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‘Movin’ On Up’: How the Black Panthers invented ‘The Jeffersons’

Somewhat like top basketballers before Michael Jordan (thinking of you, Dr. J….) the reputation of Norman Lear’s sitcom The Jeffersons suffered somewhat by poor timing and the shows that came after it. Cheers and Seinfeld are regularly lauded as among the greatest sitcoms of all time, but The Jeffersons, whose impressive 253 episodes were spread across a whopping 11 seasons (1975-1985), never seems to get mentioned with the same respect.

If you eliminate animated series and long-running staples from the dawn of TV history, the longevity of The Jeffersons puts it in a special category with Two and a Half Men (262 episodes), Cheers (275), M*A*S*H (256), Frasier (264), Married ... with Children (258), and Happy Days (255).

At a minimum, The Jeffersons is arguably the greatest put-down show of all time!

And it never would have happened but for an intervention by the Black Panthers.

Norman Lear, creator of a fair portion of the most successful sitcoms of the 1970s, including All in the Family, Sanford and Son, One Day at a Time, and Maude, is the subject of an upcoming PBS American Masters telecast under the title “Just Another Version of You,” which is expected to get a theatrical run in the summer before appearing on PBS affiliates in the autumn. Since the 1970s Lear has become more or less synonymous with the introduction of ethnic diversity in American TV as well as the foregrounding of what might be termed a liberal consciousness in televised comedy.

Remarkably, the creation of The Jeffersons was a direct outgrowth of an intervention staged by three members of the Black Panthers political organization at some point during 1974. A trio of pissed-off revolutionaries went to Lear’s office to complain about the “garbage” they were seeing on TV, specifically Lear’s show Good Times, which ran from 1974 to 1979 and focused on a black family in the projects of Chicago. You wouldn’t think that the Black Panthers would object to a popular sitcom calling attention to poverty in urban America, but they wanted to see a broader palette of Black America on TV.

Last weekend Lear visited Dan Harmon’s weekly podcast Harmontown, which is taped live every Sunday at the Nerdmelt Showroom in Hollywood, to promote the American Masters documentary and shoot the shit with a well-known showrunner (Community) from a more splintered era of TV programming, namely, ours. Harmontown tapings are usually attended by GenXers and Millennials, so the appearance of the 93-year-old (!) legend of TV was an unusual event.

‘Good Times’ aired on CBS from 1974 to 1979
At about 42 minutes in, Harmon and his sidekick Jeff Davis engaged Lear on the subject of the beginnings of The Jeffersons:

Harmon: There’s this anecdote, about ... three Black Panthers show up, and come to your office and say, “We want to talk to the garbageman! I wanna talk to Norman Lear, the garbageman!” And they storm into your office, and say, “Good Times is bullshit” ... They read you the riot act ... You credit that moment as starting us down the road towards The Jeffersons. ...

You’re still listening! You’ve already proven that you’re the king of television at that point, and people are barging into your office to call you a garbageman, and you listen to them! And took their feedback and made another great television show, that was great from another perspective.

Davis: What was the Black Panthers’ [complaint]? ... Because they were living in the projects, because they were downtrodden?

Lear: Their big bellyache was, why does the guy have to hold down three jobs and occasionally—in an episode, it almost seems like he’s looking for a fourth—he’s so hungry to make some money to support his family and why can’t there be an affluent black family on television? ... They were pissed off that the only family that existed, the guy had to hold down three jobs.

More after the jump…

Posted by Martin Schneider | Leave a comment
Social Justice Kittens postcard pack
12:57 pm


LiarTown USA

I had no idea LiarTown USA actually had products you can buy! Like these Social Justice Kittens postcards created by LiarTown USA’s Sean Tejaratchi. They come in a set of 12 and are on pre-order for $12 through the Reading Frenzy website. The postcards will be released on May 6th.

We’ve blogged about LiarTown USA before here on Dangerous Minds. If you’re not familiar with the site and Tejaratchi’s work, here’s the link.

via Boing Boing

Posted by Tara McGinley | Leave a comment
Motörhead, The Cure, The Jam (+ a bizarre Adam Ant comic) from the pages of cool 80s mag Flexipop!

