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Woody Allen: Fascinating documentary made for French TV in 1979
08.28.2012
07:11 pm
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I was never much of a fan of Annie Hall. I couldn’t honestly believe anyone would want to spend time with someone who seemed to be so alienated from their own feelings. I sat in the cinema thinking “Get oan wi’ it. Dae something”. But all that happened was introspective discourse and humor as deflection. Sure it had funny moments, but it seemed a million miles away from my life and the lives of those around me. And it seemed indulgent.

Yet, Annie Hall marked the turning point when Allen’s unique brand of humor conquered the world, and changed film and TV comedy for the next 3 decades, right up to Seinfeld and Curb Your Enthusiasm.

Allen was suddenly everywhere - from the covers of Newsweek and Time, to lengthy interviews on French TV and the South Bank Show. He was the pin-up of geeks and the bourgeoisie, and Annie Hall was a lifestyle choice.

Still, none of that takes away from the fact Woody Allen is a comic genius, and a brilliantly talented writer and director of films.

This fascinating documentary captures Allen not long after his Oscar success with Annie Hall and the release of his follow-up movie Interiors. Made for French TV in 1979 by Jacques Meny, and actress/journalist, France Roche, this documentary takes the neurotic King of Comedy through his childhood, early career, and success as writer filmmaker. Though the voice over is French, Allen’s interview is in English. 
 

 

 

Posted by Paul Gallagher
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08.28.2012
07:11 pm
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Chris Marker: Director of ‘La Jetée’ has died
07.30.2012
04:51 pm
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Chris Marker the influential French artist and film-maker has died aged 91. Marker died on his birthday, July 29th, which oddly reminded me of the time traveler in his 1962 film La Jetée who returns back in time only to see his own death at Orly Airport.

La Jetée is Marker’s best known work, which questioned the form of cinema, and the role within it of image, sound, editing and script. The film consisted of a series of still images, and one film sequence, which told the story of a post-apocalyptic world where a time traveler returns to the past to change the future. The film was the basis for Terry Gilliam’s Twelve Monkeys, and original conceit for James Cameron’s Terminator. Today, French President Francois Hollande led tributes to Marker, saying La Jetée “will be remembered by history.”

Born Christian François Bouche-Villeneuve on July 29th, 1921, Marker was vague about his biography, preferring to mislead and fictionalize elements of his story. He variously claimed he was born in Paris, Neuilly-sur-Seine, and Outer Mongolia. Marker never gave interviews, and refused to be photographed, though in later years pictures were secretly taken.

Marker was studying philosophy when the Second World War broke out, he served with the French Resistance, after the war he wrote a novel, Le Coeur Net (1949), joined the left-leaning magazine Esprit, contributing to poems, stories, and co-wrote the film column with André Bazin. He then wrote for Cahiers du Cinéma, before starting the globe trotting that would continue for the rest of his life, photographing and documenting his many excursions.

Marker’s first experimental film was a documentary on the 1952 Helsinki Olympics. He then worked with Alain Resnais on Les Statues Meurent Aussi, a hugely controversial film dealing with colonialism and art, which was banned in France on the grounds it attacked French foreign policy. Marker was a Marxist and his politics informed much of his work. However, Marker could be critical of Soviet Russia as he was of the west. In Letter from Siberia (1958), he famously critiqued Soviet and Western propaganda by showing the same piece of film three times, reporting it twice through East/West propaganda, and finally, ‘telling it like it is.’

Durng the 1950s, he also started a series of photographic books, one in particular on Korean women, developed Marker’s idiosyncratic style of mixing image and text, which possibly inspired the form of La Jetée.

Marker followed La Jetée with the less successful Le Joli Mai (1962), a 150 minute film made up from almost 60 hours of interview material on the lives, loves and politics of Parisians. He was then involved in establishing Société pour le Lancement des Oeuvres Nouvelles (SLON), which made collectively directed films and documentaries. Their first film was on Vietnam, and continued with the style of documentary Marker had devised with Le Joli Mai.

