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When Keith Haring painted the heavenly body of Grace Jones


Artist Keith Haring painting Grace Jones in 1986 on the set of ‘Vamp.’
 
Grace Jones was 36 in 1984 when she, Andy Warhol, Robert Mapplethorpe, and pop artist Keith Haring all converged in Mapplethorpe’s studio in New York City. The reason for the epic get-together was to shoot photos of Jones covered in body paint done by Haring in his distinctive style. The session lasted a marathon eighteen hours during which Jones was photographed by Mapplethorpe adorned by Haring’s body paint, a towering headdress and an ornate “skirt.” Orchestrated by Warhol—who had introduced Haring to Jones a few years prior—Andy had been wanting to feature Jones on the cover of Interview magazine and believed that an artistic collaboration between Haring and Jones would be awesome. And he wasn’t wrong. However, Mapplethorpe and Warhol didn’t exactly click despite Mapplethorpe’s desire to be among Warhol’s ever-growing gang of muses, friends, and hanger-ons. In fact, during the photo shoot, it has been alleged that Mapplethorpe attempted to sabotage Warhol while he was taking photos of Jones by requesting Andy not use his flash in his studio. Meow.

Haring’s handiwork on Jones’ magnificent bodyscape was not the first time he used a live human as a canvas. In 1983 Haring painted Bill T. Jones, the legendary Tony Award-winning dancer, choreographer and cofounder of the Bill T. Jones/Arnie Zane Dance Company. This session was photographed by Tseng Kwong Chi, a prominent figure in the downtown NYC art scene.

Getting back to Haring’s work with Grace Jones, he would get to paint the Jamaican goddess more than once, including when Grace performed live at the Paradise Garage before the much-loved gay-club closed its doors. Perhaps most memorably Haring would use Jones’ body as his canvas when she landed the role of Katrina the Queen of The Vampires in the 1986 film Vamp. The look Jones cultivated for Katrina is said to be based on the character played by actress Daryl Hannah in the 1982 film Blade Runner—at least when it comes to Jones’ startling red wig and face makeup. For Jones’ 1986 video for the song “I’m Not Perfect (But I’m Perfect for You),” Haring was enlisted to paint the massive 60-foot white skirt Jones wears in the video. The video also includes time-lapse footage of Haring painting the giant skirt and a brief appearance by Andy Warhol—one of his very last before he passed away three months later on February 22, 1987.

I’ve posted images of Jones “wearing” her famous body paint done by Keith Haring as well as photos of Bill T. Jones looking like her muscular male doppelgänger. You can also watch footage of Grace Jones stripping down to her Haring body paint in a clip from Vamp and the video for “I’m Not Perfect (But I’m Perfect for You).” Much of what follows is NSFW.
 

Jones in body paint and adornments by Haring, photographed by Robert Mapplethorpe in his NYC studio in 1984.
 

Another shot of Jones by Mapplethorpe.
 

A cheeky shot of Haring and Jones.
 
Much more after the jump…

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Posted by Cherrybomb
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01.30.2018
01:29 pm
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Patti Smith talking about Robert Mapplethorpe and Andy Warhol
12.18.2012
04:40 am
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Patti Smith’s recollections of her relationship with Robert Mapplethorpe are touching, beautiful and sad in this interview filmed during the 2012 literature festival at the Louisiana Museum of Modern Art in Denmark.
 

 
Patti on Andy Warhol after the jump…

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Posted by Marc Campbell
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12.18.2012
04:40 am
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Judy Linn: photograph of Patti Smith as Bob Dylan
08.19.2010
05:18 pm
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New Yorker Judy Linn’s photographs of Patti Smith are an indelible part of the collective consciousness of Patti’s fans and admirers. But, the Dylan one is new to me.

A book of around 100 black and white photographs Lynn took between the years of 1969-1977 of Patti, Robert Mapplethorpe, Sam Shepard, Gerard Malanga, among others, is being published next March by Abrams.
 
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More of Linn’s photographs of Patti after the jump…

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Posted by Marc Campbell
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08.19.2010
05:18 pm
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New York’s not all right with Patti Smith, but kids are!

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Last weekend in New York, as part of the PEN World Voices Festival, Patti Smith spoke to author Jonathan Lethem (Chronic City, The Fortress of Solitude).  You can stream the entire interview here, but Vanishing New York singled out a particularly telling moment.

After Dame Smith touches on everything from sneaker semiotics to her new book on Robert Mapplethorpe, Just Kids, she offers a rather grim assessment of the city she’s best associated with:

New York has closed itself off to the young and the struggling.  But there are other cities.  Detroit.  Poughkeepsie… New York City has been taken away from you… So my advice is: Find a new city.”

Kids of the world take note: Patti knows what’s good for you!  She’s always been on your side!  Witness below the classic clip from TV’s Kids Are People Too.  Oddly enough (nearly as odd, I suppose, as seeing a group of kids engaging in some mutual adoration with Patti Smith) the song she chooses to sing is You Light Up My Life.

 
(via L Magazine)

Posted by Bradley Novicoff
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05.04.2010
07:07 pm
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Just Kids: Patti Smith & Robert Mapplethorpe
01.20.2010
07:37 pm
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Reviews for Just Kids, Patti Smith‘s musings on her early days with photographer Robert Mapplethorpe are trickling in, and, happily for this fan, they’re ranging from good to glowing.  Bookforum calls it “occasionally corny and often deeply affecting.”  Janet Maslin of The New York Times compares it, favorably, to Bob Dylan’s impressionistic take on his own budding youth, Chronicles, Volume I

And much like Dylan’s own look back, Patti Smith ends her story on a golden note: fame is looming fast, but the deaths of Mapplethorpe and, later, her husband and musical collaborator, Fred “Sonic” Smith, are still very far away.  A clip of Smith and Mapplethorpe follows below:

 
See also: Remembrances of the Punk Prose Poetess

Posted by Bradley Novicoff
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01.20.2010
07:37 pm
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