Here is some more of that excellent “cassette art” (as used on the Aphex Twin post just below) by the Finnish artist Sami Havia. Sami’s website is here, but these are the only other examples I could find of this style, and they’re taken from the Today And Tomorrow blog. Maybe if we ask nicely he will start making more?
Public Enemy’s explosion onto the American music scene in the mid-to-late-‘80s transformed the musical views of a lot of people, myself included. These guys were the full package. Sonically they fused hardcore New York rap style with militant black power lyrics and a dense, bombastic sample-heavy rhythm attack. Visually, they had a solidly political graphic style and tough, utilitarian fashion sense that accentuated their revolutionary attitude. PE were a dream come true for dorky college students like me who were in love with both serious anarcho-punk bands like the then-recently defunct Crass and black music in general—especially hip-hop. Their 1988 album It Takes a Nation of Millions to Hold Us Back is a landmark in American pop music.
PE marks their entrance into collectors’ posterity via a 3-CD/3-DVD-photo-book-and-t-shirt box set with a new video for their summer single, “Say It Like It Really Is,” shot in the surprisingly peaceful surroundings of Niagra Falls. Older, but still dangerous minds.
After the jump: a 2007 video re-contextualizing of P.E.’s 1999 tune “I”, with Chuck D. surveying New Orleans’ Ninth Ward…
Melvin Bliss, singer of one the most sampled songs of all time, 1973’s “Synthetic Substitution,” has died. The list of artists who’ve borrowed from the track is long and overwhelming: Ultramagnetic MC’s, Public Enemy, De La Soul, Naughty By Nature, Gang Starr, Wu-Tang Clan; it goes on, pretty much forever.
Zach Baron of the Village Voice has put together a sweet video tribute to Melvin. Check it out at Village Voice
Here’s a really wonderful interview with one of my favorite photographers and artists, Glen E. Friedman. Do yourself a favor and watch the video. From State Magazine:
It was then that I found that the most beautiful, gripping color photographs were taken by just a single photographer, a very young teenager, by the name of Glen E. Friedman. Glen would go on to take these skills he learnt as a kid and apply them to his other great love in life, music. What you’re about to hear is an interview I did with Glen, who describes for you, some of his favourite shots from the last four decades. It’s a journey which has taken Glen from the mosh-pits of American punk-rock with bands like Black Flag and Fugazi to the suburban streets with hip-hop where Public Enemy, Beastie Boys, Run DMC, LL Cool J, A Tribe Called Quest and Ice-T all became subjects in front of Glen’s lens. So, less talk, more action; press play. After all, they say a picture is worth a thousand…well, you know…
Dangerous Minds is a compendium of oddities, pop culture treasures, high weirdness, punk rock and politics drawn from the outer reaches of pop culture. Our editorial policy, such that it is, reflects the interests, whimsies and peculiarities of the individual writers. And sometimes it doesn't. Very often the idea is just "Here's what so and so said, take a look and see what you think."
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