Motörhead on the cover of Flexipop! magazine, June, 1981
Motörhead on the cover of Flexipop! magazine, June, 1981.
UK music magazine Flexipop! was only around from 1980 to1983, but in that time it managed to put out some pretty cool content within its pages, such as the sweet 7” colored flexi discs that featured music from bands featured in the mag like Motörhead, The Cure and The Jam. One flexi-disc from the February 1981 issue was a recording of Adam and the Ants riffing on the Village People anthem “Y.M.C.A.” called “A.N.T.S,” which you can listen to in all its early 80s glory (as I can’t embed it), here.
Adam Ant on the cover of Flexipop! #4
Adam Ant on the cover of Flexipop! #4.
Adam and the Ants Flexipop! flexidisc from Flexipop! #4
Adam and the Ants Flexipop! flexi disc from Flexipop! #4.
Another thing that Flexipop! featured were cool “live-action” storyboards as well illustrated strips that detailed the the fictional exploits of various bands and musicians. Starting with the September 1981 issue, there was a three-part-series about the career to date of Adam Ant drawn by Mark Manning. Manning—who would go on to assume the cool-as-fuck moniker “Zodiac Mindwarp” and form the biker sleaze band Zodiac Mindwarp and the Love Reaction in the mid-80s—was Flexipop!‘s acid-dropping art editor at the time. I’ve included Manning’s “Adam and the Ants” comic strip in its entirety, as well as some scans from the magazine’s inner-pages.

Surprisingly, given its short existence, you can find lots of issues of Flexipop! out there as well as flexi discs from the magazine’s colorful discography on auction sites like eBay and Etsy. Cooler still is the fact that you can look through even more pages from Flexipop! that have been scanned and uploaded at the blog Music Mags 1970s-1980s.
Flexipop! March, 1983
Siouxsie Sioux and Budgie (The Creatures) on the cover of Flexipop! March, 1983.
Much, much more after the jump…

Posted by Cherrybomb | Leave a comment
‘Mighty Boosh’ star Julian Barratt returns in the dark new TV comedy ‘Flowers’
12:01 pm


Julian Barratt
Olivia Colman
Will Sharpe

Last night I binge-watched four of the six episodes of the new Channel 4/Seeso black comedy co-production, Flowers (It’s already aired in the UK, where they ran it on five consecutive nights at the end of April after a two-part premiere; it’s available on Seeso from today). Had my wife not conked out, I’d have happily watched the entire series. I woke up this morning feeling very enthusiastic about watching the final ones tonight, and of telling our cherished, good-looking, high IQ readership about it. I think it’s safe to say that the Venn diagram of people who read this blog and those who would like Flowers, which stars Julian Barratt (The Mighty Boosh) and Olivia Colman (Broadchurch, Peep Show, The Night Manager) will overlap quite a bit.’s Tim Surette succinctly described it as “Arrested Development through the eyes of Wes Anderson reinterpreting Harold & Maude,” a razor-sharp summation that frankly I cannot hope to top. You see what I mean, though. If these Flowers seem to smell of something you might like, then I think you’ll like it quite a bit.

“I suppose you can’t have too much of a good thing… like joy.”

Flowers focuses on the idiosyncratic Flowers family. Maurice Flowers, a depressed and suicidal children’s writer, is played by Barratt in his best non-Boosh role since 2005’s Nathan Barley. Colman—an actress of extraordinary gifts—plays the sweet and kind Deborah, his normal-ish (emphasis on the “ish”) wife, a highly-strung music teacher who could make coffee nervous. Their strained sexless marriage is teetering on oblivion. They have twin adult children living with them, two creepy ne’er do wells—a dickhead “inventor” of stupid things (Daniel Rigby) and his peculiar sister (Sophia Di Martino), a vaguely gothy lesbian “musician” who obsesses on the pretty next door neighbor, who is apparently fucking her plastic surgeon father.

