At the start of 1978 Blondie had released its self-titled debut album and was about to put out its sophomore follow-up Plastic Letters; the band’s masterpiece, Parallel Lines, would be recorded in the summer and released in the autumn. Meanwhile, Akron’s DEVO had been bouncing around with sublime creativity for several years, but their mind-blowing debut album Q: Are We Not Men? A: We Are Devo! was still several months off.
Still, the two staples of smart American pop music were apparently well known enough even at that moment, such that PUNK magazine could feel it worthwhile to commission a silly comic strip involving the two bands, featuring photographs as the panels, as in the fumetti form often seen in Italy and also, as it happens, in frequent use by National Lampoon right around this time.
The title of the strip was “Disposable DEVO,” and the plot was rife with the “devolutionary” concepts that DEVO’s own name made so famous.
The comic appeared in issue #12 of Punk Magazine, which came out in January 1978. Chris Stein took the photographs. In the strip “a malfunctioning android cleaning lady” played by Debbie Harry attempts to sweep away a pile of humanoid debris (i.e., DEVO) only to find, against all expectation, that the five identically outfitted “zeroids” are actually capable of feeling sensations (pain).