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Klaus Nomi salt & pepper shakers
10:26 am


Klaus Nomi

Just when you think you’ve seen everything—like the Steve Buscemi bikini—you come across an item like Klaus Nomi salt & pepper shakers. Now I would have never thought this up in a million years, but yet here we are. Looking at them.

The set sells for $35 by Etsy shop Yokai John. It looks like there’s two different sets in the listing for the Nomi shakers. If you do wish to order these, I’d be specific with the seller about which set you want. The listing’s a bit confusing.


Posted by Tara McGinley | Leave a comment
This felted Klaus Nomi is the most adorable thing you’ll see today
12:22 pm


Klaus Nomi

Here’s an adorable needle-felted Klaus Nomi doll by Colorado-based artist Marin (AntiM).

The artist writes:

“If I were a better photographer, you could see the prominent cheekbones and the sharp, slightly upturned nose.”

I have no clue if Marin is making more of these felted Nomis or if they’re for sale, but you can contact the artist here.

I dig it.

Below, Klaus Nomi, who was then making his living as a pastry chef, sings on Glenn O’Brien’s legendary NYC cable access show, ‘TV Party’:

Posted by Tara McGinley | Leave a comment
Nomi Noël: get your holiday jollies with ’Santa Klaus Nomi’
08:49 am


Klaus Nomi
Santa Claus

As ridiculous single-serving Twitter accounts go, “Santa Klaus Nomi” is worth a look. A holiday-themed send-up of the great and utterly singular operatic New Wave singer Klaus Nomi, it’s not the most original joke—I dimly recall a Chicago record store running a Santa Klaus Nomi ad in Lumpen 20 years ago, and there must be examples from the ‘80s as well. It’s just too obvious.

Though it was established in 2009, the oldest tweet seems to be from 2012 (posting ramps up around the holidays, surprise surprise), and it was joined in 2013 by a Facebook account, but the latter seems to exist solely for the sake of retweets. The account reactivated yesterday after a months-long spell of infrequent posting, with the following:

That’s pretty much the gist: pseudo-philisophical Christmasy ruminations so densely, elliptically faux-Teutonic as to put Mike Myers’ “Sprockets” sketches to shame. And its parody of that acutely angular and grimly serious post-WWII German expressionist trip is every bit as affectionate and funny as those old SNL bits.


Much more after the jump…

Posted by Ron Kretsch | Leave a comment
Cool T-shirts featuring Ken Russell, Klaus Nomi, John Waters, Sylvia Plath & more

It’s getting near that time for buying presents and shit. The one present I’ll certainly be adding to my holiday wish list of hoped-for Christmas goodies is a Ken Russell T-shirt from Hirsute History.

The l’enfant terrible genius of British cinema, Unkle Ken—the man responsible for such classic movies as Women in Love, The Music Lovers, The Devils, Tommy and Altered States—is just one of the many hirsute heroes to be found on a range of colorful clothing available from Hirsute History at Amphorphia Apparel. Here he joins Sylvia Plath, John Waters, Susan Sontag, Jerry Garcia, Ada Lovelace and a whole bunch of other artists, scientists, ideas and stars that’ll look good on your body.

So, if you fancy wearing a Ken Russell or an Ada Lovelace, then hop over to the site or get a retina burn from the selection below.
Ken Russell.
Sylvia Plath.
Groucho Marx.
More fab T-shirts, after the jump….

Posted by Paul Gallagher | Leave a comment
Remembering my friend, Klaus Nomi
02:34 pm


Klaus Nomi


This post comes from the Dangerous Minds archives and was originally published on August 8th, 2010, the 27th anniversary of Klaus Nomi’s death.

I met Klaus in the fall of 1977 in the lobby of the Cinema Village after a midnight screening of Eraserhead. We struck up a conversation about the movie and immediately hit it off. Wearing a black leather jacket, black jeans, black lipstick, black eye shadow and jet black, slicked back, widow-peaked hair, Klaus looked like an elegant punk vampire. But despite his dramatic appearance, Klaus was low-key and somewhat shy. I don’t know why we hit it off, but we did. He invited my girlfriend and me over to his apartment for the following night. He told us he was a pastry chef and wanted us to taste his creations. We readily accepted.

The next night when we arrived at Klaus’s apartment on St. Mark’s Place, he greeted us at the door wearing a chef’s apron. The smell of fresh baked pastry filled his small but impeccably neat home. We ate his delicacies and swooned. They were delicious. And while I felt comfortable in his presence, I also felt as if Klaus was not of this planet. There was something strange and alien about him, but benignly so. Klaus was an unusual being…which he would soon confirm.