In Flowers, suicide, mental illness, pedophilia, incest and sexual infidelity are played for laughs. Writer-director Will Sharpe (who hilariously portrays Shun, Maurice’s Japanese assistant and illustrator) doesn’t overdo the more Andersonian elements of his script and neither does the stellar cast. They’re believably strange, not the Addams Family. For wallowing in such unsettling subject matter Flowers is actually quite unexpectedly subtle, and nicely cinematic for a TV comedy series.

More after the jump…

Posted by Richard Metzger | Leave a comment
Klaus Nomi salt & pepper shakers
10:26 am


Klaus Nomi

Just when you think you’ve seen everything—like the Steve Buscemi bikini—you come across an item like Klaus Nomi salt & pepper shakers. Now I would have never thought this up in a million years, but yet here we are. Looking at them.

The set sells for $35 by Etsy shop Yokai John. It looks like there’s two different sets in the listing for the Nomi shakers. If you do wish to order these, I’d be specific with the seller about which set you want. The listing’s a bit confusing.


Posted by Tara McGinley | Leave a comment
For mommy’s little Frank Booth: It’s the ‘Blue Velvet’ play set!
09:44 am


David Lynch
Blue Velvet
Frank Booth

Parents, is it taking forever for junior to utter his first fuckwords? Then help your little sadist grow up fast with the Blue Velvet play set! From a swatch of blue fabric and an inhalant mask to a decomposing ear and a bottle of PBR, it’s got everything* your toddler needs to act out his cruelest fantasies.

Lynchland, the source of the shot above, reports that this prototype was spotted at last month’s Monsterpalooza convention. (Instagram user Rebekah McKendry uploaded the only other snap of the package I could find.)

If you’d like to get your hands on one, perhaps you should nag the inventor, Skullclown, about mass-producing these. But like Frank says, be polite!

Here’s to your fuck, ages three and up!

*1968 Dodge Charger and “well-dressed man” disguise sold separately.

Posted by Oliver Hall | Leave a comment
Just what the doctor ordered: Artist makes nightgown from 2,000 sleeping pill prescriptions
09:28 am


Erica Spitzer Rasmussen

Erica Spitzer Rasmussen is an insomniac. A good night’s sleep for the artist from St. Paul, Minnesota usually requires medication. Unlike most of us who would bemoan their time counting sheep or tossing and turning the night away, Rasmussen decided to use her own experience of insomnia to create a work of a beautiful work of art:

Dreaming of Sleep is the title of Rasmussen’s “sculptural object.” A floor-length nightgown made from 2,000 prescriptions for sleeping pills. The idea came to her about three years ago after a particularly restless night:

“I finally fell asleep in the early morning hours. When I reached a few fleeting moments of sleep, I dreamt about sleeping peacefully. Shortly thereafter the alarm clock woke me and I wrote ‘dreaming of sleep’ on a pad of paper next to the bed.

“Sadly, a satisfying night’s sleep for me generally requires medication. Dreaming of Sleep is a self-portrait that illustrates my dependence on those staples of the pharmaceutical industry.

The four-foot high nightgown took four months to complete and is made from eight-foot rolls of customized “wallpaper” created from scans of sleeping tablet prescriptions.

“The nightgown was intentionally executed in a simplistic shape and lack-luster palette to refer to the sterile, clinical fashion associated with the medical community.”

Rasmussen describes herself as an artist who “creates handmade paper garments, neckwear and small editions of hand-bound books.” Her sculptural and wearable works are exhibited internationally and can be seen here.
More after the jump…

Posted by Paul Gallagher | Leave a comment
Murder, Madness and Miss Marple: The Secret Life of Dame Margaret Rutherford

Sunday afternoon matinees on television first introduced me to the utter delight of watching Margaret Rutherford’s acting on screen. Her appearance as the much loved Miss Marple in a series of 1960s whodunnits loosely based on the novels by Agatha Christie left such an indelible impression that for all of those great actresses who have since played the inquisitive spinster from St. Mary Mead not one has eclipsed her unforgettable performance.

