Norwegian artist and film-maker Prins Preben has released I will no longer mutilate and destroy myself in order to find a secret behind the ruins, which is the first of a series of one minute films, partly inspired by a recurring dream.
‘I often dream of houses,’ Preben told Dangerous Minds, ‘So destroying one when awake is liberating I guess. I wear the chaos star and the ski-mask as a symbol of inner chaos and like going to war against myself.’
The film is a personal expression of the inner frustrations that lead to external violence. Preben also has plans for a project on Shakespeare’s MacBeth, for which he has been collecting strange facts about the play including:
In a 1672 production in Amsterdam, the actor playing Macbeth substituted a real dagger for the blunted stage dagger and killed the actor playing Duncan, in full view of the audience.
In a 1942 staging, with John Gielgud as Macbeth, three actors (two witches and Duncan) died and the set designer committed suicide.
In a Thursday-night performance in 1947 actor Harold Norman was stabbed during the final sword fight in Act 5 and died of his wounds. On Thursday’s his ghost is now said to haunt the Coliseum Theatre in Oldham, where the fatal scene was played.
Alien Or Satan is a short film by Norwegian artist Prins Preben. Part joke, part examination of what is interpreted to be Occult / Extra-terrestrial. As Prins tells Dangerous Minds:
The film examines a lost human facing what may be described as the hidden or the unknown. It has a kind of perspective of what emotions we see as “occult/hidden”. It’s like two directions…Hell the core of flames in the middle of the Earth. And Space a more cold and endless place….both a “kind of hidden.” And of course, Lucifer is both celestial and alien.
A beautiful video made by qrotozoa productions (aka Espen Hagejordet) from 7500 images shot over 12 hours, at Sør-Fron, Norway, using a Nikon D5000. The marriage between the music of the Boards of Canada (“In a Beautiful Place Out in the Country”) and qrotozoa’s images is near perfection. Put on headphones, click full screen, enjoy.
When the promo for the new single by Norwegian nu-disco maestro Lindstrom dropped into my inbox recently, I was unusually excited. Not just because it was some new sounds from one of the undisputed masters of the genre, but because of these three magic words: “Todd Rundgren Remix.”
At first I thought it was a typo, or a mislabeling - surely they meant it’s a Lindstrom remix of Todd Rundgren? I mean, you can tell Lindstrom is a fan just from listening to his music (it’s all about those stacked synth chords) and besides, Todd doesn’t do remixes… does he?
A little bit more digging around proved that this was no typing error. One of my all-time favorite artists had indeed remixed a song for the first time, and with his usual immaculate taste, Todd had decided to remix a song by one of my favorite dance music producers. Through connections in the extended Rundgren fan network (which is itself an amazing thing, more like a family than mere rock fans) I was able to get some questions to Todd himself.
Dangerous Minds really needs more Todd Rundgren on our pages, so I am glad to share his answers:
You’ve been making music for a long time, but this is your first ever commercially released remix - how did it come about?
I was contacted by Lindstrom’s label. I’ve been making contributions to other artists’ recording projects over the years so it didn’t seem like that unusual a request. I don’t often get asked to be involved in ‘trans-generational’ collaborations, so that was different.
Your music has been a big influence on modern dance producers, but in particular the whole nu-disco/cosmic-disco genre - were you aware of any of those particular artists? And did you hear a musical connection when you listened to Lindstrom’s track?
Since I don’t usually focus on a single genre I don’t think of myself as having a ‘style’. It’s a little odd because in the 70s we thought of ourselves as prog-rock players and that disco was something of a sell-out for artists like Rod Stewart and Blondie. This ‘nu disco’ is a more organic movement, especially the emphasis on the instrumental aspect and lack of lyrics. That does remind me of some of the experimental excursions I’ve taken in the past.
I love how you embrace new music technology (and the new music it can help create). I’m curious to know what sequencing/recording program you’re using, and if you have any recent-ish programs or bits of kit you’re enthusiastic about? For instance, have you used Ableton Live?