During the 1970s, Marker seemed to lose his way, making films about the politics of previous generations rather than the issues of feminism, sex, and personal liberty, that were central to the decade. It wasn’t until the 1980s that Marker returned to form with the cinematic essay, Sans Soleil (1983) and AK (1985), a documentary on Akira Kurosawa, making his epic movie Ran.

Marker continued working through his seventies and eighties and began developing a more personal and intimate style of film-making, focussing on his pets and zoo animals,  creating his own bestiary.

Chris Marker wrote with the camera - his best works told cinematic essays that mixed the personal with the social and political.

Chris Marker (Christian François Bouche-Villeneuve), July 29 1921 - July 29 2012
 

 
Previously on Dangerous Minds

Chris Marker: ‘Bestiare’ from 1990


 

Posted by Paul Gallagher
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07.30.2012
04:51 pm
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Mausolée: Unbelievable time-lapse footage of a 430,000 sq ft graffiti art project in Paris
06.13.2012
02:53 pm
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An extraordinary underground museum of graffiti art has been painstakingly assembled in the ruins of a formerly squatted grocery store in the north of Paris. Organized by two artists, Lek and Sowat, forty French artists and crews took over the building after police had cleared the space of its residents.

Sowat told Dangerous Minds:

On August 12, 2010, Lek and I found an abandoned supermarket in the north of Paris. For a year, in the greatest of secrets, we continuously wandered in this 430,000 sq ft monument to paint murals and organize an illegal artistic residency, inviting forty French graffiti artists to collaborate with us, from the first to the last generation of the graffiti movement. Together we built a Mausoleum, a temple dedicated to our disappearing underground culture, slowly being replaced by street art and its global pop aesthetics. Amongst other things, we made a stop motion movie of the whole experience, showing a years worth of work in 7 minutes of high speed sequence shot, a bit like watching Graffiti through the windows of New York Subway system.

To illustrate this movie, we chose Philip Glass’ ‘Opening’ track. When we reached out for permission to use the music, we were offered Mr Glass’ own master of the song, a version that is less known by the public than the track that was put out in the ‘glassworks’ album. We didn’t do this movie for financial reasons, we wanted it to be free and accessible to the most people possible.

 
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The Mausolée space reflects French social, political and human drama today, as few museums or more traditional art spaces could. Due to the nature of the space, people can’t really visit there, so the artists have published a book commemorating their 40,000 m² “mausoleum” of graffiti art as well as posting this gorgeous Koyaanisqatsi-esque time-lapse video of how the project came together.

It’s a knockout.
 
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Posted by Richard Metzger
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06.13.2012
02:53 pm
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Why does France’s new Socialist President strike fear into the hearts of the elites?
05.07.2012
11:04 am
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Hearty congratulations to the entire country of France for having the good sense to elect a Socialist president, François Hollande, and for kicking that pompous dickhead Sarkozy to the curb.

It’s not like the “Socialist” part—or even President-Elect François Hollande himself for that matter—got much play in the initial reports in the American media, although “Farewell Monsieur President!” and “Goodbye Sarkozy!” headlines were in abundance (I’d have gone with something like “France tells ‘President of the rich’ to piss off, elects Socialist”). Hollande will be the country’s first Socialist leader since François Mitterrand (the Republic’s longest-serving president) left office in 1995. It was Hollande’s ex-wife, Socialist politician Ségolène Royal, who was defeated by Nicolas Sarkozy in 2007.

MSNBC, not mentioning Hollande in the headline, and under a picture of a dejected looking Sarkozy, natch, called the President-Elect “unassumming.” When reporters did get around to mentioning Hollande by name, it was normally to mention that he was a “socialist lite” or a “moderate.”

By American political standards? That’s a pretty meaningless and worthless comparison, if you ask me.

