follow us in feedly
Did Sharon Tate dream of her murder by the Manson Family two years before it happened?
02.12.2015
01:30 pm

Topics:
R.I.P.

Tags:
Charles Manson
Sharon Tate
Jay Sebring

Tate
 
I was looking through a stack of Fate magazines from the late 60’s and early 70’s that were collecting dust on a built-in bookshelf in my living room the other day when I came across a rather bizarre article about Sharon Tate and a dream she had. The strange anecdote came from Hollywood “man around town” celebrity columnist, Dick Kleiner.  According to Kleiner, Sharon Tate had a prophetic dream of her brutal murder by members of the Manson Family at least two years before the tragic incident actually took place. 

Now keep in mind if you’re not familiar with Fate that it’s the kind of publication that presents paranormal phenomena, alternative medicine, mental telepathy and the like. Other articles in the same issue are titled “Spirit ‘Possession,’ – Fact or Fallacy?” and “The Prophetic Day the Mirror Fell.” There are classified ads for a “UFO Diet” and a “Teenage Astrologer.” It’s not necessarily the resource you grab when you’re looking do research for your doctoral thesis, but nonetheless, the older copies are odd enough that my wife and I like having some around to pick up from time to time. Fun at parties and all that.
 
Tate Fate Magazine May 1970
The May, 1970 issue of Fate
 
So you can make what you will of the story to come considering the source, but if it’s true it’s pretty creepy, and at the very least, a kitschy example of the kind of writing for which Fate is famous.

In the article, called “Sharon Tate’s Preview of Murder,” Kleiner, speaking in the first person, explains that he had interviewed Tate in the past and he planned on doing so again when he showed up on the set of a film (almost certainly The Wrecking Crew) where she was working on August 1, 1968, almost exactly a year before the Manson Family killings on August 9, 1969. Tate recognized Kleiner and invited him into her trailer for the interview. Among the other questions Kleiner asked that day was “Have you ever had psychic experiences?” apparently something that he brought up routinely with every celebrity with whom he spoke as these types of phenomena were of personal interest. Tate’s response, according to Kleiner, was as follows:

Yes, I have had a psychic experience- at least I guess that’s what it was- and it was a terribly frightening and disturbing thing for me. It happened a year or so ago. Maybe you can explain it.

At the time of the August interview in 1968, Tate had been married to Roman Polanski for several months, the two having tied the knot in January of that year. But in order to understand the context of the supposedly prophetic dream, we need to think briefly about Tate’s life at the time of the “mysterious vision.” It would have been sometime around the summer of 1967. At that point, Tate was in a relationship with famous Hollywood hairstylist, Jay Sebring who, not so incidentally, would also be killed in the Manson slaughter. When Tate had the dream, she was sleeping in Sebring’s house while he was away on business in New York. The house, located “right on Benedict Canyon, the street that parallels the canyon itself” (the street is actually called Easton Drive) had previously belonged to Hollywood agent, Paul Bern who was married in the 30’s to Jean Harlow. According to Kleiner, Bern had committed suicide in the house after Harlow left him in 1932, but the facts surrounding Bern’s death are cloudy and there is some debate about the real cause of his demise. Either way, the fact that Bern had died in the house would have been common knowledge in Hollywood circles in 1967.

So Tate, alone in the house and turning in for bed starts experiencing a “funny feeling” that is keeping her from sleeping, all the small noises in the dwelling startling her. She turns on the light in the bedroom and sees “a small man” moving clumsily around the room. She describes the man as looking like every description she had ever heard of Paul Bern. The unexplainable figure is not threatening to Tate, but its mere presence is terrifying to her. (Keep in mind that according to the article, Tate still feels like she’s awake at this point). Tate runs from the room and starts heading down the stairs, and this is where the supposed premonition takes place. From the Kleiner article:

“I saw something or someone tied to the staircase,” she said. “Whoever it was- and I couldn’t tell if it was a man or a woman but knew somehow that it was either Jay Sebring or me-he or she was cut open at the throat.”