There was always something special about Margaret Rutherford. No matter what she did, she was always likeable. Over a thirty-year career on stage and screen she consistently delivered performances of quality and distinction, of grace and beauty, of comedy and excellence that made her sparkle in even the most second rate production.

Nowadays she is best remembered for her scene-stealing turn as Madame Arcati in David Lean’s movie adaptation of Noel Coward’s Blithe Spirit in 1945. Or her fighting the battle of the sexes as headmistress of a girls school in The Happiest Days of Your Life from 1950. Or her 1963 Oscar-winning role as the Duchess of Brighton in the Richard Burton/Elizabeth Taylor movie The V.I.P.s.

As the actor Robert Morley once said, Margaret Rutherford was “everyone’s Maiden Aunt—a woman of enormous integrity who acted naturally…and was always frightfully funny.” Yet behind all this talent to amuse was a terrible secret worthy of a Miss Marple mystery—a story of madness, suicide and murder that haunted the great actress throughout her life.

To unlock this family secret we have to go back to the decade before Margaret Rutherford’s birth—to the marriage of her parents William Rutherford Benn and Florence Nicholson at All Saints Church, Wandsworth in December of 1882.

William was the son of the Reverend Julius Benn, an eminent social reformer and church figure and the grandfather of politician Tony Benn. Florence was of similar middle class stock but her parents were dead and one sister had committed suicide a few years before—which was an intimation of things to come.

Not long after their honeymoon, William had a serious psychotic breakdown. It has been suggested this was caused by his failure to consummate the marriage. Exactly a month after their wedding, William was admitted to Bethnal House Lunatic Asylum, where he was described as suffering from:

...depression alternating with unusual excitement and irritability.

William was detained at the asylum for several weeks until his condition improved. On release, his parents decided it best that William should not return immediately to Florence but instead take “a rest cure in the country.” William’s father the Rev. Julius decided to take his son to the spa town of Matlock in Derbyshire.

On February 27th, 1883, the two men checked into their room at a boarding house run by a Mrs Marchant in Chesterfield Road. Father and son appeared “on the most affectionate of terms” and were “very attached to each other.” They were described as “abstemious” and were seen taking long walks to various local sites.

But on Sunday March 4th something terrible happened.
The first indications of there being wrong was the strange ghastly noises coming from their room. When neither men appeared for breakfast:

Mrs Marchant, accompanied by her husband, entered the Benns’ room to find William Benn, his night shirt covered in blood, pointing to his father, who lay on the bed quite dead.

William had killed his father with a single blow to the head with an earthenware chamber pot. William had then attempted suicide by cutting his own throat. He stood in the room making feral noises blood bubbling from the gash in his throat.

This self-inflicted was not fatal. William was arrested and treated at the local infirmary. A few days later he attempted suicide again this time by jumping out of a second story window. He suffered injuries to his back and cuts to his body but was not seriously hurt. He was recaptured and held at the hospital.

At the inquest, the jury unanimously decided William had “wilfully murdered” his father. He was committed to the mercy of the Derbyshire Assizes for sentencing. William’s condition deteriorated drastically. He was declared “insane” and admitted to Broadmoor hospital. All charges against him were dropped on grounds of insanity.

What caused this tragic psychotic episode is unknown. William was treated at Broadmoor for seven years, after which he was released into the care of his wife Florence.

In a bid to escape the association with his murderous past, William changed his name from Benn to Rutherford by deed poll. This time the marriage was consummated and Margaret Taylor Rutherford was born on May 11th, 1892.
William moved his family to India, where he worked as a merchant or “shipping clerk” and sometime journalist. Little is known of what happened during these years other than the suggestion (from Tony Benn) that William was deeply moved by the poverty he encountered and dedicated his time to helping those in direst need.

During their time together in India, Florence became pregnant. At some point during her pregnancy, Florence fell into a deep depression and exhibited signs of severe mental illness. Aware of his wife’s deteriorating condition, William made plans to move back to England. It came too late. Florence committed suicide. Her body was discovered one morning hanging from a tree in the garden.

