Emerson, Lake & Palmer
Lordy lord, do I love footage from the old Beat Club program from Germany in the early 1970s. (The show later turned into Musikladen). Last week we brought you some smokin’ hard rock jams including MC5, Alice Cooper, and the New York Dolls that originally appeared on Beat Club. This week we move onto prog—and the results are nearly as sublime.
This compilation is known as Frontiers of Progressive Rock (and was originally released on a Laserdisc), features five excellent prog bands in their prime, just fucking shit up. Yes, Soft Machine, the Nice, King Crimson, and the biggest seller of them all, Emerson, Lake, and Palmer are each represented with an early gem, and all of them just go to town. My favorite moment comes when Keith Emerson, dressed in glittery blue and green, hurls himself over his second organ and then rocks it back and forth from behind before playing a few notes from the “wrong” side.
I also really love how much of a premium Beat Club placed on ridiculous video effects. The ELP number has oscilloscope readings projected onto the back wall, whereas the entire Soft Machine number is enring’d in an orange halo on the screen. Meanwhile, during the Yes song a kaleidoscope effect is used wherein the center of the image is “reflected” around itself—you have to see it to get it. For some reason the Yes track incorporates a large revolving head suspended over an old-fashioned chair of some sort…. anyway, I love the intensity with which the bands play their songs, I love the varied instrumentation (violin, saxophone, etc.), and I love the acid-freakout visuals. If you’ve got nothing else going on, I recommend turning this on and finding a pharmaceutical or two to help you enjoy the day.
Emerson, Lake & Palmer: “Knife Edge”
King Crimson: “Larks’ Tongues In Aspic”
The Nice: “Hang On To a Dream”
Soft Machine: “Composition Based On 3 Tunes” (Medley of “Out-Bloody-Rageous,” “Eamonn Andrews,” and “All White”)
Yes: “Yours Is No Disgrace”