Live and insane: Video of Devo at Max’s Kansas City in July of 1977
03:12 pm


Max's Kansas City

The original photoshop: Letraset, Magic Marker and a Xerox machine.

It’s July 9, 1977 and a mind-blown audience (I was among them) sees and hears what David Bowie called “the band of the future”: Devo.

Timing X/Soo Bawls
Gut Feeling

This is about half of their second set. The video quality is rough but the sound is remarkably good.

Written by Marc Campbell | Discussion
Vintage Bruce Springsteen performance, Max’s Kansas City, 1972

Early B&W video footage of Bruce Springsteen performing “Growin’ Up” at Max’s Kansas City on August 10, 1972.

David Bowie happened to be there that night and this is what he had to say about the then unknown Boss’s performance:

“So this guy is sitting up there with an acoustic guitar doing a complete Dylan thing. My friend and I were about to leave when he started introducing a band who were joining him on stage.”

“The moment they kicked in he was another performer. All the Dylanesque stuff dropped off him and he rocked. I became a major fan that night and picked up Asbury Park immediately.”

In 1973 Bowie recorded “Growin’ Up” as part of the Pin Ups sessions. The song didn’t make the cut, but it would see Bowie record the very first Bruce Springsteen cover. Two years later, during the Young Americans sessions, Bowie laid down a soul version of Springsteen’s “It’s Hard to be a Saint In The City” with the Boss in attendance for the mixdown at Philadelphia recording studio, Sigma Sound.

Below, another song recorded at Max’s that same night (actually the set’s opening number), “Henry Boy.”

Via Max’s Kansas City

Written by Richard Metzger | Discussion
Patti Smith performing at Max’s Kansas City in 1974
11:25 am


Patti Smith
Max's Kansas City

I’ve never seen this video shot by Bob Gruen before and I’m pretty much a Patti Smith fanatic. I didn’t even know it existed.

This is a very young Smith performing at Max’s in 1974 with Lenny Kaye and Richard Sohl.

More Rimbaud than Keith Richards.

Written by Marc Campbell | Discussion
Kongressional Hearing: Amazing Unknown Punk Band From the 70s, Kongress

When some magicians die, they vanish—their work done, their infernal ceremonies finished, their fire extinguished—leaving no traces behind. This was almost the case with self-styled high priest of rock magick, Geoffrey Crozier. Almost, I say, because some extraordinary documents of his short, turbulent time on this planet still remain. Dangerous Minds pal Otto von Ruggins is allowing us to showcase some of this rare and previously unseen material. If you are into vintage garage and punk rock insanity—like the MC5, New York Dolls or Alice Cooper, you know, the transgressively transcendent stuff that Julian Cope or Thurston Moore like—in all its mutant glory, then this post is for you.

Geoffrey Crozier was an enigmatic magician/rock performer from Australia who was a legend amongst New York City’s underground rock cognoscenti circa 1975-78. Crozier was the lead singer—you could also say lead shaman—of a rock group called Kongress whose other members at that time included pith helmet-wearing synth player Otto von Ruggins, “anti-social” guitar shredder Rudolph Grey (later the author of Nightmare of Ecstasy the Ed Wood bio) and nutzoid space rock No Wave madman VON LMO who beat the drums savagely, often with chains.

In the pages of The Village Voice, James Wolcott described a Kongress gig like so:

“A rowdy bottle smashing night…earlier in the evening there had been an altercation with a satanic occult band named Kongress that played music that sounded like a Concorde drone with Aleister Crowley lyrics. They abandoned the stage only after threats of violence were unfurled like vampirish cape flourishes.”

More Kongress after the jump, including insane live footage from Max’s Kansas City, Halloween of 1976 and 1977!

Written by Richard Metzger | Discussion
The only known film footage of the inside of Max’s Kansas City

Ciao! Manhattan director David Weisman claims that this is “the only known footage of the inside of Max’s Kansas City.” Of course, he’s not including all the films and videos of performances shot at Max’s. But those don’t reveal what the club as a whole looked like.

A brief glimpse into New York’s epicenter of cool when everything and everyone seemed larger than life.

Viva, Richie Berlin, Ara Gallant and Paul America make fleeting appearances. This was shot in the late Sixties. Weisman narrates.

Thanks to Leee Black Childers for the photo.

