy Division vid easily available, in the ‘80s pretty much the only JD concert footage available through legitimate channels was the Factory release Here Are the Young Men. Inexplicably, it’s never been released on DVD (except by pirates), but if you’re the gotta-own-it type, old VHS copies are priced within reach of mere mortals. The video’s title is borrowed from the lyrics of the song “Decades,” and the video is compiled from footage shot at three shows—the Manchester Apollo on October 28 and 29, 1979, and at Effenaar in Eindhoven, Netherlands, on January 18, 1980. Included at the end, but not included in the track listing on the box, was the music video the band produced for the single “Love Will Tear Us Apart.”
 

 
Since this was pretty primitive looking stuff in the first place, worrying about finding the “best” version on YouTube would have been quixotic, and anyway, I kind of like the rawness of this. As mushy as it looks and sounds, a lot of these performances are face-melters, particularly the stuff from the Dutch show. I selected this version because a few of the band’s BBC television appearances are tacked onto the end. Enjoy.
 

Posted by Ron Kretsch | Leave a comment
You knew this would happen: The inevitable Worf-Joy Division mash-up T-shirt

001unkoklingont11.jpg
 
One of the most iconic album covers in pop history meets one of the most iconic foreheads in television history in this T-shirt mashup of Joy Division’s Unknown Pleasures with Klingon Worf from Star Trek: The Next Generation.

The T-shirt is called “Klingon Pleasures” and the mix of album’s original image of radio waves from pulsar CP 1919 seems a perfect fit with Worf’s brow. “Klingon Pleasures” is one of NickOG‘s (Nick O’Gorman) designs on Threadless.
 
01jdklingpleasure.jpg
 
Via Nerdcore

Posted by Paul Gallagher | Leave a comment
Dean Wareham covers Joy Division/New Order’s ‘Ceremony’ live on KEXP


 
If not for Galaxie 500’s version of “Ceremony,” I probably wouldn’t like that song all that much.

OK, so while the commenters busy themselves sharpening their claws and crayons to inform me that I’m an idiot who knows nothing of music and should immediately be fired, let’s talk about the song. “Ceremony” was an ill-starred entry into the later Joy Division catalog. No proper studio recording was ever made, so the version most fans know best is the live version on the posthumous JD release Still, from which about half the vocals are AWOL. A different version, culled from a rehearsal tape, appeared on the boxed set Heart & Soul. The vocals are all present, but are largely unintelligible, and there’d never be another chance to get it right, as the group’s singer Ian Curtis took his own life days after that tape was made. I’ve heard that another live version exists, a crummy bootleg of a soundcheck,  but I’m aware of no extant version with Curtis’ vocals clear and complete. (If I’m wrong on that, for the love of all that matters in this shitsack world, post a link, PLEASE.)
 

Joy Division, ”Ceremony,” version from Still
 

Joy Division, ”Ceremony,” version from Heart and Soul
 
The ceremony continues after the jump.

Posted by Ron Kretsch | Leave a comment
Ian Curtis’ original handwritten lyrics for ‘Love Will Tear Us Apart’
06.12.2014
07:44 am

Topics:
History
Music

Tags:
Joy Division
Ian Curtis


 
After Ian Curtis’ handwritten lyrics for Joy Division’s single most iconic song, “Love Will Tear Us Apart,” surfaced in a Joy Division/New Order exhibit at the Rock and Roll Hall of Fame, images of the wrinkled 35-year-old sheet of notebook paper have been making fairly brisk rounds of Instagram, Twitter, Pinterest, etc. It’s not hard to understand why. The single was released very shortly after Curtis’ suicide, which transformed the song into an instant self-elegy for both Curtis and the beloved band. The title, in fact, is literally Curtis’ epitaph.
 

 

 
But even if Curtis had decided not to end his life that day in 1980, and Joy Division had continued, doesn’t it seem likely that it would have remained their signature song anyway? It has an intrinsic and enduring melancholy beauty that surely resonates even with listeners who know nothing of the song’s tragic connections, and its lyrics, though highly literate, still touch the universal. From coffeehouses to arena stage, it’s easily Joy Division’s most covered song. Here’s a roundup of several artists trying their hand.
 

David Gahan of Depeche Mode
 

Nouvelle Vague
 

Probably my favorite despite my growing weariness of ukuleles—Evelyn Evelyn
 

Swans
 

José González of Junip
 

Atoms For Peace
 

And of course, Joy Division‘s original.