In 1895, William and Margaret returned to England. He handed his daughter over to his wife’s remaining sister Bessie to raise. William then suffered a series of severe mental breakdowns that led to his incarceration at the Northumberland House Asylum, Finsbury Park, London in 1903.

Bessie took full charge of raising her niece. She told Margaret her parents were dead. All went well until one day a tramp approached Margaret as she played in the garden. This disheveled man told the young girl her father was very much alive and sent her his love. Margaret was terrified by the man and deeply troubled by what he had said.

She asked her aunt about her father. Bessie eventually told the truth. Margaret was devastated. She became depressed, withdrawn and non-communicative. Rutherford was terrified that she had inherited her parents’ insanity. She suffered the first of many mental breakdowns that she endured throughout her life, in later years going as far as undertaking electric shock therapy as a hopeful cure for her depression.

Margaret Rutherford never spoke publicly of her family’s history. In her autobiography, she made no reference to her father’s illness instead describing him as a:

...complicated romantic who changed his name to Rutherford as it was more aesthetic for a writer. My father died in tragic circumstances soon after my mother and so I became an orphan.

William had in fact been re-admitted to Broadmoor where he was incarcerated until his death in 1921. It is not known whether Margaret ever visited her father. However, he did write many letters to his daughter that caused her family considerable concern.

More after the jump…

Posted by Paul Gallagher | Leave a comment
Watch a baby-faced Depeche Mode in early ‘live in concert’ TV appearance, 1981
01:06 pm


Depeche Mode

On October 23, 1981, Depeche Mode taped a brief set for a youth-oriented BBC show called Something Else, which we’ve written about before. The show was broadcast on November 6. Depeche Mode played seven songs; what stands out about the performance is how remarkably fully formed the band is, even at this early stage; it’s even more impressive when you realize that their first album, Speak & Spell, had come out just two weeks earlier.

This appearance is also notable for being among the last ones Vince Clarke would play with Depeche Mode—having written one of the band’s most enduring hits in “Just Can’t Get Enough,” Clarke would play his final show with DM a few weeks later, on December 3 in Chichester. Clarke would quite quickly find success by teaming up with Alison Moyet for Yazoo (Yaz in the U.S.) and, of course, in Erasure.

More after the jump…

Posted by Martin Schneider | Leave a comment
It’s so nice to be a beautiful girl: Meet J-Pop’s avant garde sweetheart Kahimi Karie
12:43 pm


Soft Machine
Kahimi Karie

There was a while there in the mid to late 90s when it looked like Japanese pop chanteuse Kahimi Karie would break out of Tokyo’s hip and fashionable “Shibuya-kei” scene (which included Pizzicato Five, Plastic Fantastic Machine, Dee-lite’s Tōwa Tei and others) to find international stardom. She certainly had the potential, the looks and the style. I think when European and American music fans first discovered her, it was assumed that there might be other, similar J-Pop singers like her still to find, but this sadly wasn’t the case. Kahimi Karie (real name Hiki, Mari) was unique within that category, if she even deserved to be lumped in with J-Pop at all.

Influenced by the French yé-yé singers of the 1960s and finding her own Serge Gainsbourg(s) in the persons of then boyfriend Keigo Oyamada (aka the brilliant Cornelius) and quirky Scottish performer Momus, Karie’s whispery, half-spoken Claudine Longet-esque vocals were the perfect gloss on a pop confection that looked backwards and forwards equally.

Her best-known single “Good Morning World” was commissioned for use in a Japanese cosmetics company’s TV commercial. The song’s playful, nearly nonsensical dada lyrics named-checked a Fall song (“How I Wrote ‘Elastic Man’”) and it utilized a particularly effective sample lifted from the Soft Machine’s “Why Am I So Short?Talk about two insanely cool dog whistles to smuggle into a corporate advertising jingle. Bravo!

There was much to like in the Kahimi Karie package, but for whatever reason, other than the small hipster J-Pop audience, few outside of Japan took notice.