To take the President-Elect at his own word, his win represents “a new departure for Europe and hope for the world” because “Europe is watching us, austerity can no longer be the only option.” I personally like the way that sounds, but Lynn Parramore, writing at AlterNet fears that Hollande will end up being a “marshmallow” who talks big and then lets monied interests walk all over him (where have we seen that happen before?). She also describes him as “more like an American centrist Democrat than a Bush-style right-winger,” but I’d take that with a grain of salt (see below).

Nabila Ramdani bucked the trend writing in The Independent, calling Hollande a “fiercely left-wing leader” who would “strike fear into the hearts of France’s rich” and who should not be written-off before he even takes office on May 17th.

The 57-year-old Socialist has openly admitted that he “does not like the rich” and declared that “my real enemy is the world of finance”. This means taxing the wealthy by up to 75 per cent, curtailing the activities of Paris as a centre for financial dealing, and ploughing millions into creating more civil service jobs.

Add an explicit threat to renegotiate the euro pact to replace austerity with “growth-creating” spending, and you have one of the most vehemently left-wing programmes in recent history.

BUT… There’s always a “but” isn’t there? France is broke and mired deeply in debt. Servicing the country’s outstanding debt is the second item of the government’s yearly budget, right below healthcare:

Caution is justified, though one thing Mr Hollande will not repeat is the disastrous tax-and-spend policies introduced by France’s last Socialist President, François Mitterrand, in 1981. He was soon forced into a humiliating U-turn, and into sharing power with the right as the Communists quit his cabinet in protest.

In contrast, Mr Hollande will focus on solving the euro crisis and reversing a Gallic economic decline widely blamed on a failed capitalist system, and particularly a rotten banking sector.

A summary of Holland’s policies and proposals, according to Wikipedia, demonstrates just how very little a President Hollande would have in common with “an American centrist Democrat” (no matter what Sean Hannity might think!)

Foreign policy: supports the withdrawal of French troops present in Afghanistan by the end of 2012.

European politics: aims to conclude a new contract of Franco-German partnership and he advocates the adoption of a Directive on the protection of public services. Proposes closer Franco-German partnership: “an acceleration of the establishment of a Franco-German civic service, the creation of a Franco-German research office, the creation of a Franco-German industrial fund to finance common competitiveness clusters (transport, energy or environment) and the establishment of a common military headquarters.”

Financial system: backs the creation of a European rating agency and the separation of lending and investment in banks.

Energy: endorses reducing the share of nuclear power in electricity generation from 75 to 50% in favor of renewable energy sources.

Taxation: supports the merger of income tax and the General Social Contribution (CSG), the creation of an additional 45% for additional income of 150,000 euros, capping tax loopholes at a maximum of €10,000 per year, and questioning the relief solidarity tax on wealth (ISF, Impôt de Solidarité sur la Fortune) measure that should bring €29 billion in additional revenue.

Education: supports the recruitment of 60,000 new teachers, the creation of a study allowance and means-tested training, setting up a mutually beneficial contract that would allow a generation of experienced employees and craftsmen to be the guardians and teachers of younger newly-hired employees, thereby creating a total of 150,000 subsidized jobs.

Aid to SME’s, with the creation of a public bank investment-oriented SME’s and reducing the corporate tax rate to 30% for medium corporations and 15% for small.

Recruitment of 5,000 judges, police officers and gendarmes.

Construction of 500,000 homes per year, including 150,000 social, funded by a doubling of the ceiling of the A passbook, the State making available its local government land within five years.

Restoration of retirement at age 60 for those who have contributed more than 41 years.

Hollande supported same-sex marriage and adoption for LGBT couples, and has plans to pursue the issue in early 2013.

The provision of development funds for deprived suburbs.

Return to a deficit of 0% of GDP in 2017.

This is “moderate”? Sounds pretty “sane” to moi.