Posted by Ron Kretsch | Leave a comment
Iggy Pop belts out two immortal Joy Division songs at Tuesday’s Tibet House benefit
03.13.2014
05:44 am

Topics:
Music

Tags:
Iggy Pop
Joy Division
New Order

Iggy Pop and New Order
 
The lineup that the Tibet House US put together for the 24th Annual Tibet House US Benefit Concert at Carnegie Hall two nights ago was the kind of collection of noteworthy musical talents that was guaranteed to make a certain kind of discerning fan of rock music quiver with excitement. The program promised the following enticements:
 

Philip Glass
Nico Muhly
Matt Berning, Aaron Dessner, & Bryce Dessner of The National
Bernard Sumner, Phil Cunningham, & Tom Chapman of New Order
Iggy Pop
Robert Randolph
Patti Smith and her Band
Techung

With an invocation and closing by
Monks from the Drepung Gomang Monasteries

 
The evening would prove to have an impressive number of impromptu guests and collaborations not depicted here, including the surprise appearance of Sufjan Stevens, who sat in with The National; Nico Muhly playing together with Philip Glass; and a special gesture of tribute to recently departed Lou Reed from Patti Smith, who covered Reed’s classic “Perfect Day.”

But most exciting of all, perhaps, was Iggy Pop teaming up with three of the members of New Order (no Peter Hook, of course; Sumner was the only original member present) to play two of Joy Division’s most enduring songs, “Transmission” and “Love Will Tear Us Apart.” As all dedicated Joy Division fans know, when Ian Curtis hanged himself on May 18, 1980, Iggy’s 1977 album The Idiot was spinning on the turntable just a few feet away.
 
Iggy Pop and New Order
 
Earlier in the evening, Sufjan Stevens joined The National for “I Need My Girl” and “This is the Last Time” off of 2013’s Trouble Will Find Me and “Vanderlyle Crybaby Geeks” off of their 2010 album High Violet (video for which can be found here; scroll down) before Sufjan played two songs from The Planetarium, the somewhat proggy collaboration involving Muhly and the National’s Bryce Dessner from 2013. Then Nico Muhly and Philip Glass joined forces for “The Chase,” a track off of Glass’s 2004 soundtrack for Undertow.

When New Order’s time to perform arrived, they played “St. Anthony” before introducing Iggy, who joined the band for “Californian Grass,” off of New Order’s 2013 album Lost Sirens; Sumner said that the band had never played the song live before. The next two songs were the immortal Joy Division numbers “Transmission” and “Love Will Tear Us Apart.”

What follows are fan videos, but both the video and the audio are in fairly good shape. 

“Californian Grass”

 
“Transmission”

 
“Love Will Tear Us Apart” after the jump…

Posted by Martin Schneider | Leave a comment
The ‘rare’ ‘David Bowie’ Joy Division cover that hoaxed the Internet
01.27.2014
08:25 pm

Topics:
Amusing
Music

Tags:
David Bowie
Joy Division
New Order
hoax


 
Perhaps you noticed a number of your friends posting—and then deleting—a “rare” cover version of “Love Will Tear Us Apart” on their Facebook walls today. The track in question was supposedly recorded by David Bowie and members of New Order.

Here’s what it said on YouTube:

A chance meeting in 1983 had David Bowie, Bernard Sumner and Peter Hook chatting away over beers in the Kings Arms in Salford. “...So we were all there just having a laugh and we joked that he should come n have a jam with us, then next minute - well, it was the next day actually, but i didn’t expect he’d definitely come by - and we were in the practice rooms and we were playing Love Will Tear Us Apart and i was like, f%$K we’re playing Love Will Tear Us Apart with David Bowie singing, this is crazy. We never released it - Bowie took a recording of it, and just layered some more vocals on for fun, sent it back to me…” - Bernard Sumner.

Yeah, right.

Was this the handiwork of Tim Heidecker?

Was Adam Buxton responsible, perhaps?

Until the perpetrator steps forward we may never know who was behind this clever prank, but Joy Division’s Peter Hook has weighed in on Twitter to say that… it’s a fake (as if that already wasn’t already totally obvious to anyone with ears, although I did appreciate the low-fi “bootleg” sound quality, which lent an air of authenticity to the proceedings. Extra points for that).
 