Written by Marc Campbell | Discussion
High on Rebellion: Max’s Kansas City
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Mickey Ruskin
Steven Kasher
Max's Kansas City

Paul Morrissey, Andy Warhol, Janis Joplin and Tim Buckley at Max’s Kansas City, 1968
In 1998, High on Rebellion, the definitive oral history of Max’s Kansas City, the bar/restaurant/nightclub that was THE in-spot of New York’s rock/art demimonde, was published. Written by Yvonne Sewall-Ruskin (once the wife of Max’s founder, Mickey Ruskin) it’s a classic book, one that should rightfully be as well-known as Edie: American Girl, Please Kill Me or POPism: The Warhol Sixties, one of a handful of truly must-read volumes if you want to understand what was happening culturally in New York City during the Sixties and the Seventies. Sadly, the book is obscure, but hopefully it will be republished one day.

At Max’s, the regulars would include names like Alice Cooper, Andy Warhol, Lou Reed, William Burroughs, Larry Rivers, Tennessee Williams, Mick Jagger, David Bowie, Philip Glass, Halston, Jackie Curtis, the New York Dolls, Candy Darling, Iggy Pop, John Waters, Salvador Dali, Patti Smith, Robert Mapplethorpe, Robert Rauschenberg, Carl Andre, Donald Judd, John Cale, the list could go on and on. Devo, Tim Buckley, Aerosmith, Bob Marley and the Wailers, Bruce Springteen, Tom Waits, Sid Vicious, the B-52s and Gram Parsons all played Max’s and Debbie Harry and Emmylou Harris were waitresses there. As Aerosmith’s Steven Tyler said, “You knew even the assholes would be famous one day. It was that kind of place.”

He’s right about that. Abrams Image has just published a gorgeous new coffee table book of photographs and ephemera (menus, newspaper ads, notes from an art auction) from Max’s, titled, appropriately enough Max’s Kansas City: Art, Glamour, Rock and Roll. Edited by NYC gallery owner Steven Kasher with contributions from Lou Reed, Lenny Kaye, Danny Fields, Lorraine O’Grady and Steven Watson, this oversized volume is one of the best books of this sort to come out in a long.long time. It also makes a nice, decade-late companion to High on Rebellion: If the earlier book was primarily anecdotal, Kasher’s volume takes the opposite approach of a picture being worth a thousand words. When the subject is a place like Max’s—once described by writer Terry Southern as “the lower circles of Dante’s Inferno filled with Bosch and Breughel characters—a well-framed photograph communicates more than words ever could...

For instance, a big part of Max’s legend was the infamous “back room” VIP area where anything could—and apparently did—happen. (The line in Lou Reed’s “Walk on the Wild Side” about drag queen Candy Darling: “In the back room, she was everybody’s darlin’” refers to Max’s). Not only is there a shot in the book of a man (identified as poet/artist Rene Ricard, although you can’t really see his face) giving another man a blow job right in the middle of the restaurant—tell me that’s not context, people!—there is also a photograph of someone standing on a table in the foreground, with people laughing, but in the background, where the camera wasn’t pointed, we see Warhol superstar Taylor Meade, bare-assed naked. Casual nudity seems like the way it was done at Max’s, if these photos are to be believed.

Currently there are two Max’s Kansas City related shows going on in New York. Steven Kasner Gallery (521 W. 23rd St.) hosts an exhibit related to his book with over 150 limited edition photos and the Loretta Howard Gallery (525 W. 26th St.) has “recreated” the art that hung at Max’s (artists like Warhol and Larry Rivers would pay off their tabs in trade) with an exhibit called “Hetero-Holics and Some Women Too.” 

Max’s was open on Park Avenue South from 1965 until 1974 and reopened under different management in 1975. That incarnation lasted until 1981. 213 Park Avenue South, the building that once housed the insanity that was Max’s Kansas CIty is now occupied by a Korean deli (that I went to often). Mickey Ruskin died in 1983.

Max’s Kansas City (official website)

Revisiting Max’s, Sanctuary for the Hip (New York Times)

An Artist Oasis (New York Times photo gallery)

Below: Some (mostly silent) footage from the heyday of Max’s Kansas City shot by Anton Perich featuring Warhol actress Andrea Feldman (who killed herself at the age of 24), Taylor Meade, Candy Darling, Jackie Curtis, a gorgeous young Mary Woronov and towards the end (with audio) Max’s owner, Mickey Ruskin himself.

Written by Richard Metzger | Discussion