Appropriately, Hollande’s jubilant left-wing supporters took their joyous celebrations to la Place de la Bastille where the Socialist President Elect spoke:

“I don’t know if you can hear me but I have heard you. I have heard your will for change. I have heard your strength, your hope and I want to express to you all of my gratitude. Thank you, thank you, thank you people of France, gathered here, to have allowed me to be your president of the republic.”

“I am the president of the youth of France! I am the president of all the collective pride of France! I am the president of Justice in France!

“Carry this message far! Remember for the rest of your life this great gathering at the Bastille because it must give a taste to other peoples, to the whole of Europe, of the change that is coming. In all the capitals, beyond government leaders and state leaders, there are people who, thanks to us, are hoping, are looking to us and want to put an end to austerity.”

Liberté, égalité, fraternité!
 

Posted by Richard Metzger
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05.07.2012
11:04 am
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The Jam: Perform A Powerful Showcase in Paris 1981
04.10.2012
03:27 pm
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A powerful performance from The Jam, recorded in Paris in 1981, and originally shown as part of the French TV series Chorus (presented by Antoine de Caunes, no less). Here The Jam thunder through:

01. “David Watts”
02. “Private Hell”
03. “Butterfly Collector”
04. “But I’m Different Now”
05. “When You’re Young”
06. “Eton Rifles”

It’s a fine selection of songs, which highlights The Jam’s musical progression from the influence of sixties Mods, through Punk to New Wave and onto Paul Weller’s distinct political commentary with “Eton Rifles”.  Excellent stuff. Mind you, it’s still hard to believe Tory PM and professional nincompoop, David Cameron was naive enough to claim he had a great liking for “Eton Rifles”, during a radio interview in 2008. However, the Eton-educated Cameron’s admiration for the song did not impact on his politics, something Paul Weller picked up on:

“Which part of it didn’t he get? It wasn’t intended as a jolly drinking song for the cadet corps.”

The song reached number 3 in the U.K. in November 1979, and was the beginning of The Jam’s dominance over the charts until 1982, when guitar bands were replaced by Blitz Kids, and synthesizers.

During their 5 years of recordings, The Jam brought an edge to pop music by fusing musical ambition to strong Left-wing conviction, which wouldn’t happen on such a similar scale until Pulp in the 1990s, and the likes of which are very much required today.
 

 

Posted by Paul Gallagher
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04.10.2012
03:27 pm
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Paris: City of Fashion 1950-59
03.08.2012
08:05 am
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Paris: City of Fashion is an elegant little featurette from British Pathé, which looks at a variety of women’s fashions from the 1950s, posed against the boulevards and avenues of the gorgeous City of Lights. Watching it makes me feel I should be Cary Grant wandering around markets on the lookout for a Swedish 4 shilling, an “Hawaiian Blue” or a “Gazette Moldar”.
 

 

Posted by Paul Gallagher
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03.08.2012
08:05 am
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‘The Art Of Sounds’ - terrific documentary on the French composer Pierre Henry
11.19.2011
09:14 pm
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Some more vintage electronic French pop to round out the week on Dangerous Minds. Some folk may not know the name Pierre Henry, but they definitely know his music - well they would know his music, were it not for the fact that what they are hearing isn’t actually him. I’m talking of course about the Futurama theme tune, and how it is a blatant rip-off of Henry’s classic ‘Psyche Rock’ from 1967 (more specifically, the Fatboy Slim remix).

Now, don’t get me wrong I love Futurame, but it’s to Matt Groening’s eternal shame that he did not just stump up whatever cash was required to purchase the original track. What we now have in its place every week is a lame facsimile, that some people even confuse with the original track. Oh well. That’s entertainment!

Regardless, The Art of Sound is an excellent French (subtitled) documentary directed by Eric Darmon and Franck Mallet from 2006 that follows Pierre Henry as he collects unique sounds for his compositions, sets up an even more unique live concert in his house, and generally looks back over a career in music that spans over fifty years. It’s intimate and revealing, and its central figure comes across as quite the character.