 

Posted by Richard Metzger | Leave a comment
Ian Curtis’ kitchen table for auction on eBay
11.08.2013
08:02 am

Topics:
Music
Pop Culture

Tags:
Joy Division
Ian Curtis
Tables


 
If you’ve ever wanted to own a piece of Ian Curtis now is your chance! Apparently the Joy Divison frontman’s kitchen table is up for sale on eBay.

From the eBay listing:

May the 18th 1980 Ian Curtis the singer of Joy Division took his own life in the Kitchen of the house he lived in with his wife Debbie at 77 Barton Street.

~ Snip

Included with the Table are confirmation of authenticity from Natalie Curtis, Debbie Curtis, Marco from Joy Division Central and Vicky Morgan. Also there is a four page print from a web site with pics taken inside 77 Barton Street when it was a B and B and a picture of Dorothy Smith.

The bidding began with a reserve of £100. The current bid is at £6,900.00 and the bidding ends on November 13, 2013.

“Ian Curtis’ Kitchen Table” would make a good name for a band.

Posted by Tara McGinley | Leave a comment
The Eternal: Ian Curtis would have been 57 today
07.15.2013
04:43 pm

Topics:
Music

Tags:
Joy Division
Ian Curtis

sitrucnainoisividyoj.j
 
We usually do these type of posts as “Happy Birthday ___” but to do that for Ian Curtis, the lead singer with Joy Division, who would have been 57-years-old today, seemed a bit much. A fragile and beautiful talent, Curtis was only 23, when he took his own life, in May 1980. His death came just before Joy Division were about to tour the States. Talk about bad timing.

I can still recall the first time I saw Curtis on TV, with his awkward, uncoordinated dancing, and his strange, resonate voice filled with loss, longing.

“You can’t listen to something without being able to, hopefully, put a feeling into the song…

...I think some of the things come out of confusion..But I’m not too sure what…exactly what or why.

When Joy Division finished recording their defining album, Closer, Curtis wrote to the band’s manager, Rob Gretton, expressing his dislike for the record:

Rob,

Judged purely on my own terms, and not to be interpreted as an opinion or reflection of mass media or public taste but a criticism of my own esoteric and elitist mind of which the mysteries of life are very few and beside which the grace of God has deemed to indicate in a vision the true nature of all things, plus the fact that everyone else are a sneaky, japing load of tossers, I decree that this LP is a disaster.

I K Curtis

He was wrong. Closer is a work of brilliance, which now stands as testament to Ian Curtis’s talents.
 

 
Bonus clip, plus rare interview with Curtis, after the jump…
 

Posted by Paul Gallagher | Leave a comment
Joy Division for the kiddies: What is this ‘Unknown Pleasure’?
05.20.2013
09:16 am

Topics:
Amusing
Fashion
Music

Tags:
Joy Division
Unknown Pleasures


 
Amusing t-shirt design in response to all those gazillion Tumblr images of Joy Division’s iconic album cover for Unknown Pleasures.

The t-shirt is by Adam J. Kurtz and it’s available to purchase for $25.00 here.

Via Post Punk Tumblr

Posted by Tara McGinley | Leave a comment
Rock ‘n’ roll’s alternate realities: Michael Jackson in a Joy Division T-shirt
02.07.2013
01:20 pm

Topics:
Music

Tags:
Michael Jackson
Joy Division


 
The other day I wrote “Photoshop is the new surrealism.” It was one of those things that just popped into my head and sounded right at the time. But the more I thought about it the more it seemed to hold some truth. I try to imagine the fun Max Ernst and Marcel Duchamp might have had with Adobe software. With all of the imagery available on the Internet, a dada collagist like Hannah Hoch would have thrived in the era of Google Images. The permutations and juxtapositions are infinite. The idea: take what’s there and create what’s not there.

Needless to say, not all Photoshop is art. But some of it, like art, lies to get at a bigger truth. Like the above picture of Michael Jackson wearing a Joy Division T-shirt. It’s fake but some of us wish it weren’t. The idea that Jackson was a Joy Division fan (even before Joy Division existed) is a thought that brings all kinds of groovy things to the fore—like the fact that pop culture is inherently a mash-up, that radio, iTunes and deejay mixes have made us grow accustomed to a world where everything collides, bounces off each other and often melds into a somewhat messy wholeness (This started for me a long time ago when I was 12 years old listening to a transistor radio transmitting a seamless stream of songs from artists whose only commonality was a good beat and a good hook. The Supremes melding into The Animals melding into Blue Cheer melding into Tom Jones).

