In 1993, Rough Trade records put out Lipstick Traces, a “soundtrack” to the book by Greil Marcus. It’s one of my favorite CDs of all time, with tracks by The Slits, Essential Logic, The Raincoats, The Mekons, Buzzcocks, The Gang of Four, Jonathan Richmond and the Modern Lovers, Situationist philosopher Guy Debord and others. It’s an amazing collection, but one track in particular stands out from the rest, a recitation by none other than Marie Osmond, of Dada poet Hugo Ball’s nonsensical gibberish piece from 1916, “Karawane.”
Hugo Ball was a follower of anarchist philosopher Mikail Bakunin and became one of the founders of the Zurich nightclub, Cabaret Voltaire, the nexus of the Dada art movement. He would go onstage dressed like this and basically, uh, do avant garde things:
Ball’s unusual costumes were later ripped off by David Bowie, and then Klaus Nomi after him. Another of Ball’s Dada poems, “Gadji beri bimba” was adapted into the Talking Heads number “I Zimbra” on 1979’s Fear of Music album.
Here’s the story behind this, I think you’ll agree, most excellent clip. From the Lipstick Traces liner notes:
As host of a special (Ripley’s Believe It or Not) show on sound poetry, Osmond was asked by the producer to recite only the first line of Ball’s work; incensed at being thought too dumb for art, she memorized the lot and delivered it whole in a rare “glimpse of freedom.”
Believe it or not...