Karie’s sound has radically changed over the years as she’s collaborated with the likes of Arto Lindsay, Add N to (X) and Yasuharu Konishi. Now 48 and living in New York after a long period of residing in Paris, it seems like she has turned her back on hoping for another mainstream pop hit. Recent projects have been produced in collaboration with Japanese noise rocker Yoshihide Otomo and experimental musician Jim O’Rourke. She actually hasn’t been that active in music for many years and her website, infrequently updated, seems to indicate that she might be involved with fashion and bag design these days.

“Good Morning World” written and produced by Momus:

More from Kahimi Karie after the jump…

Posted by Richard Metzger | Leave a comment
‘Jesus’ arrested for refusing to leave Apple Store
11:41 am


Jesus Christ

His real name is Michael Grant, but residents of the city that made the Philly cheesesteak sandwich famous simply refer to him as “Philly Jesus.” On Monday evening around 6 p.m. Philly Jesus was checking his emails at an Apple Store on Walnut Street in Philadelphia when management asked him to leave.

Philly Jesus refused to leave, so the Philly store manager called the Philly police.

Police arrived in due course and requested that Grant leave the premises. According to police, Grant refused to leave and was creating a disturbance. Grant was taken into custody and charged with Defiant Trespassing and Disorderly Conduct.

It is not known whether Jesus was updating his JDate profile or not. However, if nothing else, the incident establishes that Jesus is not a Windows user.

This is not the first time the Philly J-Man has been arrested. In 2014 Grant was arrested at Dilworth Plaza for Disorderly Conduct and Failure to Disperse. Grant’s contention at the time was that he was misunderstood; he said he doesn’t ask for money, but he does accept tips.

Photos: Jen A. Miller; via Arbroath

Posted by Martin Schneider | Leave a comment
There’s a Steve Buscemi bikini
11:08 am


Steve Buscemi

Okay, I’m putting the final nail in the coffin for Steve Buscemi-themed products. How can you top a sexy Steve Buscemi bikini? You just can’t. Or maybe you can with that Steve Buscemi adult onesie my Dangerous Minds colleague, Cherrybomb, blogged about a few weeks ago? Regardless, I think we’ve reached peak-Buscemi, people. It’s like with all the Aladdin Sane memes. ENOUGH IS ENOUGH.

You’ve ruined Steve Buscemi, are you happy now Internet???

Now I tried to locate where to purchase this mesmerizing Buscemi bikini online and it looks like it’s made by clothing company called Sadly, it appears they no longer have the Buscemi bikini in stock or else they don’t make it anymore. Perhaps they’ll make it again if you contact them?

Image via Mentality Mag on Twitter

Posted by Tara McGinley | Leave a comment
1970s glam rockers Cuddly Toys cover ‘Madman’ a song written by David Bowie & Marc Bolan
09:39 am


David Bowie
Marc Bolan
Cuddly Toys

The Japanese 7” for Cuddly Toys’ cover of ‘Madman.’ A song written by David Bowie and Marc Bolan.

We always had ideas above our station, and wanted to be a bit more interesting than the rest of the punk groups who only wanted to sing about being poor and ugly, even though we were poor and ugly.

—Faebhean Kwest, Cuddly Toys guitarist

I know that many of you die-hard glam rockers out there will probably already own the stellar album Guillotine Theatre by Cuddly Toys (which was originally released in Japan in 1979 then remixed and released in the UK a year later). However, if you do not, then I’d highly advise you that you add this fantastic record to your collection as soon as possible.

Originally known by the not-so-catchy name of “Raped”—the title of their first EP was also a cringer called Pretty Paedophiles, yikes!—the band’s guitarist Faebhean Kwest, claims that he was once asked by Malcolm McLaren to audition for the Sex Pistols, but turned the offer down. Early in 1979, the band changed their name to the less aggressive sounding Cuddly Toys at the suggestion of none other than legendary Radio One DJ, John Peel. Influenced by bands like Richard Hell and the Voidoids and (naturally) the New York Dolls and the Sex Pistols, the Toys boys were soon rubbing shoulders with many of their idols like Sid Vicious and Generation X.