While my girlfriend and I sipped wine, Klaus excused himself and disappeared into his bedroom. After about 15 minutes or so, he reappeared with a theatrical flourish in semi- drag, looking like a diminutive Diva: face made-up and wearing a red satin robe. He walked over to his stereo equipment, put a record on the turntable and started singing to an instrumental backing track, some kind of opera. He was stunning. His voice was sublime. I was witnessing something very special. His performance also explained why there were so many photos and paintings of Maria Callas in his apartment.

Later that night I told Klaus that I wanted to help him develop as a performer. I encouraged him to take the next step. The first thing I suggested was that he get a guitar and learn some basic chords. Singing to backing tracks was fine, but he needed to write original material and try to bridge the gap between high culture and rock and roll. I really believed he had the potential to be a star. I invited him to come to some of my band’s rehearsals and try his hand at singing with a rock group. It wasn’t a good fit, but it did loosen him up and point him in a direction that he would later follow.

One day Klaus called me and asked me to help pick out an electric guitar. I was thrilled. He was going for it.  We went to Manhattan’s music district and after several hours of shopping around, Klaus settled on a dark blue Fender Jaguar. He bought it and we went back to his pad and I showed him some basic chords. It didn’t take Klaus long to get the hang of E, A and D. When I left, he was already humming the beginnings of a song.

I never heard from Klaus again. No phone calls, nothing. I made a few attempts to contact him, but with no success. The next and last time I saw him was on Saturday Night Live singing back-up with Joey Arias behind David Bowie. Klaus was on his way to brief stardom. I felt sad to have lost my connection to him, but happy that I had managed to contribute in some way to his development as an artist.

Klaus died of AIDs five years after I met him. He was the first person that I knew to die of the disease. Tragically, the first of many.

A few months ago I asked Joey Arias about the blue Fender Jaguar. Was it still around?  Joey told me it had been sold after Klaus’s death. I was disappointed. I would have liked to have bought it myself as an Earthly memento of a friend who seemed to be visiting from another world, a world that perhaps he’s returned to.

Cold Song is a powerful live performance shot after Klaus was well into his illness. The second video is Klaus and Joey at work and play at Fiorucci in 1979.


Posted by Marc Campbell | Leave a comment
Klaus Nomi advertising Jägermeister
01:13 pm


Klaus Nomi

In addition to being an accomplished pastry chef, German New Wave opera singer from outer space, Klaus Nomi, was also a spokesperson for Jägermeister, the German cough medicine and working class aperitif.

Nomi’s face appeared on one side of a cardboard “table tent” distributed to bars that read:

“I’m drinking German Jägermeister because that’s my kind of girl over there.”

Here’s the other side of the table tent:

Below, Nomi, in a plastic raincoat stolen from Howie Pyro’s mother, unveils himself for the first time onstage at The New Wave Vaudeville Show in 1978 performing the aria from Saint-Saëns’ Samson and Delilah.

Posted by Richard Metzger | Leave a comment
Klaus Nomi on NYC’s 10 O’Clock News, 1981
01:15 pm


Klaus Nomi

How’s about a little experimental New Wave opera from outer space to get you through your Tuesday? Try this clip of a super friendly Klaus Nomi on a 1981 New York TV newscast.

You can tell that the reporter did her research and made such an unlikely subject for the times into nice little digestible local news story. Nomi’s completely adorable here—his pastry metaphor is downright endearing!

Posted by Amber Frost | Leave a comment
Life-size Klaus Nomi doll (and sarcophagus)
01:25 pm


Klaus Nomi

Artist Pat Keck is a massive Klaus Nomi fan. So much so that she built a life-size wooden Klaus Nomi doll which rests on top of a sarcophagus with lyrics from “The Cold Song” written around the edge.

Apparently Klaus comes equipped with hydraulics, for when you step on the attached pedal, he rises up and his head comes forward with arms moving.


Below, an absolutely stunning performance of “Cold Song”:



Posted by Tara McGinley | Leave a comment
Klaus Nomi on ‘Real People,’ 1979
03:14 pm

Pop Culture

Klaus Nomi

Whimsical segment from the seventies prime time TV program Real People featuring Klaus Nomi, Joey Arias and others (I also spotted a young John Sex and Kenny Scharf frugging away) dancing in the window of the Fiorucci boutique, which used to be across the street from Bloomingdales.

I used to buy blue jeans there, of all things…

Previously on Dangeorus Minds
The East Village Preservation Society: Club 57’s Ann Magnuson & Kenny Scharf

Posted by Richard Metzger | Leave a comment
Documentary on Klaus Nomi: Watch it here

Richard Metzger shared The Nomi Song with DM readers back in 2010 but the original source for the video is gone. Here’s a new link to the film.

Andrew Horn’s excellent 2004 documentary about New Wave opera diva from outer-space, Klaus Nomi, follows the rise of Nomi’s unlikely career until his death in 1983 from AIDS complications. With Kristian Hoffman, Kenny Scharf, Ann Magnuson, Tony Frere, Page Wood, David McDermott and in a great performance clip, David Bowie and Joey Arias.