At this point, according to Kleiner, Tate heads into “the playroom” looking for a much needed drink. She felt certain that Sebring would have kept liquor in the room but she didn’t know where. Tate senses something (she doesn’t hear a voice) telling her to open a shelf on a bookcase. Inside, she finds a button which she pushes revealing a liquor cabinet. She has a drink, tries to calm down and pinches herself. Upon feeling nothing, Tate, according to the account, is relieved to find that the whole awful experience must just be a dream.
 
Sharon Tate Jay Sebring
Sharon Tate and Jay Sebring just before their shocking demise
 
In Kleiner’s retelling, Tate then experiences another sensation compelling her to pull away a strip of wallpaper at the bottom of the bar. Feeling silly, she does so, revealing a brass base. She pinches herself a second time, and she still feels nothing.

Tate, now a little more settled, decides to head back upstairs thinking that she could probably go to sleep. Again, this is supposed to be dream, so the whole thing is a little confusing. Regardless, she heads back upstairs, apparently past the apparition still “gushing blood” AND past the odd little man. Despite all of this, according to the account, she climbs into bed and falls fast asleep.

Cut to the morning when Tate is awakened by Sebring returning from New York. The two nervously laugh about the odd dream and then they have the kind of head-scratcher common to these stories of the “supernatural” when they walk back to the playroom to find the liquor cabinet open and “scraps of wallpaper on the floor.”

I typically don’t put a lot of stock into this kind of thing, but again, one has to admit that if the story of the dream is true it’s pretty strange to say the least. I had honestly never heard this story before, but it turns out that many have made a very big deal of it. 

Sebring remained friends with Tate after their breakup and as I mentioned before, he was one of the five people killed by the Manson Family at Tate and Polanski’s rented home on Cielo Drive in 1969. Sebring was still living in the house where Tate’s dream took place at the time of his murder.

You can read the entire Fate article here.

I’m not sure where the clip below is from, and the quality is not the best, but it discusses Sebring’s house and Sharon Tate’s dream. At around 3:23 you can hear Dick Kleiner recalling Tate’s recollection of what turned out in retrospect to be a rather chilling vision. After watching the clip, it appears that the Kleiner article had shown up in perhaps a different format in a different publication.
 

Posted by Jason Schafer | Leave a comment
Steve McQueen and Charles Manson’s ‘Death List’

neeuqevetstserra.jpg
 
Steve McQueen was one of several Hollywood celebrities placed on a “Death List” allegedly compiled by Charles Manson. The other names were Elizabeth Taylor, Richard Burton, Frank Sinatra and Tom Jones.

On August 9th, 1969, members of Manson’s “Family” carried out the brutal murder of Sharon Tate and 4 of her friends.

McQueen had briefly dated Tate, and had planned to visit the actress the night of her death.

In December 1969, Manson and the killers had been arrested.

When McQueen heard he might be targeted by Manson’s followers, he started carrying a gun. In October 1970, a still cautious McQueen wrote to his lawyer to find out if any “Family” members were still active, and to have his gun license renewed.

Le MANS
A SOLAR PRODUCTION

October 17, 1970

Mr. Edward Rubin
Mitchell, Silberberg & Knupp
6380 Wilshire Boulevard
Los Angeles, California 90048
U.S.A.

Dear Eddie:

As you know, I have been selected by the Manson Group to be marked for death, along with Elizabeth Taylor, Frank Sinatra and Tom Jones. In some ways I find it humorous, and in other ways frighteningly tragic. It may be nothing, but I must consider it may be true both for the protection of myself and my family.

At the first possible time, if you could pull some strings and find out unofficially from one of the higher-ups in Police whether, again unofficially, all of the Manson Group has been rounded up and/or do they feel that we may be in some danger.

Secondly, if you would call Palm Springs and have my gun permit renewed, it was only for a year, and I should like to have it renewed for longer as it is the only sense of self-protection for my family and myself, and I certainly think I have good reason.

Please don’t let too much water go under the bridge before this is done, and I’m waiting for an immediate reply.

