Taking a page from Woody Allen’s What’s Up, Tiger Lily? which re-dubbed humorous dialogue over a Japanese spy movie to make the plot about a recipe for egg salad, René Viénet’s 1973 film Can Dialectics Break Bricks? (“La Dialectique Peut-Elle Casser Des Briques?”) did the same sort of thing, but here the cinematic Situationist provocateur is less out for laughs (although there are plenty of them) and more about the political subversion.
The raw material for Viénet’s détournement is a 1972 Hong Kong kung fu flick titled The Crush (唐手跆拳道) directed by Tu Guangqi. In Viénet’s hands, the movie was turned into a critique of class conflicts, bureaucratic socialism, the failures of the French Communist Party, Maoism, cultural hegemony, sexual equality and the way movies themselves prop up Capitalist ideology, all in a manner that would turn such a product against itself, using Situationist aphorisms, arguments and in-jokes.