The field of sex toys with an explicit rock music tie-in is a relatively new one, but if you think about it, it would be odd if a band who released an album called Orgasmatron and a song called “Vibrator” didn’t have a line of sex toys. Clearly, this was the kind of thing Lemmy and the gang gave serious thought.
My colleague Ron Kretsch introduced readers to Lovehoney’s line of Motörhead-themed vibrators last year, so this isn’t exactly a new topic for us. The four products that were made available last year were tributes to Ace of Spades and Overkill—all of them vibrators—with prices ranging from $26.95 to $54.95.
But when they come out with new Motörhead models, well twist our arm, it’s our pleasure, nay our responsibility to let you know. Not for nothing, but the Orgasmatron thing was just lying out there waiting for something to give. Sure enough, Lovehoney has three new products, a glass dildo in both clear/black and black/gold which is a tribute to Bomber, and an “Orgasmatron War Pig Wand Vibrator.”
Over the weekend, my Facebook feed—and a fair few others’ as well—blew up with a years-old video of a Dutch brass band called Heavy Hoempa busking Motörhead’s “Ace of Spades” at the prog/metal festival ProgPower in 2013. Despite its age, the video went viral seemingly out of nowhere, racking up 50,000 shares in just a few days. If you weren’t one of its three million viewers, check it out now, it’s quite wonderful.
Thing is, that’s just a small taste of their offerings. The Uden-based Heavy Hoempa, which I’m pretty sure means “heavy busker,” specialize in metal covers; per Google translate, their self-description on Twitter is “Solid rock with a big wink from blazers with balls.” The band still exists, purveying quite wonderful versions of metal classics including “Paranoid,” “The Trooper,” and “Highway to Hell.”
A bronze Lemmy statue was unveiled last night at the Rainbow Bar & Grill on Sunset Boulevard in West Hollywood, California. The statue stands at 6 feet tall and was sculpted by Los Angeles-based artist Travis Moore.
The Rainbow Bar & Grill was one of Lemmy’s favorite haunts. He didn’t (or was allowed to?) drive and lived within walking distance of the legendary nightclub and watering hole for the famous. It makes perfect sense why the statue was erected there. His ashes belong at the Rainbow, too, but in a commemorative ashtray.
Set to make their debut to the word at massive UK heavy metal festival Bloodstock are two new custom bass guitars that were created to memorialize the forever frontman of Motörhead, Lemmy Kilmister.
Paul Raymond Gregory the man behind Bloodstock commissioned Cynosure Guitars to make two different Lemmy inspired basses—“The Lemmy Bass” with a body carved in Wenge wood (found in Central Africa) in the image of Motörhead’s famous “Warpig” (also known as “Snaggletooth” complete with a nose ring and Zebra wood eyes that function as volume controls) and a more classic bass with touches inspired by Lemmy’s love of German WWII military artifacts.
In addition to getting an eyeful of both incredible bass guitars the bar at Bloodstock has been renamed “Lemmy’s Bar” in honor of the rebellious Kilmister who as we all know had a nearly life-long relationship with booze—specifically his beloved Jack and Coke. While I know many of our readers are big Motörhead fans and are probably saying out loud “shut up and take my money!” both fully-functional basses are at this time one-offs and do not appear to be for sale. Yet.
One of the five commemorative stamps issued by the German postal service honoring the late Motörhead frontman, Lemmy Kilmister.
If you have friends or relatives in Germany, it’s time to call out a favor as the German postal service has just released a collection of stamps honoring the late Lemmy Kilmister.
There are a total of five different images of the iconic Motörhead leader in the book of ten stamps, that will be available for sale starting on May 17th through June 17th, 2016. Sales of the Lemmy stamps will be limited to only 7777 books (an homage to Lemmy’s “lucky seven”), and will run you about eleven bucks (US) over here. But again, you can only purchase them if you’re actually in Germany. So get going on locating your long-lost German Aunt or Uncle as I’m 100% sure these stamps will sell out swiftly.
Motörhead on the cover of Flexipop! magazine, June, 1981.
UK music magazine Flexipop! was only around from 1980 to1983, but in that time it managed to put out some pretty cool content within its pages, such as the sweet 7” colored flexi discs that featured music from bands featured in the mag like Motörhead, The Cure and The Jam. One flexi-disc from the February 1981 issue was a recording of Adam and the Ants riffing on the Village People anthem “Y.M.C.A.” called “A.N.T.S,” which you can listen to in all its early 80s glory (as I can’t embed it), here.
Adam Ant on the cover of Flexipop! #4.
Adam and the Ants Flexipop! flexi disc from Flexipop! #4.