High quality video and audio.

Posted by Marc Campbell | Leave a comment
‘The Tube’ 1983 NY clubbing special ft New Order, Klaus Nomi, Paradise Garage & more

The Tube was an early-to-mid 80s British “yoof” TV program covering music and fashion, hosted by Jools Holland and Paula Yates. This special report comes from sometime around 1983 (the date is unspecified but we know that Klaus Nomi has already died) when Holland and guest presenter Leslie Ash take a trip around New York’s most happening night spots. That includes the Paradise Garage, Danceteria, The Roxy and even a brief, passing glimpse of CBGBs.

If you can ignore the cheesy presenting style (“Wow! Clubs in New York stay open until FOUR o’clock!”, “I hear this club has a “happening” sound system.” etc) there are some great interviews here, as well as some priceless footage inside the clubs mentioned. So we get the likes of Arthur Baker talking about producing New Order, Nona Hendryx and Quando Quango performing live, Afrika Bambaataa on the turntables at The Roxy,  The Peech Boys backstage at the Paradise Garage, and Ruth Polsky and Rudolph of Danceteria talking about their good friend, the recently deceased Klaus Nomi: 

Thanks to Andrew Pirie.

Posted by Niall O'Conghaile | Leave a comment
East Village West: Ambitious exhibit of NYC’s fabled 70/80s art scene opens in LA

Photo of Ann Magnuson at Club 57 by Robert Carrithers

The block quoted text below is a slightly edited email that Dangerous Minds pal Ann Magnuson sent me this morning regarding an amazing sounding art exhibit that she and artist Kenny Scharf are curating at the quirky Royal/T gallery in Los Angeles. Titled “East Village West” (in official partnership with “Pacific Standard Time: Art in L.A. 1945-1980”) the show aims to link the fabled New York neo-Dada art scene of the late 70s/early 80s that coalesced around Magnuson’s Club 57 nightclub with its campy Hollywood influences. In the words of the curators “Walt Disney, Russ Meyer, Roger Corman, The Beverly Hillbillies, Sonny & Cher, The Partridge Family, Hanna-Barbera, Ed Wood, Frankie Avalon and Annette Funicello, Sid and Marty Krofft, The Monkees, Herb Alpert & the Tijuana Brass, The Mamas & The Papas, the cast of Rowan & Martin’s LAUGH-IN, Famous Monsters of Filmland magazine, Rodney Bingenheimer and his glam rock English Disco and every Shindig-lovin’, hullabaloo-ing teenager who ever rioted on the Sunset Strip.”

This is a museum-quality show, another art world score for Royal/T.

The exhibit is primarily art and ephemera from the collections and archives of Kenny and myself. Funny enough, I was finally sorting through all my East Village memorabilia when Kenny called me and asked if I’d take on the lions share of this curating job as he has a big show coming up and is painting night and day. It’s become massive! We have paintings, sculpture, fashions, video, photographs, ephemera….it is really a museum quality show! We focus primarily on Club 57 but there are many other elements as well…

We have art by Keith Haring, Kenny Scharf, Jean-Michel Basquiat (one real and two of my fakes), Tseng Kwong Chi, John Sex, Kitty Brophy showing art she’s never shown before, Bruno Schmidt, Kenny Scharf, Ann Magnuson, Vincent Gallo, Frank Holliday, Scott Covert, Stefano Castronova, Nancy A. Kintisch, Greer Lankton’s Terri Toye doll, Paul Monroe, Plasticgod and Randy Focazio; photographs by Robert Carrithers, Harvey Wang, Ande Whyland, Lina Bertucci, Joseph Szkodzinski; video by Barry Shils, Steve Brown, Andy Rees, Tom Rubnitz, and others; fashions by Natasha Adonzio (Natasha N.Y.C.) and Katy K; special ‘vintage’ DJ mix by original Club 57 DJ Dany Johnson in the “Porta Party” installation pod; PLUS cool ephemera and rare video provided by original Club 57 members like Marc Shaiman & Scott Wittman, Kristian Hoffman, Howie Pyro, Naomi Regelson, Jerry Beck and so many more! PLUS excerpts from THE NOMI SONG (directed by Andrew Horn) and ARIAS WITH A TWIST (directed by Bobby Sheehan)!

We are showing a lot of John Sex’s art that has never been exhibited. He made these gorgeous silkscreens and several feature Klaus Nomi. We also have many of the beautiful large silkscreen posters he did for events at Club 57.