In the collective consciousness of rock ‘n’ roll, the playlist that endures is immense, eternal, and like Michael Jackson wearing a Joy Division T-shirt, inclusive. The picture may be a lie, but the idea of it, what it suggests, is true. Rock music succeeds better than any other art form in the shattering of barriers, in bringing people together and in re-inventing reality. My world changed radically in 1963 when I first heard The Beatles on a jukebox in a pinball parlor in Southern France. I had no idea who they were, but for a moment time froze and I sensed a different future ahead of me than the one I thought I had been heading for.

When I initially discovered the photo of Jackson wearing Joy Division, I didn’t wonder “why?” I thought “why not?” It was a lie worth believing. I never came to rock ‘n’ roll for the facts. I came for the fantasy.

Posted by Marc Campbell | Leave a comment
Chuck Berry reviews Sex Pistols, Talking Heads, Clash and many more, 1980


Chuck Berry & Debbie Harry.
 
Chuck Berry interviewed by punk zine Jet Lag in 1980. Berry shares his thoughts about “what the kids are listening to these days.”
 

The Sex Pistols’ “God Save the Queen”:

What’s this guy so angry about anyway? Guitar work and progression is like mine. Good backbeat. Can’t understand most of the vocals. If you’re going to be mad at least let the people know what you’re mad about.

 

The Clash’s “Complete Control”:

Sounds like the first one. The rhythm and chording work well together. Did this guy have a sore throat when he sang the vocals?

 

The Ramones’ “Sheena is a Punk Rocker”:

A good little jump number. These guys remind me of myself when I first started, I only knew three chords too.

 

The Romantics’ “What I Like About You”:

Finally something you can dance to. Sounds a lot like the sixties with some of my riffs thrown in for good measure. You say this is new? I’ve heard this stuff plenty of times. I can’t understand the big fuss.

 

Talking Heads’ “Psycho Killer”:

A funky little number, that’s for sure. I like the bass a lot. Good mixture and a real good flow. The singer sounds like he has a bad case of stage fright.


Wire’s “I Am the Fly” and Joy Division’s Unknown Pleasures:

So this is the so-called new stuff. It’s nothing I ain’t heard before. It sounds like an old blues jam that BB and Muddy would carry on backstage at the old amphitheatre in Chicago. The instruments may be different but the experiment’s the same.


Click here to see larger image.
 

Click here to see larger image.
 
H/T WFMU and Music Ruined My Life

Posted by Tara McGinley | Leave a comment
‘Unknown Pleasures’: The story behind Joy Division’s iconic album cover
10.16.2012
06:59 am

Topics:
Art
History
Music

Tags:
Joy Division
Unknown Pleasures


 
Graphic designer and artist Peter Saville tells the interesting back-story on how the now iconic Joy Division Unknown Pleasures album cover art came to be in 1979. 
 

 
Via Nerdcore

Posted by Tara McGinley | Leave a comment
Joyce D’Vision ‘She’s Lost Control’ - what would Ian Curtis think?


 
You may remember a few months ago I posted about Joyce D’Vision, the world’s first drag queen tribute band to Joy Division (of which I am a member) and our adventures on UK primetime TV with the comedian Harry Hill.

Well, we have finally managed to wrangle Joyce herself into the studio to record some vocals, and the first fruits of this labor are cover versions of “She’s Lost Control” and “Isolation.” Both are iconic, classic tracks, that have been covered before (by Siobhán Fahey, Grace Jones and Wino & Conny Ochs, as featured in yesterday’s Roadburn post) but I like to think we have put our own unique spin on them.

While some people find the idea of Joyce D’Vision highly offensive, to me it’s as Northern English as Eccles cakes and Boddington’s bitter. People in Manchester have a sly, sometimes wicked sense of humor, and they are not above taking the complete mickey out of themselves and the stultifying, retro-based “Madchester” culture industry that seems to have a stranglehold on this town (check the blog Fuc251 for proof.) Unfortunately Joy Division are very much a part of this frozen-in-amber, Manchester music-heritage industry, which goes against the iconoclasm inherent in the band, and is ironic as they were sorely under-appreciated in this town when they did exist. 

And that’s where we come in. It’s all in the best possible taste, darling, with hints of Vic & Bob, The League of Gentlemen, Kenny Everett and Frank Sidebottom (a legendary Manc comic who famously covered “Love Will Tear Us Apart” on a Casio). We’re not doing this because we hate Joy Division, in fact it’s quite the opposite. Joy Division have helped us get through as much teen angst as the next wrist cutter, but the band’s hallowed status doesn’t mean they are above a bit of fun poking. Every religion needs its satirists. Because let’s face it, if what we’re doing is somehow ruining your teen dreams or memories of a JD goth paradise, then those dreams and memories were not very solid in the first place.