No, scrub that - Pierre Henry is the shit. He went from being a pioneer of musique concrete with Pierre Schaeffer in the 1950s to creating psychedelic sound-and-light shows in 1960s Paris that could match anything dreamt up by Pink Floyd and the Grateful Dead. He composed music for abstract ballets that still sounds genuinely psychedelic and like nothing else today. He may come across as crabby and extremely eccentric in this film, but I still hope I end up as cool as this guy if I get to be his age. I mean, you have to be pretty awesome to attract a steady fanbase to abstract electronic recital shows in your own bloody house, right?
 

 
BONUS!
More psyche-pop magic, this time with Henry & Colombier’s “Teen Tonic” (1967) set to footage of the 1960s German TV fashion Show Paris Aktuel by YouTube uploader Cosmocorps2000:

Pierre Henry & Michel Colombier “Teen Tonic”
 

Posted by Niall O'Conghaile
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11.19.2011
09:14 pm
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L’Histoire D’Anne Pigalle
11.16.2011
06:01 pm
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Anne Pigalle weaves her magic in this short biographical film, L’Histoire D’Anne Pigalle.

Made in 2001, during a point when the legendary chanteuse was re-examining her life, the film looks back on her creative life, from childhood through first bands, to the release of her classic debut album Everything Could Be So Perfect in 1985, to her slow disillusionment, as she questioned the value of her fame and success.

Since making L’Histoire D’Anne Pigalle, Anne has established herself as a multi-media artist, mixing art, photography and painting, with live performance. Last year, Ms Pigalle made a triumphant return to the top of the tree with her beautiful and spell-binding album L’âmerotica Part I and II, which was quickly followed-up earlier this year, with the stunning L’âme érotique.
 

 
Previously on Dangerous Minds

‘L’âmerotica’: The Return of the Brilliant Anne Pigalle


 

Posted by Paul Gallagher
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11.16.2011
06:01 pm
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France is Bacon
10.26.2011
08:00 pm
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I might be late to the game with this one (a year to be exact), but goddamn is this funny. Redditor Lard_Baron commented on a “What word or phrase did you totally misunderstand as a child?” thread on reddit. Here’s what he wrote:


 
(via Poor Mojo )

Posted by Tara McGinley
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10.26.2011
08:00 pm
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Captain Beefheart and The Tragic Band: Live in Paris 1974
10.21.2011
06:56 pm
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Captain Beefheart and The Tragic Band, recorded live H.E.C., HEC Jouy-en-Josas, Paris, France May 24, 1974

01. “Mirror Man”
02. “Upon The My-O-My”
03. “Full Moon, Hot Sun”
04. “Crazy Little Thing”
05. “Improvisation”
06. “Peaches”
07. “Who Will Be Next?” (Chester Burnett)
08. “You’re Gonna Need Somebody On Yer Bond” (Traditional)

 

 

 
Bonus:

Captain Beefheart and The Tragic Band, recorded live at the Cowtown Ballroom, Kansas City, Missouri, April 22, 1974

“Tragic Live Band”

Captain Beefheart Don Van Vliet vocals, harmonica, saxophone, clarinet
Fuzzy Fuscaldo guitar
Ty Grimes drums
Del Simmons tenor saxophone, flute
Dean Smith guitar
Michael Smotherman keyboards
Paul Uhrig bass

01. “Mirror Man” (0:00)
02. “Upon The My-O-My” (7:31)
03. “Crazy Little Thing” (10:48)
04. “Full Moon, Hot Sun” (15:56)
05. “Sugar Bowl” (20:17)
06. “This Is The Day” (23:19)
07. “It’s Mighty Crazy aka Keep On Rubbing Lightnin’ Slim” (31:17)
08. “Be Your Dog” (36:14)
09. “Sweet Georgia Brown” (43:32)
10. “Abba Zaba” (47:18)
11. “Peaches” (50:46)
 