Joey Arias is sending us several of Klaus Nomi’ costumes.  The Victoria and Albert Museum’s Postmodernism show is currently showing two of Klaus’ costumes. They wanted the vinyl coat that we will be exhibiting (a very early costume of Klaus’ that he had made based on the Sixties plastic raincoat Howie Pyro stole out of his mother’s closet so Klaus could use it to create his Nomi character that he debuted at the New Wave Vaudeville show). Joey couldn’t find it when he was gathering items for the V&A but he finally did find it and he sent it to us! (Howie is also DJ at the opening).

There is a beautiful slide show featuring work from 5 different photographers on the scene. LOADS of video including live footage from Club 57 never shown. Marc Shaiman and Scott Wittman (who won the Tony for HAIRSPRAY) did some of their first musicals at Club 57 and we have a clip from one of them. Clip from THE NOMI SONG about the New Wave Vaudeville show and clips from ARIAS WITH A TWIST to give the youngin’s a quick East Village history lesson.

Kenny Scharf videos (very Warholian if Warhol was a complete goofball), my MADE FOR TV, the video of the Ladies Auxilliary LADY WRESTLING night…

A compilation of our California influences that were transmitted into our still forming noggins via TV edited by Jonathon Stearns that I KNOW you are gonna love.

A special display for the Monster Movie Club (Howie Pyro lending us his MMC t-shirt).

Young members of the ‘new generation’ carrying on the tradition of Club 57 will be performing. Fresh off last seasons AMERICA’S GOT TALENT, Prince Poppycock will sing The Mumps song THAT FATAL CHARM to a track he is recording with Kristian Hoffman (who wrote the song). Another Hoffman hit is one originally sung by Klaus Nomi and sung by Timur of the Dime Museum who is simple astounding! Drag King Mo B. Dick is ‘coming out of retirement’ to do John Sex (John Waters says she is his favorite Drag King, she was featured in PECKER) , and more! (Everyone is listed in text below).

Austin Young is doing an on site art installation called CALIFORNIA NEW WAVE creating New Wave makeovers, Austin Young style.

Dany Johnson made a 4-hour DJ mix of her Club 57 favorites.

The list goes on! As you can see, the show and the opening in particular is going to be a bona fide old skool ART HAPPENING!

We encourage everyone to pull their pointy toed shoes and ripped fishnets out of mothballs and come on down!

We hope to inspire and encourage the young kids how to have fun and be wildly creative with no money! We did it during the first great recession, it can be done during the second!

The details: Royal/T presents East Village West, curated by Ann Magnuson and Kenny Scharf. From October 1, 2011 until January 10, 2012. Opening reception Saturday, October 1, 8-11pm

DJ Howie Pyro and performances by Prince Poppycock, Timur of The Dime Museum, Drag King “Mo B. Dick” as John Sex (along with “his” Bodacious Ta-Tas), Stacy Dawson Stearns, Gregory Barnett, and Meg Wolfe are The Psych-Out Dada Go-Go Family and of course Ann Magnuson and Kenny Scharf.

Plus video from Club 57 never before shown in public. Doughnuts are promised.

Below, a slideshow of some of Harvey Wang’s great photos of Club 57:


Posted by Richard Metzger | Leave a comment
Klaus Nomi and Iggy Pop destroy David Bowie

This is a clip from The Venture Bros’ Showdown at Cremation Creek (Part II) which aired in 2006.

I never thought back in the late ‘70s when I knew Klaus Nomi that one day he’d be a cartoon action hero. But upon reflection nothing about Klaus should surprise me. Here he is teaming up with Iggy Pop to defeat David Bowie. Tons of subtext for a cartoon.

More can be found here.

“Now you’re gonna be my dog.”

“Ding, dong, the queen bitch is dead.”

Posted by Marc Campbell | Leave a comment
‘Za Bakdaz’: Klaus Nomi’s science fiction operetta
01:05 am


Klaus Nomi
Za Bakdaz

Za Bakdaz (the back days?) was a space-age operetta that Klaus Nomi was working on with collaborators George Elliott and Page Wood during 1979. It was unfinished at the time of his death in 1983. Working from old tapes, notes and past discussions with Klaus, Elliot and Wood completed the project and released it as an album in 2008. You can purchase it here.

In this video clips from 1960 German sci-fi film First Spaceship On Venus are wedded to the overture and song “Cre Spoda” from Za Bakdaz. It’s eerily effective.

Posted by Marc Campbell | Leave a comment
Klaus Nomi: Watch ‘The Nomi Song’ documentary for free

Watch a FREE video stream of The Nomi Song, Andrew Horn’s excellent 2004 documentary about New Wave opera diva from outer-space, Klaus Nomi. Follows the rise of Nomi’s unlikely career until his death in 1983 from AIDS complications. With Kristian Hoffman, Kenny Scharf, Ann Magnuson, Tony Frere, Page Wood, David McDermott and in a great performance clip, David Bowie and Joey Arias. Oddly sponsored by American Express.

Previously on Dangerous Minds:

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