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Drink, drugs and rock ‘n’ roll: Power pop saviors, the Beat, and their rousing 1980 tour of Europe
07.22.2020
01:48 pm
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Photo: Neil Zlozower

Hey, do you know about the Beat? They’re the great power pop band led by Paul Collins, who was in another great power pop group, the Nerves. I’m particularly fond of the Beat’s 1979 self-titled debut, which is just a fantastic rock ‘n’ roll record, front-to-back. Seriously, every song on it sounds like a hit, though, alas, in the States, at least, none of them were. The Beat were better received in Europe, with the band first touring the continent in the spring of 1980. In an exclusive excerpt from his upcoming autobiography, Paul Collins recounts the Beat’s 1980 European tour—one of drink, drugs, and rock ‘n’ roll.

But first, a little more background.

The ‘80s began on a high note for the Beat, with the group taping an appearance on Dick Clark’s American Bandstand in February. But this was followed by a disheartening tour opening for the Jam, in which they weren’t even allowed to meet the band. They also learned that Columbia had no intention of getting behind their music; pushing Billy Joel’s Glass Houses was the label’s priority that year. Some good news came when Columbia’s International Department offered to bring the Beat across the pond for a European jaunt, offering full tour support. Soon, the band were flying to Paris to begin the outing.

FYI: In Europe they were known as “Paul Collins’ Beat,” as there was a UK band also called the Beat. In addition to Collins, the lead vocalist/rhythm guitarist, the members of the Beat were Steve Huff, bassist; Larry Whitman, lead guitarist; and Mike Ruiz, drummer. Their road manager, Kevin Burns (“K.B.”), also comes up in the excerpt.

*****

On the evening of March 29th 1980, we arrived at the Orly Airport in Paris. Our guide, a guy named Andre, hardly spoke English, but he was hysterical, and we had great fun with him. Back at the hotel, despite being very tired, I couldn’t fall asleep.

The next morning, I was really spaced out. I had to get my shit together, but there were no drugs, not even a joint. What would I wear for the first gig? I decided to be cool and downplay it, by not dressing up. A jacket, t-shirt, and jeans would do.

 
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Photo: Catherine Sebastian

After breakfast, we were off to the Pavillon Baltard, a fairly large auditorium that held about 800 kids. We were playing with eight other bands, and immediately, we were all on ‘drug recon,’ looking for anything to get high on. We checked out a couple of ska bands, and I met a photographer, who introduced me to a guy from one of the other bands. Finally, we went to the boy’s room and I smoked my first joint in Paris. Ahh… it was great!

A little later, Larry and I were in a tavern around the corner, listening to French rock ‘n’ roll on the jukebox. We met up with some reps from CBS International, named Suzy and Jon-Jacque. We met two crazy American chicks, Jon-Jacque’s friends, and one of them had a huge block of hash. She told me to keep it! Now we had enough hash for the whole trip, and my voice was getting pretty shot.

It was show time, and Steve and I were having trouble tuning our guitars. We were getting worried, until we realized we were a whole key up! I hoped we wouldn’t get booed off stage, but thank god for rock ‘n’ roll. The kids dug us and we got the first encore of the day. Europe here we come!

 
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Much more, after the jump…

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Posted by Bart Bealmear
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07.22.2020
01:48 pm
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Watch wall-to-wall Stax Soul: Otis Redding, The Bar Kays, Percy Sledge, Sam & Dave on ‘The!!!! Beat’
01.27.2016
11:58 am
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Before Otis Redding became a star in America, he was already a superstar in Europe. He was feted by The Beatles, hailed by the NME and Melody Maker as the world’s greatest male vocalist, and had major record sales and sellout concerts wherever he appeared. A generation of young singers ranging from Rod Stewart—who claims he modeled his singing style on Redding—to Bryan Ferry were in awe of The Big O: Mr. Otis Redding—the King of Soul.

By 1966, Redding was so popular in the UK he was given his own one-off special in the primetime music show Ready, Steady, Go!. Redding joined a very select band of artists who were honored in this way—the others being The Beatles, The Rolling Stones and The Who. 

For Otis and the other Stax artists who toured the UK and Europe during the mid-1960s, the biggest surprise was discovering it was the white kids who idolized them. Unlike America, there was was no racial segregation in Europe. No color bar. No diners or rest rooms for “whites only.” None of the brutal racism blacks encountered in their homeland on a daily basis. It was a discovery that altered all of these artists’ belief in themselves and was a sign that right was on their side and the times they were a-changin’.
 
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Otis Redding on ‘The!!!! Beat,’ 1966.
 
One of those small shifts in change with seismic importance happened fifty years ago this week, when ABC affiliate station WFAA recorded the first of their music series The!!!! Beat in Dallas, Texas. Hosted by legendary DJ Bill “Hoss” Allen—who played blues and black gospel on his radio show during the 1950s—his beautiful piece of delicious pop history ran for one season of 26 episodes in 1966. It was one of the very first music series to be shot on videotape and in color. The!!!! Beat showcased such legendary artists as Otis Redding, Percy Sledge, Etta James, Carla Thomas, Sam & Dave, Clarence “Gatemouth” Brown, Joe Tex and many, many more. If asked what my idea of heaven would be—if heaven was a TV show—I would reply something like The!!!! Beat with its wall-to-wall R ‘n’ B and soul artists.
 

 
Watch the first five episodes of ‘The!!!! Beat’ after the jump…

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Posted by Paul Gallagher
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01.27.2016
11:58 am
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‘Dance Craze - The Best of British Ska Live!’ ft Madness, The Specials, The Beat & more

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There’s no need to explain why this film is such a corker. Joe Massot’s Dance Craze is 84 minutes of absolutely mint performances from the best British ska acts of the early 80s, featuring 27 tracks from Madness, The Specials, The Beat, The Selecter, Bad Manners and The Bodysnatchers.

All the bands were signed to the iconic 2 Tone label, who also put out a soundtrack album featuring some of the best cuts from the film. I have that record and it’s excellent, but seeing the footage for the first time in full really puts it in perspective.

The energy, the passion, the clothes, the diversity and yet the sense of community, it’s no wonder ska was the biggest youth movement in the UK after punk. These gigs look great, and it’s a pity more modern live experiences aren’t as communal and just such goddam fun.

I mean, how could you possibly go wrong with a tracklist like this:

“Nite Klub” – The Specials
“The Prince” – Madness
“Ne-Ne-Na-Na-Na-Na-Nu-Nu” – Bad Manners
“007 (Shanty Town)” – The Bodysnatchers
“Three Minute Hero” – The Selecter
“Ranking Full Stop” – The Beat
“Big Shot” – The Beat
“Concrete Jungle” – The Specials
“Swan Lake” – Madness
“Razor Blade Alley” – Madness
“Missing Words” – The Selecter
“Let’s Do the Rock Steady” – The Bodysnatchers
“Lip Up Fatty” – Bad Manners
“Madness” – Madness
“Too Much Too Young” – The Specials
“On My Radio” – The Selecter
“Easy Life” – The Bodysnatchers
“Rough Rider” – The Beat
“Man at C&A” – The Specials
“Inner London Violence” – Bad Manners
“Night Boat to Cairo” – Madness
“Twist and Crawl” – The Beat
“Wooly Bully” – Bad Manners
“Too Much Pressure” – The Selecter
“Mirror in the Bathroom” – The Beat
“One Step Beyond” – Madness
“Nite Klub” – The Specials
 

 

Posted by Niall O'Conghaile
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04.24.2012
09:27 pm
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