Dreams Money Can Buy: Surrealist feature film from 1947

Dreams Money Can Buy is a 1947 film made by artist/author Hans Richter and collaborators like Marcel Duchamp, John Cage, Ferdinand Leger, Man Ray, Alexander Calder, Paul Bowles, Max Ernst and others. There is a number by scandalous bisexual torch singer Libby Holman and popular African-American singer Josh White (who was later caught up in the “Red Scare” and black-listed) on the original soundtrack titled “The Girl with the Pre-Fabricated Heart” that plays during Leger’s segment.
Richter’s goal was to bring the avant-garde out of the museum and into the movie house and the results, predictably, are rather unique. Certainly Dreams Money Can Buy must have been a stunner at the time and it still is. The plot, such that there is one, revolves around a man who rents a room where he can peer into the mirror and see people’s dreams. He sets up shop and we meet his clients and see their surreal interior lives in the dream sequences. As you can imagine with the above list of collaborators, the film is a dizzying treat of audio-visual creation.
Marcel Duchamp’s contribution, “Discs,” is especially interesting. Here we see Duchamp’s famous Rotoreliefs in action, with a “prepared piano” soundtrack performed by John Cage. [I was once offered a box of glass and wood reproductions in miniature of Duchamp’s kinetic sculptures—at a good price, too—and like a fucking idiot I passed on it].

Below, Dreams Money Can Buy in its entirety on YouTube. If you want to watch with the original soundtrack, it’s here. The “modern” soundtrack, in the version embedded below, was recorded by The Real Tuesday Weld and is pretty faithful to the original music.

Thank you Vanessa Weinberg!

Written by Richard Metzger | Discussion
Cracking Open The Sheltering Sky

Today’s NYT alerts us to the 60th (!) anniversary of Paul Bowles’ novel The Sheltering Sky.  A race to the limits of experience—and existence—set against North Africa’s unforgiving desert, Sky gave Bowles the means to live with the absolute freedom of his two most famous characters, Port and Kit Moresby.  That freedom would ultimately consume the Moresbys, but Bowles, along with his wife, Jane, lived out their years in Tangier, experimenting with hashish and bisexuality, and nurturing friendships with everyone from Gore Vidal to William Burroughs and Brion Gysin.

It was with Gysin that Bowles met The Master Musicians of Jajouka, a discovery that would later yield Brian Jones Presents: The Pipes of Pan at Jajouka.  Dubbed, dryly, by Burroughs as a “4000-year-old rock band,” The Masters can be seen below playing at the 40th anniversary of Brian Jones’ death.

In the NYT: Trusting in the Sheltering Sky, Even When It Scorched

Written by Bradley Novicoff | Discussion