Dr. John Clarke stars in a public service video he produced called “The Gap Rap.”
Apparently there’s a problem at Long Island Railroad stations with people falling into the gap between the train and the platform. So, Dr. Clarke decided to create his ‘health hop’ video.
Dr. Clarke, who captured wide media attention for his H1N1 Flu Rap,was enthusiastic about his new video, “I recognize that gap accidents are quite preventable. I knew that Health-Hop would be a perfect way to spread the message and make an impact.”
Upcoming ‘health hop’ projects for Dr. Clarke : Aids, Global Warming and Lindsay Lohan.
WinterBand are an Apostolic Pentecostal rock group led by a ZZ Top-looking religious zealot and badass named Steve Winter. A fire and brimstone nutjob with a beard more flammable than a Rhode Island nightclub, Winter makes Jimmy Swaggart seem like the voice of reason. His hatefilled diatribes against other religious sects, his extreme and bizarre views on Christian doctrine, his appalling attitude toward women, his dozens of wacky Internet sites, and numerous lawsuits against anyone who questions his legitimacy as a religious prophet, portray a man who is operating in the void left by Jim Jones, David Koresh and Marshall Applewhite (Heaven’s Gate cult). Within the Pentecostal community, Winter has accrued an enemies list so long it makes Nixon’s look like a haiku.
Visit his website and you’ll get a glimpse into the brain of one angry and ugly Bible thumper, seething with self-righteous disdain for virtually every sentient being on the planet.
Winter’s a third-rate hustler, a pious Three-card Monte player on the backstreets of holy salvation. The Steve Winter FAQ provides an interesting insight to the nature of his internet spamming and scamming. Google the dude. He’s everywhere, even appearing on religious-themed dating websites.
Clearly, this guy gives me the creeps and that’s why I find him so compelling. His particular strain of holier-than-thou sermonizing coupled with shitty apocalyptic hard rock is far more doom-laden than most Christian rock. His 70s style riffage and uber right wing politics make him the perfect opening act for teabaggin’ asswipe Ted Nugent.
Using printed cardboard, two turntables, a projector and screen, Austrian student Clemens Kogler created this very groovy concept employing a modern take on the phenakistoscope technique which he calls phonovideo. With one exception, all of the animated paintings are based on album covers. The music for “Stuck in a Groove” was created by Richard Eigner.
The graphic illustrates how the process works. For a more detailed description check out the interview with Kogler at motiongrapher.
Kogler imagines deejays using phonovideo in performance.
Phonovideo is a VJ tool or visual instrument used to display animations in an analog way without the help of a computer. “Stuck in a Groove” is the first film made with this technique, it serves also as a demo for the technique .
In the future phonovideo could be used for live performances in cooperation with musicians, performers and other artists.
French graphic designer Metastazisand Polish artist Zbiniew M. Blielak combined forces to create this poster for Swedish metal band Watain. Instead of conventional screenprint ink, they used human blood. Metastazis describes his art as being ‘scandalous yet refined.’ The Watain poster lives up to his credo.
I’m starting to compile my choices for best videos for 2010 and this is a contender.
Dan Scheinert and Dan Kwan directed this slice of visual deliciousness for Icelandic electro poppers FM Belfast. Using variable speeds, warping, time displacement, jump cuts and stop motion, the two Daniels have created a mindbendingly cool video. And the song Underwear ain’t bad either.
In the garden of my house there’s a tree with lots of randomly grown twigs. It looks odd and nice at the same time. One day I asked myself if I could create a piece of music with it.
To tune the tree I picked a fundamental note and tuned the twigs by trimming them with a pencil sharpener. I used two R?ɬ?de NT6 and a NTG-2 as microphones, combined with a customized stethoscope.
I recorded the tracks live on a Pro Tools LE system. I didn’t use any synthesizer or sampler to create or modify the sounds. All the sounds come from playing the tree, by bowing the twigs, shaking the leaves, playing rhythms on the cortex and so on.
Last year I had the pleasure of meeting Jon Saemundur Audarson: in Reykjavik, Iceland (after the economy collapsed, but before the government did). Jon runs a clothing line called DEAD out of his storefront and studio tucked just off Laugavegur, Reykjavik’s main drag. His clothing line is great stuff, often featuring his logo?a skull surrounded by the mantra “He who fears death cannot fully enjoy life” in one of several languages. I bought one in Sanskrit. He just opened a storefront in New York, as well, and his clothing has popped up in the least likely of places on Quentin Tarantino, for instance, who is a fan. Check out this Dazed Digital profile of him, and his MySpace, which is loaded down with his music as well he has recorded with the likes of the Brian Jonestown Massacre, and performed at the Glastonbury Festival.
Diagnosed with HIV in 1994, Audarson has become furiously prolific. His studio, which he graciously gave me a tour of, is something like a Tibetan lama’s temple crossed with the coolest punk you know’s jam space. It’s littered with skulls, ravens and copious reproductions of Jon’s logo, which he considers a “thought virus” which he wants to seed the world with, even going so far as to consider worldwide hot-air balloon trips flashing the logo.
Check him out in the above video performing “Golden - Frost” with the Brian Jonestown Massacre, which he contributed to their recent My Bloody Underground album. His screed against hypocrisy and greed is in Icelandic, but the message comes across clear in any language.
I couldn’t find much information on German group New Production Goes to Munich’s 1987 hit “Tippen Ein.” But, for all you Tim and Eric fans out there, I think you’ll really love this twisted synthpop masterpiece. Genius.