 
With thanks to bookheaven1000
 

Posted by Paul Gallagher
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10.21.2011
06:56 pm
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Jim Hendrix on French pop TV show ‘Dim Dam Dom’
09.07.2011
12:07 pm
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The folks at Mod Cinema just keep the goods rolling out, don’t they? It’s hard to stay up with the embarrassment of riches on offer from them. Take for instance their recent duo of double DVD sets featuring unedited episodes of Dim Dam Dom, the distinctive, ultra-hip, fashion-forward late sixties French pop TV series. Dim Dam Dom had a very French “mod” sensibility, giving it a vastly different look and feel to British programs like Colour Me Pop or Top of the Pops and American counterparts like Shindig! and Hullabaloo.

Dim Dam Dom was a music variety hour produced for the Deuxième channel in France. The title summarizes this shows concept, “Dim” for Sunday, “Dam” for ladies, and “Dom” for men. Pioneering the creativity of the show was Daisy Galard. From the elaborate dance choreography, to the set design, to the production and staging, Dim Dam Dom serves as a colorful time capsule of pop music in 1968.

Included in Mod Cinema’s two 2-disc Dim Dam Dom sets are several complete unedited episodes (most in color, a few in black & white) with rare performances by Johnny Hallyday, Mireille Darc, Grapefruit, Marie Laforêt, Nino Ferrer, Eddy Mitchell, Stone, Memphis Slim, Ronnie Bird, Françoise Hardy, Procol Harum, The Electric Prunes, Julie Driscoll, Brian Auger & the Trinity, Sylvie Vartan, Jacques Dutronc, Pussy Cat, The Moody Blues, P.P.Arnold, Serge Gainsbourg, The Jimi Hendrix Experience, Jacques Dutronc, “Les Bee Gees,” Claude François, The Easybeats, Manfred Mann, France Gall (who also sings the shows “theme song”) and many many others.

Order Dim Dam Dom from Mod Cinema here.

Below, The Jimi Hendrix Experience performing “Burning of the Midnight Lamp.”
 

 
Bonus clip after the jump: A young Keith Emerson and The Nice performing “Karelia Suite” on “Dim Dam Dom,” 1969.

READ ON
Posted by Richard Metzger
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09.07.2011
12:07 pm
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Are the Smurfs Communist Nazis?
06.09.2011
09:02 pm
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Image by Bit Weird.

I’d heard the theory that the Smurfs were a ploy to get us used to the imminent arrival of little blue aliens, but this is news to me. A French academic has published a book claiming that the Smurfs were both Communist and anti-Semitic, claims that have met with a backlash from fans of the little blue guys. From The Guardian:

Antoine Buéno, a lecturer at Sciences Po university in Paris, makes the claims in his new book Le Petit Livre Bleu: Analyse critique et politique de la société des Schtroumpfs, in which he points out that the Smurfs live in a world where private initiative is rarely rewarded, where meals are all taken together in a communal room, where there is one leader and where the Smurfs rarely leave their small country.

“Does that not remind you of anything? A political dictatorship, for example?” asks Buéno, going on to compare the Smurfs’ world to a totalitarian utopia reminiscent of Stalinist communism (Papa wears a red outfit and resembles Stalin, while Brainy is similar to Trotsky) and nazism (the character of the Smurfs’ enemy Gargamel is an antisemitic caricature of a Jew, he proposes). A story about the Black Smurfs, meanwhile, in which the Smurfs are bitten by a fly which turns their skin black and renders them unable to speak, has colonial overtones.

Reactions to the book were immediate and hostile, with commenters on Smurf fansites calling Buéno a “dream breaker”, an imbecile and a crook with “paranoid delusions”, who is ruining childhood memories.

 
Is this strange video perhaps more proof of a connection?
 

 
Thanks to Nicola Blackmore.

