Artist Sig Waller has given Dangerous Minds an exclusive preview of her latest work—3 drawings that form part of her Parlour Games series. The drawings are adapted from 18th century engravings (used to illustrate books by the Marquis de Sade), which are drawn in ink directly onto vintage napkins and antimacassars.
A rare and brief interview with Pier Paolo Pasolini on the set of his notorious film version of De Sade’s Salò, or the 120 Days of Sodom. As ever, Pasolini’s is uncompromising in his views of film-making and politics, which are still relevant today.
There is a lot of sex in it (Salò), rather towards Sado-Masochism, which has a very specific function - that is to reduce the human body to a saleable commodity. It represents what power does to the human being, to the human body.
All my films start from a formal idea, which I feel I must do. It is an idea I have of the kind of film it must be. It cannot be expressed in words, you either understand it or you don’t. When I make a film, it because I suddenly have an inspiration about the form of that particular subject must take. That is the essence of the film.
As I shoot this film, I already have it edited in my mind. Therefore, I expect a greater professional ability from my actors. So, this film I’m using 4 or 5 professional actors. But even the ones I have collected from the streets, I use them almost as if they were professional actors. The lines have to be said properly, the way they were written, and all in one take. They must have the correct facial expression from the beginning to the end of the shot, etc etc.
My need to make this film also came from the fact I particularly hate the leaders of the day. Each one of us hates with particular vehemence the powers to which he is forced to submit. So, I hate the powers of today. It is a power that manipulates people just as it did at the time of Himmler or Hitler.
I don’t think the young people of today will understand this film. I have no illusions about my ability to influence young people. It is impossible to create a cultural relationship with them, because they are living with totally new values, with which the old values cannot be compared.
I don’t believe we shall ever again have any form of society in which men will be free. One should not hope for it. One should not hope for anything. Hope is invented by politicians to keep the electorate happy.
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