An extraordinary essay by Pussy Riot member Nadya Tolokonikovoy has appeared on the Free Pussy Riot website. You can follow a blow by blow description of what is taking place at the Pussy Riot trial on Twitter. Kafkaesque? It’s that in spades, see for yourself. I thought it was important for this to be read by as many people as possible, so I am reproducing it here in full (but not block quoting it, because it would be a mile long)—RM
Art and the Human Manifesto of Nadya Tolokonnikova
The punk band Pussy Riot, which I belong to, is a musical group that conducts unexpected performances in different urban spaces. Pussy Riot’s songs address topical political issues. The interests of the group members are: political activism, ecology, and the elimination of authoritarian tendencies in the Russian state system through the creation of the civil society.
Since its origin in October 2011, the band played concerts in the subway, on the roof of a trolleybus, on the roof of the detention center for administrative detainees, in clothing stores, at fashion shows, and on the Lobnoe Mesto on Red Square. We believe that the art should be accessible to everyone; therefore we perform in diverse public spaces. Pussy Riot never means to show any disrespect to any viewers or witnesses of our punk concerts. This was the case on the roof of the trolleybus and on the Lobnoe Mesto, and this was the case at the Cathedral of Christ the Savior.
On 21 February 2012 Pussy Riot band performed its punk prayer “Hail Mary, Expel Putin” at the Cathedral of Christ the Savior. In the early March 2012 three members of the group were imprisoned because of the music and political activism. The themes of our songs and performances are dictated by the present moment. We simply react to what is happening in our country, and our punk performances express the opinion of a sufficiently large number of people. In our song “Hail Mary, Expel Putin” we reflected the reaction of many Russian citizens to the patriarch’s calls for vote for Vladimir Vladimirovich Putin during the presidential election of 4 March 2012.
We, like many of our fellow citizens, wrestle against treachery, deceit, bribery, hypocrisy, greed, and lawlessness, peculiar to the current authorities and rulers. This is why we were upset by this political initiative of the patriarch and could not fail to express that. The performance at Cathedral of Christ the Savior was committed not on the grounds of religious enmity and hatred. Equally, we harbor no hatred towards Orthodox Christians. Orthodox Christianity worships the same as we do: mercy, forgiveness, justification, love, and freedom. We are not enemies of Christianity. We care about the opinion of Orthodox Christians. We want all of them to be on our side - on the side of anti-authoritarian civil society activists. That is why we came to the Cathedral.
We came with what we have and can: with our musical performance. During this performance we intended to express our concern: the rector of the Cathedral of Christ the Savior and the head of the Russian Orthodox Church - the patriarch - supports a politician who forcefully suppresses the civil society, which is dear to us.
I would like to emphasize the fact that, while at the Cathedral, we did not utter any insulting words towards the church, the Christians, and the God. The words we spoke and our entire punk performance aimed to express our disapproval of a specific political event: the patriarch’s support of Vladimir Vladimirovich Putin, who took an authoritarian and antifeminist course. Our performance contained no aggression towards the audience, but only a desperate desire to change the political situation in Russia for the better. Our emotions and expressiveness came from that desire. If our passion appeared offensive to any spectators, we are sorry for that. We had no intentions to offend anyone. We wish that those, who cannot understand us, would forgive us. Most of all, we want people to hold no grudges against us.