Shortly before Marc Bolan’s untimely death in 1977, he co-wrote the song, “Madman” with David Bowie. Recordings and rough demos of the sessions in which “Madman” was birthed exist. The Cuddly Toys covered the song and released the track as their very first single. To help promote the song Cuddly Toys played a gig at The Music Machine in London. According to an interview with the band, the show was attended by a few famous admirers such as David Bowie, Iggy Pop and Paul McCartney—not too shabby of a start for the up-and-coming glam rockers who would call it quits in the early 80s.

Keep reading after the jump…

Posted by Cherrybomb | Leave a comment
Indonesian police seize sex doll mistaken for ‘angel’
09:29 am

Current Events

sex doll

Back in March, a doll was discovered floating in waters near the Banggai islands in the Sulawesi province. A local sea fisherman spotted the floating doll and decided to rescue it. The fisherman took the doll home and his family took care of it. Photos of the doll started to spread online with claims that it was an “angel” or a “spirit.”

Indonesian news portal Detik said photos of the doll dressed demurely and wearing a hijab spread on social media shortly after its discovery.

Rumours then began to spread that it was a “bidadari” along with unverified stories about how it was found “stranded and crying”, prompting the police investigation.

Many across Indonesia continue to hold strong beliefs in the supernatural, including the existence of “bidadari”, which is a type of angel or spirit.

Indonesian police investigated the “angel” claims and discovered the the doll was indeed and inflatable sex toy. 

Local police chief Heru Pramukarno told reporters that villagers had found the doll shortly after the rare March solar eclipse that swept across South East Asia.

The timing of the discovery led some to believe the doll had a divine provenance.

“They have no internet, they don’t know what a sex toy is,” the police chief was quoted as saying by AFP news agency.

I dunno if this is an inflatable sex doll or not. She looks like she’s made of solid silicone. Still, it’s an honest mistake, if you ask me. Could’ve happened to anyone… because anything can happen for those who BELIEVE.


via BBC

Posted by Tara McGinley | Leave a comment
Cute Jehovah’s Witnesses animation teaches kids how to be homophobic

If you want to get through Jehovah’s metal detector into paradise, you’ll have to leave behind that bag full of love and inclusivity

Jehovah’s Witnesses have released a cute Pixar-ish animation intended to teach children that same-sex marriage is against the will of God.

Lesson 22 is titled “One Man, One Woman” and is part of a longer series called “Be Jehovah’s Friend!” The animation shows considerable influence from Pixar’s monster hit from 2015, Inside Out.

The video depicts a young girl telling her mother about an episode at school involving a friend named Carrie who drew a picture of her family, which has two mommies but no daddy. The girl passes on the comment from the teacher—a liberal heathen and a threat to everything right and good—that “all that matters is that people love each other and that they’re happy.” This bit of commonsense truth provides an opening for the girl’s mother to bring down the hammer and explain that Carrie’s mommies are never going to get into heaven if they persist in such unholy pursuits.

“People have their own ideas about what is right and wrong, but what matters is what Jehovah feels,” says the mother. The mother then makes an analogy that compares the gatekeepers of heaven to a kind of celestal TSA with a metal detector to deny entry to those with false beliefs:

It’s kind of like going on an airplane. What would happen if someone wanted to bring something on the plane that wasn’t allowed? ... To get [to paradise], we have to leave some things behind. That means anything Jehovah doesn’t approve of.

At the end of the video, the girl, newly motivated to get her friend Carrie to change her parents’ ways, says, “I can tell her about the paradise, and about the animals, and about the resurrection!”

And then her mother says, “Let’s practice!”

A disclaimer at the end of the video states that it was produced by the Watchtower Bible and Tract Society of New York, a Jehovah’s Witness organization.

SMH, SMH…...

via Gay Star News

Posted by Martin Schneider | Leave a comment
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