My best,

(Signed, ‘Steve’)

Steve McQueen

SMcQ/ja

cc: William Maher

 
neeuqrettelevets.jpg
 
Previously on Dangerous Minds

Steve McQueen’s 1964 Driving License


The True Story of the Great Rolling Stones Drugs Bust


 
With thanks to Simon Wells, via Letters of Note
 

Posted by Paul Gallagher | Leave a comment
Sad footage of Sharon Tate’s funeral, 1969
04.12.2013
08:21 am

Topics:
Crime
History

Tags:
Roman Polanski
Sharon Tate
Manson Family


 
One of the most somber scenes you’ll ever see, the raw film footage from the NBC News archives of Sharon Tate’s funeral. John and Michelle Phillips, Warren Beatty, Yul Brynner, Doris Tate and a visibly distraught Roman Polanski—he looks like he can barely stand and who could blame him—are seen.

Sharon Tate was interred in the Holy Cross Cemetery, Culver City, California, with her unborn son, Paul Richard Polanski, cradled in her arms, on Wednesday, August 13, 1969. I can hardly imagine anything sadder than such an occasion.

The news report as it ran on NBC News can be seen here.
 

 
Thank you, Chris Campion

Posted by Richard Metzger | Leave a comment
The Revolution will be Glamorized: Sharon Tate models Mao Tse-tung, 1967

jkljdioenchakelnxiue
 
What exactly glamor-modeling has to do with revolutionary consciousness isn’t explained - other than making it fashionably chic to the bourgeoisie. Which is ironic, for it was the perceived, pernicious influence of the bourgeoisie (and its revisionist view of capitalism) that led Chairman Mao to instigate his Cultural Revolution in May 1966. While the ad men, magazine stylists and Beatles co-opted Mao’s revolutionary sentiments, the reality for millions of Chinese was a brutal and murderous oppression.
 

A Beginner’s Guide to Mao Tse-tung

The little red book which contains hightlights from The thought of Mao Tse-tung is the most influential volume in the world today. It is also extremely dull and entirely unmemorable. To resolve this paradox, we, a handful of editors in authority who follow the capitalist road, thought useful to illustrate certain key passages in such a way that they are more likely to stick in the mind. The visual aid is Sharon Tate and, to give credit where credit, God knows, is due, she will soon be seen in the Twentieth Century-Fox motion picture, Valley of the Dolls.

 
incbalalkldhnqhjqhwj
 
vawuhonnjdnjhgfjdklhsheu
 

6.
‘Whoever wants to know a thing has no way of doing so except coming into contact with it, that is, by living (practicing) in its environment

...If you want knowledge, you must take part in the practice of reality. If you want to know the taste of a pear by eating it yourself.’
“On Practice” (July, 1937)

 
More retro revolutionary chic, after the jump…
 
Via WFMU
 

Posted by Paul Gallagher | Leave a comment
Sharon Tate gives Merv Griffin a tour of London’s Carnaby Street, 1966

ststpffcstshst
 
Sharon Tate takes Merv Griffin on a tour of swinging London’s Carnaby Street, in August 1966.

A poignant piece of TV history capturing much of the innocence, idealism, and happiness that seemed to infuse the sixties. All of which is usurped by our grim knowledge of what happened to Sharon Tate only a few years later.
 

 
Previously on Dangerous Minds

Blondie on Merv Griffin, 1980


 
With thanks to Simon Wells!
 

Posted by Paul Gallagher | Leave a comment
Sharon Tate’s screen test for ‘Valley Of The Dolls’
08.09.2012
01:07 am

Topics:
Movies

Tags:
Sharon Tate
Valley of the Dolls


 
Sharon Tate was murdered on August 9, 1969. We’re all too familiar with the details so I’m passing on discussing them here. Instead, I’d like to share this rarely seen clip of Tate at work as an actor.

In this screen test for Valley Of The Dolls, Tate is playing beautiful pill popper Jennifer North, a role she eventually landed much to the delight of guilty pleasure seekers like myself.

The actor is Tony Scotti who played the adulterous scumbag Tony Polar, whose cheating ways propelled the emotionally frail Jennifer into the arms of Morpheus.
 

Posted by Marc Campbell | Leave a comment
Incredible recordings of Roman Polanski’s interview with the LAPD, 1969

image
 
Backporch Tapes have just uploaded these two incredible recordings purported to be of Roman Polanski’s lie detector interview with the LAPD August 16 1969, just one week after the murder of his wife, after Sharon Tate.