Another thing that Flexipop! featured were cool “live-action” storyboards as well illustrated strips that detailed the the fictional exploits of various bands and musicians. Starting with the September 1981 issue, there was a three-part-series about the career to date of Adam Ant drawn by Mark Manning. Manning—who would go on to assume the cool-as-fuck moniker “Zodiac Mindwarp” and form the biker sleaze band Zodiac Mindwarp and the Love Reaction in the mid-80s—was Flexipop!‘s acid-dropping art editor at the time. I’ve included Manning’s “Adam and the Ants” comic strip in its entirety, as well as some scans from the magazine’s inner-pages.
Surprisingly, given its short existence, you can find lots of issues of Flexipop! out there as well as flexi discs from the magazine’s colorful discography on auction sites like eBay and Etsy. Cooler still is the fact that you can look through even more pages from Flexipop! that have been scanned and uploaded at the blog Music Mags 1970s-1980s.
Siouxsie Sioux and Budgie (The Creatures) on the cover of Flexipop! March, 1983.
SikRik Masks recently released a new full-head latex mask of the demon from the cover of Venom’sBlack Metal LP.
Black Metal was named the “68th best British album of all time” by Kerrang! readers, but, more importantly, was one of the primary influences on what was to become the infamous Norwegian Black Metal music scene. For me personally, when I was a young punk purist, Venom were one of the few metal bands that appealed to my “punk rock sensibilities”—probably because they were a bit more sloppy than virtuosic. And I’ve always been a sucker for fun cartoonish satanism. Anyway, Black Metal remains one of my favorite metal records to this day, and the latex representation of it’s cover done by SikRik is dead-on.
A fantastic, but sadly fake “photo” of David Bowie and Lemmy Kilmister (see the actual photo of Lemmy and his French girlfriend, here)
The clock tower that stands on the grounds of City Hall in the capital of Norway, Oslo, has marked the passing of the hours with musical interludes for many years. Now at six and seven pm respectively, the 49 bells in the tower’s carillon will play “Changes” from David Bowie’s 1971 album Hunky Dory and, the track “Electricity” from what sadly turned out to be the last record Lemmy Kilmister would record with Motörhead, 2015’s, Bad Magic.
The music of Motorhead and David Bowie to play from the clock tower on Oslo City Hall through May 31st
In an interview with Oslo Town Hall’s carillonist, Laura Marie Rueslaatten Olseng, after seeing how many of her fellow Oslo residents were affected by Lemmy’s passing, she felt that the lyrics to “Electricity” reflected “an attitude that fit Oslo very much.” After Bowie’s untimely passing, Olseng said that there was “no discussion” and the choice was made to add “Changes” to the clocks daily musical rotation which also includes music from Kraftwerk, Nine Inch Nails, and John Lennon. The clock tower will play both songs daily until May 31st. You can listen to the bells chiming for Bowie below, and the belfry belting out Motörhead, here.
The clock tower at City Hall in Oslo, Norway chiming to David Bowie’s “Changes.”
I’ve compiled what I think is a pretty cool collection of Christmas album covers from tons of different artists - many that you have probably heard of and, many more that you may not have heard of that you will want to add to your holiday record collection immediately.
Shonen Knife, A Shonen Knife Christmas Record For You, 1991
Bad Religion “Father Christmas” 7” single. Get it here.
Tiny Tim’s Christmas Album, 1994
When it comes to album covers, there are some true gems in this post, such as the super snarly Motörhead “Ace of Spades” Christmas Edition from 1980 record above (that was once the subject of my yearly Christmas card), the fantastic Shonen Knife record, A Shonen Knife Christmas Record For You, and UK punks The Boys (recording as The Yobs) from 1979, The Yobs’ Christmas Album. That said, there are a few Christmas album covers records that follow (many of which you can buy yourself with a little Googling) that could be considered slightly NSFW. YAY!
Eartha Kitt, “Santa Baby” single - 1953
Mae West Wild Christmas, 1966
Jacob Miller and Ray I, Natty Christmas, 1978. Get it here.
Many more festive, but perhaps unexpected Christmas record covers after the jump…
Motörhead’s first LP had a song called “Vibrator” on it, so what the hell took this long for a Motörhead vibrator to actually exist?
The pleasure-purveyors Lovehoney have launched a line of four Motörhead-branded vibrators, a mini and a full-sized each representing the Overkill and Ace Of Spades LPs.
World-renowned heavy metal legends Motörhead have turned their attention to your intimate pleasure with their own range of branded sex toys. Powerful classic vibrators and bullets are amongst the line up, each packing a powerful punch that captures the rock and roll lifestyle of the band perfectly. Prepare for the sort of mind-blowing orgasms you’d expect from the ‘loudest band on Earth’.
The Motörhead Overkill 10 Function Bullet Vibrator
It’s one of the more poignant entries on Setlist.fm I’ve ever read, by far. It’s a list of the songs played at last night’s Motörhead show at Emo’s in Austin, Texas, and it reads, as follows, in full:
1. Damage Case
2. Stay Clean
3. Metropolis (partial)
Note: Lemmy left stage at the start of the third song because he wasn’t feeling well.
