I’ve never really considered putting a garden gnome in my garden before, but I just might have to rethink that ‘cause this Lemmy garden gnome is pretty rad and hilarious. Etsy shop Ian the Gnome refurbishes old garden gnomes and will customize ones for you, too. I’d like to have one made of Bad Brains’ frontman of H.R., too please!
As Lemmy will tell you himself, those facial bumps are not warts they’re moles. He did have warts once, on his hands, nineteen of them with one going round his finger like a snake. But they all disappeared, one night, after he had a bath though his hands never went in the water. Or, so he claims.
Lemmy’s moles are famous. They even have their own Facebook page, with an ambition to “conquer every woman who gaze upon them.” Who knew they could be such aphrodisiacs?
They have also been the focus of much speculation from music journalists, who seem unable to resist asking why the LA-based legend has never had plastic surgery to have them removed? Usually, Lemmy just points to his mutton-chopped face and says:
What can you make out of this? What are you going to do? I think I look all right for my age, anyway.
Apart from being conversational ice-breakers, Lemmy’s moles have recently inspired one fan to make this little animation of Lemmy’s mole performing “Ace of Spades.”
If there were any doubt in your mind that Motörhead’s apparently indestructible singer/bassist Lemmy Kilmister is a total goddamn genius, I refer you to these two “Ask Lemmy” videos. They were produced for the program Hard N Heavy on the Canadian E1 network in 1994, and in them, the man who gave the world the lyric “They say music is the food of love/Let’s see if you’re hungry enough” offers some perfectly blunt, often hilarious, genuinely sage advice on matters of love, sex, and RACE RELATIONS.
I know, I know, this is incredibly silly but it cracks me up.
British comedian Stevie Riks does wickedly funny impressions of rock stars that are often as cruel (though affectionate) as they are funny. In this particular video, Riks portrays Barry Gibb, Freddie Mercury and Lemmy as they perform The Chi-Lites’ classic “Have You Seen Her.’
The best band that emerged out of the fertile soil of the UK punk movement in the 1970’s, is, for my money, The Damned. Sure, I love the Pistols, but they imploded as quickly as they emerged. The Clash were good but got bloated by the end. (Plus, I am forever bitter about having “Car Jamming” forced on me at a formative age. Really, guys?) But The Damned have never let us down. From their debut, Damned Damned Damned to the psychedelic rock infused masterpiece of their 2008 album, So, Who’s Paranoid, they have never sold out, gotten stodgy or taken the easy way out. With each album, you can hear a band that started off strong only get progressively better and more bold. Simply put, The Damned is one of the greatest bands ever and the time has finally come for their story and music to be embraced in documentary film mode.
Wes Orshoski, who was one-half of the directing team behind 2010’s excellent documentary, Lemmy, which coincidentally (or not) featured Dave Vanian and Captain Sensible from The Damned, has started work on the as-of-now untitled film project. As a longtime fan, this is extremely exciting and if it’s at least as good as Lemmy, then this is truly going to be a long overdue treat.
For more information, you can read about this on The Damned’s Official Site.
A 15-year-old, Hugh Cornwell poses with his first band Emil and The Detectives in 1964. The band was formed by guitarist Richard Thompson (on the far right of picture). who went on to Fairport Convention, while Cornwell found fame as frontman with The Stranglers. Cornwell talked about this early snapshot in the Telegraph Magazine:
I remember getting the violin bass guitar I’m holding here, I was about 15 and had saved up £50 for it. Before then I’d been playing a homemade version with a neck the thickness of a plank of wood. Richard Thompson (on the far right) suggested I learn to play bass because he was forming Emil and the Detectives (the band in the picture) and he needed a bass player, so he taught me. We were good friends from school and we played each other music that we had discovered, like the Rolling Stones and the Who. Richard’s older sister, Perri, who was the social secretary at the Hornsey College of Art in north London, would book us to play parties and pay us £30 per gig. Our biggest claim to fame was supporting Helen Sahpiro at the Ionic cinema in Golders Green. But after we took our O-level [exams] we lost touch. The next I heard he was the lead guitarist in Fairport Convention…
...In August 2008 I was doing a festival outside Madrid and the promoter said, ‘If we hurry we can catch the end of Richard Thompson’s set.’ I couldn’t believe it. I hadn’t seen Richard in 30 years. We had a big huggy reunion and now we’re back in touch it’s really lovely. When I played in LA last year he came to watch and I suggested that we play a song together. I chose “Tobacco Road” by the Nashville Teens, which was a number one hit in the 1960s and was one of the first songs we learnt together.
Hugh Cornwell tours the UK April 6-17, details here.
More early pics and performances of pop stars, including Lemmy, Bowie and Davy Jones, after the jump…
Lemmy guest stars in the video for the Foo Fighters’ new tune “White Limo” produced by Butch Vig.
I’m not a big Foo Fighters fan, but I know fun when I see it. The battered video tape look suits the song which sounds like some dirty ass hardcore thrash from the 80s. Shades of Vig’s early production work with Die Kreuzen. Very cool.
We’ve been having alot of fun here at Dangerous Minds sharing deconstructed songs from many of our rock and roll heroes. And in our neverending search to bring you the best isolated tracks we can get our music loving hands on, I present to you one of the more unusual discoveries I’ve come across: Lemmy’s vocals for ‘Ace Of Spades’.
I have the feeling that Lemmy usually goes with the first take.
I just did a quick search and to my surprise, none of us has ever posted about the magnificent spacerock maelstrom that is the Hawkwind sound. One of rock’s longest running groups, Hawkwind has always stood outside of any particular era or fashion. With their statuesque dancer Stacia Blake, a pioneer of onstage nudity (who often appeared buck naked except for body paint) and lyrical contributions from Michael Moorcock, there was noting even remotely similar to what Hawkwind was doing onstage in the early ‘70s. It’s apropriate probably, to compare them to the Grateful Dead, an act that was more about the live experience than the albums.
A big influence on groups like the Psychedelic Furs, the driving sci-fi metal drone of Hawkwind would eventually give rise to one of the heaviest combos of all time, when bassist Lemmy Kilmister would leave the group—after being arrested for possession of speed—and form Motorhead. (Lemmy once told me personally that speed did what cocaine is supposed to do. So now you know!).
Below is a mind-twisting live performance clip, originally shown on Top of the Pops in 1972 of Hawkwind performing SIlver Machine with the lovely Stacia in tow.