The overall sound quality is poor, and Polanski sounds confused and upset, but certain questions and answers can be heard clearly - Polanski’s psychological state, his medication, his knowledge of the Polish army, and on the second clip, Polanski’s thoughts about the killer’s motives, and his suggestion of looking for something much more “far out.”
 

Lie Detector Test: LAPD interview Roman Polanski August 16 1969
 

Lie Detector Test: LAPD interview Roman Polanski August 16 1969, in which he discusses possible motive.
 
Previously on DM

Uncanny resemblance to Charles Manson appears in Sharon Tate’s last film


 
With thanks to Simon Wells
 

Posted by Paul Gallagher | Leave a comment
An Uncanny Resemblance to Manson Appears in Sharon Tate’s Last Film

image
 
Dangerous Minds pal, Simon Wells, author of the excellent biography Charles Manson: Coming Down Fast, sent this rather bizarre link to the finale of Sharon Tate’s rarely seen last film The Thirteen Chairs (aka 12 + 1) - an Italian comedy about a hairdresser searching for a missing inheritance hidden inside a set of chairs. However, it’s not the film’s plot that is intriguing, but the eerie freeze frame at the finish, which as Simon points out:

...is just weird. Sharon Tate’s last film: The Thirteen Chairs- shot just six months before her diabolical end. The final credits sequence: I will say no more that just watch it. Talk about creepy prophesies over “The End”. I am amazed this hasn’t been highlighted before. So very odd.

It certainly is odd, especially as co-star, Italian actor Vittorio Gassman, who played the well-groomed hairdresser, is suddenly turned into a demented long-haired hippie, with an uncanny resemblance to Charles Manson.

Make of it what you will.
 

 
With thanks to Simon Wells
 
Previously on Dangerous Minds

Sharon Tate’s Don’t Make Waves


 

Posted by Paul Gallagher | Leave a comment
Sharon Tate’s Don’t Make Waves

image
 
Yes, Woodstock, but last week also saw the 40th anniversary of LA’s darkest campfire tale.  You probably know the story by now (and if you don’t, you can read about it here, or here), but the shorthand goes like this…

On the night of August 8, 1969, Charles Manson disciples Susan Atkins, Charles “Tex” Watson, Patricia Krenwinkel and Linda Kasabian stormed the rented home of Roman Polanski on 10050 Cielo Drive.  Once behind its gates, they brutally and systematically took the lives of 5 people—including the life of Polanski’s eight-and-a-half months pregnant girlfriend, actress Sharon Tate.  Tate was the last to die, knived by Watson while she was pinned down by Atkins, who then took some of Tate’s blood and used it to scrawl “PIG” on the porch wall.  Manson had ordered her to leave behind a sign, “something witchy.”

The tragic events of that night, spilled into the following night and continued to ripple out through the decade(s) to come.  Even today, the events of August ‘69 provided Pynchon with the darkly seismic backdrop to his new novel, Inherent Vice.  The fallout was felt everywhere—even I had nightmares.  Not about the events themselves (I was too young to remember those), but about Manson someday going free, and moving down the block

After losing his wife and unborn child, Polanski was understandably devastated, and his life, eight years later, would go on to take another troubled turn.  And Sharon Tate’s legacy?  Beyond a still-loyal fanbase, all she left behind is a smattering of films and the promise of what might have been.  And that promise, in my eyes, is at its most tangible in Tate’s American debut, Don’t Make Waves
 
image
 
What’s it all about?  Not much beyond The Byrds’ winning title track and Tony Curtis’ “Carlo Cofield” moving to Malibu and mixing it up with the town’s free-lovin’ oddballs.  It was directed by Brit Alexander Mackendrick, a decade past his Sweet Smell of Success, and features one of my all-time favorite character actors, the criminally underappreciated Robert Webber.  Curtis and Webber aside, though, it’s Tate who steals the show as the always-bikinied skydiver, “Malibu.”  In fact, Tate made such a strong impression, she served as the inspiration for Mattel’s “Malibu Barbie.”
 
A physical copy of Waves is hard to come by.  But you can still catch it for yourself, in its 10-part entirety, on YouTube.  Part 1 starts right here.  The trailer follows below.

 
In The LA Times: Restoring Sharon Tate

Posted by Bradley Novicoff | Leave a comment