Rock and roll fans the world over have been tracking the news about Motörhead’s beloved bassist and frontman Lemmy Kilmister, who is still touring at the age of 69 against the advice of doctors. (Lemmy turns 70 on Christmas Eve of this year.)
Just a couple of weeks ago, the news that Lemmy was switching from his beloved whisky to vodka for health reasons made the rounds. Some observers pointed out the contradiction inherent in Lemmy’s big quote from that story, “I am still indestructible.” Lemmy was treated for a hematoma in 2013, and he has also been fitted for a defibrillator.
This week Lemmy’s health issues are finally coming to a head in a serious way. On Thursday Lemmy similarly cut the show in Salt Lake City short because he was having difficulty breathing in the thin air of the high-altitude city. The next night’s show, in Denver, was cancelled altogether for the same reason.
Here’s a report from Eduardo Rivadavia at Ultimate Classic Rock:
We were in attendance at last night’s Austin show, and can report that the evening’s activities got under way normally enough, with a well-received set from Pennsylvania stoner rockers Crobot, and then a quite commanding one from New Wave of British Heavy Metal survivors Saxon.
Unfortunately, Lemmy seemed shaky from the start, as he ambled onto the stage looking noticeably gaunt and tried to sing the first number, “Damage Case,” clearly out of breath and at half speed. Meanwhile, guitarist Phil Campbell was doing everything he could to compensate by running about and engaging the audience much more than is his habit. Drummer Mikkey Dee also seemed to be trying to will Lemmy onward with his more measured but typically powerful attack.
Alas, the situation did not improve as Motorhead struggled to complete another Overkill standard, “Stay Clean.” After greeting his fans and admitting he was still under the weather, Lemmy lasted barely one minute into their next song, “Metropolis,” before dropping his arms, backing away from his microphone, and conceding defeat in obvious disgust, as his bandmates simultaneously ground to a feedback-screeching halt.
As for the crowd, many of whom were no doubt aware of the frontman’s recent health issues, they had nothing but supportive chants of “Lemmy! Lemmy! Lemmy!” — especially once Kilmister briefly returned to the microphone, leaning on his now familiar cane, and apologized yet again for his inability to carry on, leaving those assembled no choice but to turn away and start filing out.
Motörhead is touring to support its 22nd studio album, Bad Magic. The trek began on Aug. 19, in Riverside, Calif., and is slated to run until February. Their next scheduled show is tonight in San Antonio’s Aztec Theatre—the only information I was able to find out about that show comes from the well-known German tabloid BILD, which reported that the San Antonio show “fällt definitiv aus”—is definitely cancelled.
You can watch Lemmy’s heartbreaking announcement, as well as the loud support of the fans at the venue, right here:
A super Motörhead fan by the name of Andy Rehfeldt came up with the positively brilliant idea to align Lemmy’s vocals from “Ace of Spades” with a full-on orchestra backing him up.
I know you may be skeptical but TRUST ME, this heavy metal mashup of sorts works on every level. A few headbanging gamers chimed in on the comments section of the video saying that the orchestra sounds similar to the music that accompanies various “boss battles” in the series of crossover action role-playing games, Kingdom Hearts. Which after some quick research, I do agree with. All Rehfeldt wants in return for his incredible contribution to all things Motörhead is for someone to buy him a beer or maybe donate a dollar via his PayPal so he can continue to “make music.” Seems like a small price to pay for such an epic take on one of the greatests two-plus minute jams of all time.
With a nod to the great Nigel Tufnel, turn this one up to eleven.
Lemmy Kilmister of the legendary heavy metal band Motörhead recently announced that he’s abandoned his beloved whisky in favor of vodka. He’s been suffering lately from gastric distress and dehydration, and gigs have been cancelled as a result.
Instead of instead of his customary Jack Daniels and coke, Lemmy now quaffs vodka and orange juice to help keep his diabetes in check.
Personally, for me that would be too high a price to pay. But that’s just my opinion.
As usual, Lemmy’s quotes on the subject were pretty choice.
“I like orange juice better,” he told The Guardian. “So, Coca-Cola can fuck off.”
He also said, “Apparently I am still indestructible.” To which we all say, Amen!
Here’s Motörhead giving Toronto the business in 1982:
I’m simply posting this because… you can really do this. The idea of furnishing your entire living space head to toe in Lemmy-themed housewares seems absurd, yes, but dammit… it can be done!
I never thought in a million years I’d be able to purchase a Lemmy duvet cover, a Lemmy wall clock, Lemmy accent pillows or even a Lemmy shower curtain. But thanks to the Internet and sites like Society6, you and I can do just that.
I’ve provided links below each image in case you’ve gotta own it.