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All shook up: When Suzi Quatro finally made it to Graceland


 
Pioneering female rocker Suzi Quatro was on tour in the U.S. in 1974 when the call came.

She was touring to promote Suzi Quatro, her debut album for Mickie Most’s RAK Records in the U.K., which had been produced by the unparalleled, fabulous, evil-genius songwriting team of Mike Chapman and Nicky Chinn the year before. The album contained the well crafted Chinnichap compositions “48 Crash,” “Primitive Love,” and “Can the Can” but also included a cover of “All Shook Up,” chosen as the third single. Quatro had loved and emulated Elvis Presley – strikingly in her trademark black leather – since seeing him on The Ed Sullivan Show in 1956 when she was six years old. From that moment, unlike other little girls who went nuts upon seeing him for the first time, she wanted to be Elvis.

She was in a Memphis hotel room when she received a call from Elvis’ “people.” And, bless her heart, she had a panic attack. Talk about being “all shook up”!

Suzi said in a BBC interview this year:

I was on tour in Memphis and he had heard my version of “All Shook Up.” His people got in touch with me in the hotel room. Then he came on the line [open-mouthed shock] and he invited me to Graceland. He said, “Your version is the best since my own. How would you like to come to Graceland?” And I said I was very busy, no thank you.

The situation was, as BBC producer Mark Hagen later described it, complicated. Elvis was once again a bachelor, but Suzi was already romantically involved with her guitarist and songwriting partner, Len Tuckey (Surely a one-time pass could have been granted so that Suzi could hang out with the King?!)

Suzi discovered that she had been given the part of Leather Tuscadero on Happy Days on the day that Elvis died, August 16, 1977. She was devastated that she had turned down his invitation and would never have another chance to meet him. The regret has haunted her ever since.

During her memorable seven-episode stint on Happy Days from 1977 to 1979, Suzi sang “All Shook Up” and “Heartbreak Hotel” on the show, wearing a $2000 fawn jumpsuit made by Ukrainian “rodeo tailor” to the stars (including Hank Williams, Porter Wagoner, Gram Parsons, and Elvis), Nuta Kotlyarenko, a.k.a. “Nudie” Cohn. Her trademark jumpsuits were actually Mickie Mosts’s idea, not a tribute to Elvis.

[Mickie] came up with the jumpsuit idea, which I thought was a great idea. I wanted leather, without a doubt… I swear to God, I had no idea it was going to be sexy… It didn’t occur to me. I remember saying to him, “Oh, that’s really sensible. I can jump around and nothing will come out and I don’t have to iron it.” And then when I saw the pictures back, I went, “Ohhhhh.”

In 2009 Suzi finally made it to Graceland, when Mark Hagen made the documentary Suzi Quatro’s Elvis for BBC Radio 2. Suzi visited Elvis’ birthplace, all of his homes, talked to many of his childhood friends, and stopped in at Sun Studios on Union Ave in Memphis. It was already an emotional experience before she even reached the front gate of Graceland.

Suzi said:

I was in tears many times as I traced the footsteps of Elvis Presley who was, and is, the reason I do what I do.

She added her name to the stone wall filled with fans’ tributes running along the front of Graceland, thirty-five years late.

Suzi Quatro outside Graceland, below:

 
After the jump ‘Leather Tuscadaro’ gets her Elvis on…

Posted by Kimberly J. Bright | Leave a comment
7 Inches of Pleasure: ‘The Joy of the Single’

45_singles
 
The first single I bought was “Snow Coach” by Russ Conway. It was at a school jumble sale, St. Cuthbert’s Primary, sometime in the late 1960s. I bought it because I loved winter, and Christmas, and the idea of traveling through some snow-covered landscape to the sound of jingling sleigh bells . I also knew my great Aunt liked Russ Conway, so if I didn’t like it….

I bought it together with a dog-eared copy of a Man from U.N.C.L.E. paperback (No. 3 “The Copenhagen Affair”). These were the very first things I had chosen and bought for myself, with a tanner (6d) and thrupenny bit (3d). I played the single from-time-to-time on my parents’ Dansette Record Player - its blue and white case and its BSR autochanger, which allowed you to play up to 7 singles one-after-another. My brother had a selection of The Beatles, The Stones, The Kinks, The Who, Elvis and The Move, which he played alternating one A-side with one B-side like some junior DJ. It meant I didn’t have to buy singles, as my brother bought most of the things I wanted to hear, so I could spend my pennies on books and comics and sherbert dib-dabs. It was a musical education, and though Conway was a start, the first 45rpm single I really went out and bought was John Barry’s The Theme from ‘The Persuaders’, which I played till it crackled like pan frying oil.

As this documentary shows 45rpm singles were an important part to growing up: everyone can recall buying their first single - what it looked like, its label, its cover, the signature on the inner groove - and the specific feelings these records aroused. With interviews from Norman Cook, Suzi Quatro, Holly Johnson, Noddy Holder, Richie Hawley, Paul Morley, Jimmy Webb, Jack White, Neil Sedaka, Trevor Horn, Miranda Sawyer, Brian Wilson, The Joy of the Single is a perfect piece of retro-vision, that captures the magic, pleasure and sheer bloody delight of growing-up to the sound of 45s.
 

 

Posted by Paul Gallagher | Leave a comment
‘Your Mamma Won’t Like Me’: Suzi Quatro, the original Riot grrrl
07.21.2012
04:33 pm

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Suzi Quatro


 
In her native America, pioneering female rocker Suzi Quatro is best remembered for her role as “Leather Tuscadero” on Happy Days, but in the rest of the world, Quatro was known—at least for a short time—as a chart-topping bubblegum/glam-rock superstar who sold 50 million records.

Her biggest hits came one after another starting in 1973 and she fit right in with the then-current glitter/glam rock scene and bands like The Sweet, Slade, Mud, T-Rex and similar acts. Pop impresario Mickie Most was her manager and the songwriting team of Nicky Chinn and Mike Chapman wrote several million sellers for her including “Can the Can,” “48 Crash” and “Devil Gate Drive.” Clad from head to toe in black leather like a pint-sized Yankee Emma Peel, and wielding a bass that seemed HUGE compared to her, Suzi Quatro was an almost archetypal musical and style influence on female rockers who came in her wake like The Runaways, especially Joan Jett and Talking Head Tina Weymouth.

Continued after the jump…

Posted by Richard Metzger | Leave a comment