I am well aware of Ian Curtis’ mental health problems (duh!) and I’m 100% convinced he had that same sly, piss-taking, Manc sense of humor as everyone else who grew up within the city’s grey-and-redbrick confines. I think he would have had a giggle or two at a bearded drag queen singing his songs.
 

Joyce D’Vision with Harry Hill on the set of TV Burp
 
But more to the actual point, I wonder what Peter Hook thinks?

If you’re not aware, original JD/New Order bassist Hook has formed a new band with jobbing Manchester musicians called The Light, whose purpose is to cover the work of Joy Division. He’s the only original member, and now the band are embarking on a tour playing “Unknown Pleasures” in full.

Originally Hooky himself was on vocal duties, but after he shamefully forgot the words at an infamous Manchester show a couple of years ago, he has brought in Rowetta (ex-Happy Mondays and Britain’s Got Talent) to sing instead. Not to mention some of his celebrity-fan pals when they have the chance - The Light have performed JD tracks with Billy Corgan, Moby and Perry Farrell on vocals, among others. They sing from a lyrics book open at the front of the stage.

So is what we are doing with Joyce D’Vision really any worse than what Peter Hook is doing with The Light? In a sense, both are karaoke, but only one has an actual on-stage lyrics sheet. And it’s not the band with the drag queens. Which of the two acts, Joyce D’Vision or The Light, are going to do more to shatter your teen-goth memories of Joy Division?

I don’t doubt that The Light has got something to do with New Order reforming recently without Hook and his iconic bass sound, a massive “fuck you” statement in his general direction. A lot of people in Manchester are happy they did this, but there’s also many people wondering if New Order can properly function without Hook on bass. I’m not sure, but either way, I do wonder now what Barney and Steve (original JD members, remember) and Gillian (a HUGE drag inspiration for our band) make of Joyce D’Vision?

Time will tell. For now, here are our first two tracks:
 
Joyce D’Vision “She’s Lost Control”

 

Joyce D’Vision “Isolation”

   

You can make friends with Joyce D’Vision on Facebook.

 

Posted by Niall O'Conghaile | Leave a comment
The Sex Pistols: ‘I Swear I Was There - The Gig that Changed the World’

sex_pistols_manchester_1976
 
It’s been described as one of the most important gigs of all time, one that saw hundreds, even thousands of people claim they were there. In truth only around 30-40 people saw The Sex Pistols perform at the Manchester’s Lesser Free Trade Hall on June 4, 1976. But of those who did, most went onto form a generation of legendary bands - The Fall, The Buzzcocks, Joy Division, The Smiths.

Also, allegedly in the audience were such future ambassadors of taste as Anthony H. Wilson, who would co-found Factory Records and the Hacienda nightclub, and nascent journalist/writer Paul Morley.

Culturally, it was an event akin to the storming of the Bastille, for it unleashed a revolution.

I Swear I Was There tells the story of that now legendary night, and talks to the people whose lives were changed by The Sex Pistols.
 

 
With thanks to Graham Tarling!
 

Posted by Paul Gallagher | Leave a comment
Between Joy Division and ‘Blue Monday’: New Order live in NYC, 1981
02.09.2012
12:15 pm

Topics:
Music

Tags:
Joy Division
New Order


 
Before they recorded their classic 1983 album Power Corruption And Lies, New Order made an extended trip to New York and absorbed some of the city’s sound into their own world-weary music. Latin salsa, 12” remix culture and the beats they heard in nightclubs like Danceteria and the Roxy were obvious inspirations for the music they would soon come to make.

But at the time this was videotaped, New Order were still largely Joy Division minus Ian Curtis, a post punk band, not the electronic dance quartet they would soon become. This is a fascinating document of the group during perhaps the least documented era of their long career. As I would personally chose Movement over anything else in their catalog, this was a real treat to watch.

Recorded live at The Ukranian National Home in New York’s East Village on November 18 1981. Low lights, the musicians saying nearly nothing to the audience, a concert held in a hot sweaty dance hall—there’s an extremely underground quality to this show,
 

Posted by Richard Metzger | Leave a comment
Page 1 of 2  1 2 >