The so-called Wiccan “Rule of Three” (also called the “Three-fold Law” or “Law of Return”) is a moral code held by many witches. Karma is another word that (more or less) covers the same general territory. The energy that you “put out there”—whether good or ill—will return to you three times stronger. It’s not something that’s really a dogma among Pagans, but more of an admonition, or warning to neophytes, that there is a reward—or punishment—in harmony with the magic you work and the intent behind it.
An unflattering picture of the babbling orange idiot who knows the nuclear codes and a candle are all it takes to participate. The event’s Facebook page is here. If you can’t be at Trump Tower at the appointed time, face east and let ‘er rip… Some helpful instructions can be found here. Facebook event page here.
Yours truly made a recent appearance on How Sex Changed The World, a colorful, fast-paced new History Channel series. The topic was Aleister Crowley and basically how his outsized sex drive and compulsion to do whatever his dick desired that ultimately had a great effect on society in the 1960s.
In other words, Crowley was a free-living, free-loving hippie during the Victorian era, lighting the long fuse of a bomb with his “Do what thou wilt” philosophy that would go off with the sexual revolution.
I had fun doing this show and I got to explain a general concept of what sex magic is to middle America! Good times!
The Crowley segment starts at about the 5:50 mark.
...a house where proper precautions against disturbance can be taken; this being arranged, there is really nothing to do but to aspire with increasing fervor and concentration, for six months, towards the obtaining of the Knowledge and Conversation of the Holy Guardian Angel.
Boleskine suited Crowley’s needs, and he later described the place in Confessions:
The house is a long low building. I set apart the south-western half for my work. The largest room has a bow window and here I made my door and constructed the terrace and lodge. Inside the room I set up my oratory proper. This was a wooden structure, lined in part with the big mirrors which I brought from London.
For Crowley, Boleskine House was a “Thelemic Kiblah”, a “Magical East”, where he could practice the Black Mass and summon demons. It is these demons which are believed by many to have caused the strange, monstrous disruption to the loch. Crowley later described the events in his later autobiography which basically go something like this:
...the spirits he summoned got out of hand, causing one housemaid to leave, and a workman to go mad. He also insinuates he was indirectly responsible for a local butcher accidentally severing an artery and bleeding to death. Crowley had written the names of some demons on a bill from the butcher’s shop.
Aleister Crowley and the Other Loch Ness Monster is an engaging short documentary, directed by Garry S. Grant. It contains fine interviews with Kenneth Anger, Colin Wilson, Neil Oram, Head of the UK OTO, John Bonner and Mogg Morgan. And the commentary is read by former Jesus of Nazareth, Robert Powell.
Back to my American friend. As we headed off into the night, in search of another bar, he said, “You ever think that monster was maybe Cthulhu?”
A brief interview with the legendary film-maker Kenneth Anger, in which he discusses Magick, the O.T.O., Bobby Beausoleil, and Henri Langlois, with interviewer Jean-Emmanuel Deluxe. Recorded at the Galerie du Jour Agnès B., in Paris, November 2012, for Standard magazine.
With Alan McGee it’s difficult not to be inspired to go out and do something great, something daring, like he did with Creation Records and Poptones and all the bands whose music defines the past 3 decades. His infectious energy glows and inspires, it fills you with his rich enthusiasms for life.
Just now McGee seems to be everywhere: he is making a film called Kubricks with the artist Dean Cavanagh; he’s writing his memoirs; he’s curating a music festival in Japan for 2013; he’s working on an art exhibition with musician Alex Lowe of Gun Club Cemetery; he’s thinking about returning to making records because most of today’s music is “awful”; and he’s also studying Aleister Crowley and Magick.
‘For the last 5 years, I have been studying Crowley / Osman Spare and the Chaos Magickians. I got into Crowley because everybody told me not to go there so, of course, I did and ended up at Chaos Magick.
‘I 100% love Aleister Crowley. The Book of the Law is my Bible. I love him. Anybody that is still demonised by the media seventy years later had to be on it and he was. He was the ultimate libertarian.
‘I believe in the power of will. If I want something to happen it does. It always has and that was before I read Pete J Carroll. I really wanted Creation Records to become massive and to get the biggest band in the world and I did.
‘I wanted to become rich and I did, which sounds crass but I come from Glasgow we had fuck all, so having money interested me and still does.
‘If I really want something it comes to me. That was before I learned you can do it with technique, we all can read the right books and be very accurate in what I want to achieve.
This might sound like arrogance, but it’s not. It’s just said in a matter-of-fact way, without any sense of ego.
‘I am almost a hermit in Wales, then I go and DJ or give a talk or work with Takashi, my Japanese friend on Tokyo Rocks and I become the old Alan/Rock ‘n’ Roll Alan, which I also enjoy.’
Most recently he bought a church.
‘I bought this chapel in Wales, as all the pubs and churches are for sale, so I bought it for 33K, has its own graveyard, it’s pretty posh, so that should be fun. I live on a ley line in Hay-on-Wye, everything that happens here is charged. The chapel is more for doing stuff that local people can interact with long term. I know Primal Scream want to do playbacks there etc. so, it’s going to be fun.’
Last month he was producing his first feature film Kubricks, written and directed by Dean Cavanagh, starring Joanna Pickering, Matt Berry, Gavin Bain, Anton Newcombe and, of course, McGee.
Dean and Alan became friends around 2008, after working on the hit on-line comedy series Svengali, which has now been made into a movie.
‘We formed Escalier 39 as a film company to shoot some DIY films. We talk a lot on the phone and have a lot of the same political and spiritual views on things so the film company seemed obvious to us. It’s an experiment really, to see if we can make films together.’
He pauses when asked what his role is in Kubricks.
‘Good question. Maybe as agent provacateur.’
Kubricks was shot over an ‘exhausting’ 5 days and is currently being edited. It’s tag-line is ‘Everything Is Synchronicity…Even Chaos!’ and is a new map to the world Kenneth Anger once filmed (‘I love Kenneth Anger…he’s an amazing dude’) of Magick and Art. Though McGee puts it more bluntly:
‘I could say meta-physics, but the truth is we don’t really know, which is why we did it.’
Kubricks will released next year, which brings us to McGee’s next project, his return to music after his “retirement” five years ago, which led him to believe he had given muisc up completely. But the cancer of mediocrity spread by Simon Cowell and the piss-poor quality of current chart music has led McGee to rethink things, especially after an offer to organize music festivals in Japan.
‘Recently I have been helping curate stadium festivals in Tokyo for 2013, and I am enjoying it. So maybe I am moving back towards music. I don’t know, to be honest.
‘I do like films and books more than working with music but I find music easy to do, I sort of understand the music process and always have done.
‘I think music is awful at this point and it’s deliberate. Music is such a strong thing, with the message and the vibration and they want it now to be shit so it loses its impact on people. They are great bands around but they just are basically marginalised till they give in.’
Next up, is an exhibition with Alex Lowe, and another film with Cavanagh set in the recently acquired church..
‘Dean is already writing a script about the chapel, but to be honest we both have too many ideas.’
Bilingual? No problems if you’re not, the important sections here are Kenneth Anger’s, where the Magus of American Cinema tells his story from Fireworks to Lucifer Rising, via Bobby Beausoleil, Mick Jagger and Aleister Crowley, in this rare interview with French television from 2003.