I stuck with analog until the mid-Nineties, mostly because I was trying to be thrifty. I used Pro-Tools for about 12 years but finally got fed up with the tempermental and expensive technology and poor support. Recently, I have been an exclusive user of Propellerheads Reason. Since they added recording capabilities I’ve been able to record and mix with my laptop and without any environmental restrictions. I haven’t tried Ableton, mostly because I have yet to do any live mixing.
What are you listening to at the moment? Any music of the last 5 years that floats your boat and you’d recommend for Dangerous Minds’ readers?
I’m a big fan of ‘outsider’ music. It’s not very useful as an influence (at least not right now) but it’s a lot of fun to listen to and takes your mind off the ‘serious’ stuff. I recently downloaded Lorne Greene’s “The Man” and was so amused I decided to work some of it into my solo shows. Now the fans want a whole night of Lorne Greene. The problem with outsider music is that it’s often only one great song in an obscure career of mediocrity.
What’s in the immediate future for Todd Rundgren?* And is there anything more dance music-based, like more remixes or perhaps even dj sets?
It’s been suggested that I take a crack at DJing, and it’s not such a far-fetched idea. In 1993 I toured a record called No World Order and built a system that allowed me to improvise the set each night using a midi controller and a program I devised that would recombine samples on the fly. I had to build that program from scratch using MAX. Now software like Ableton is the prefered way to go, although I have some ideas about how it could be done with Reason.
Above Rep. Eric Cantor and Pamela Geller in a photo I’ll bet Cantor seriously wishes didn’t exist!
Anti-Islam blogger Pamela Getter is a marginal, hateful freak who would have stayed that way had not Fox News and MSNBC decided to give her credibility a boost during that whole stupid “Ground Zero Mosque” debate/nonsense. Remember that? Me neither.
Even Roger Ailes must be giving Geller second thoughts after this latest matter. I really hope that the Norwegian government calls her in as a witness in Brevik’s trial. It would be her just desserts, truly.
In a post defending herself yesterday, Geller — who has called Obama “President Jihad” and claimed that Arab language classes are a plot to subvert the United States — reached a new low. Geller justifies Breivik’s attack on the Norwegian Labour Party summer youth camp because she says the camp is part of an anti-Israel “indoctrination training center.” She says the victims would have grown up to become “future leaders of the party responsible for flooding Norway with Muslims who refuse to assimilate, who commit major violence against Norwegian natives including violent gang rapes, with impunity, and who live on the dole.”
To get her point across, Geller posts a picture of the youth camp children Breivik targeted. The picture was taken on the Utøya island camp about 24 hours before Breivik killed over 30 children, so it is likely Geller is mocking many of the victims. Under the picture, Geller writes: “Note the faces which are more MIddle [sic] Eastern or mixed than pure Norwegian.”
She’s such a mean person that she thought it was okay to post that?!? She thought about this, she typed it our and she published it. Incredible. What is wrong with this woman’s mind? Below, a screenshot of Geller’s blog post, with her original repulsive caption, which she edited.
Now having said that I never want to see her on television ever again, I will admit to getting a good laugh from seeing her put on the defensive and lose her cool on Russia Today recently. RT’s Lauren Lyster really, really let her have it. I laughed out loud several times. Humiliating and hilarious. THIS is the way this woman SHOULD be treated, with utter contempt. If you love to hate Geller, this is a bit of a laff-fest.
This headline reads like a spoof from the Onion, but it’s not. Oh dear. Oh dear oh dear. From the Metro:
The Daily Mirror reports he told the crowd before singing Meat Is Murder: ‘We all live in a murderous world, as the events in Norway have shown, with 97 dead.
‘Though that is nothing compared to what happens in McDonald’s and Kentucky Fried S*** every day.’
Has Moz been listening to too much Glenn Beck? FFS, lighten UP Morrissey!