Posted by Niall O'Conghaile
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06.09.2011
09:02 pm
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Odd vintage French ad
05.27.2011
02:48 pm
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With my rudimentary high school French, I’m not entirely sure what this is all about, but I think it’s something about your kid being too stupid, so turn them into a broom? 

(via Das Kraftfuttermischwerk)

Posted by Tara McGinley
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05.27.2011
02:48 pm
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Their Last Tour: The Velvet Underground - Live in Paris, 1993
01.16.2011
06:32 pm
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In June 1993, Lou Reed, John Cale, Sterling Morrison and Moe Tucker kicked-off their official (sans Nico, who had died in 1988) Velvet Underground reunion tour with two nights at the Playhouse Theater, in Edinburgh. There had been rumors of a VU reunion for years, and these rumors slowly became real after Reed and Cale had successfully toured with Songs for Drella - their musical collaboration celebrating the life of Andy Warhol.

From their opening gig in Scotland, The Velvet Underground then played London, before taking their show to Holland, Germany, Czech Republic, France, Switzerland, and Italy, where the tour finished on 9 July. During the tour, they also gave a headline grabbing performance at the Glastonbury Festival, and had a WTF? moment when they supported U2 for five dates.

The VU reunion was so successful that an American tour was planned, and a showcase on MTV Unplugged… was all but booked. However, before any of this happened, Reed and Cale fell out and all plans were shelved.  In 1995, Sterling Morrison died. The following year, the VU were inducted into The Rock and Roll Hall of Fame Reed, Cale and Tucker reformed the Velvet Underground for the last time.

This footage is from the Velvet Underground’s performance at the L’Olympia, Paris, in June 1993.
 

 
More VU, ‘Femme Fatale’ and ‘Waiting for the Man’, after the jump…
 

READ ON
Posted by Paul Gallagher
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01.16.2011
06:32 pm
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When Sparks Met Comedy Genius Jacques Tati in 1974
01.04.2011
02:44 pm
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This should have been something: When Sparks met Jacques Tati in 1974, to discuss Ron and Russell Mael’s’ starring roles in the French comedy legend’s next feature Confusion. N’est-ce pas incroyable, non? As the brothers explain over at the fabulous Graphik Designs website:

Russell Mael: “We were discussing with a guy from Island Records in Europe fun things to do that weren’t involved with being in a rock band and how to just kind of expand the whole thing… JacquesTati’s name was brought up and we just kind of laughed it off. Anyway, he approached Jacques Tati and somehow got him to come meet us. Jacques Tati didn’t know anything about Sparks because he was 67 years old and doesn’t listen to rock music.”

Ron Mael: “We were to be in Tati’s film Confusion, a story of two American TV studio employees brought to a rural French TV company to help them out with some American technical expertise and input into how TV really is done. Unfortunately due to Tati’s declining health and ultimate death, the film didn’t get met.”

Confusion was to be a “visionary project” in which Tati offered a critique of the encroaching globalization of the world through advertising and television. It was planned as a follow-up to his masterpiece Playtime that dealt with the damaging alienation caused by modern corporate life. Tati had even decided on a shock opening to his new feature. In the first reel, his famous comic alter-ego, Monsieur Hulot would be killed off, in a mix-up with a real and prop gun.

The film had Hulot working in a rural TV station and his death leads to the arrival of two young American TV execs (Ron and Russell), who have plans to modernize the TV station.

What should have been one of the greatest pop-comedy films ever made, sadly never happened after Tati went bankrupt and his declining health put the project on hold. However, Sparks did write a song for the film, Confusion, which appeared on their Big Beat album. Instead of starring roles, the brothers made a cameo appearance in the 1977 blockbuster Rollercoaster. Plans to film Confusion lingered on for a few years, until Tati’s death in 1982 brought the project to a close.
 

 
Bonus clips of Sparks, plus their demo ‘Landlady, Landlady, Turn-up the Heat’ after the jump…
 

READ ON
Posted by Paul Gallagher
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01.04.2011
02:44 pm
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