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‘Starry Night’: Music from the wonderful (and criminally overlooked) Chican@ punk band The Brat
08.15.2017
09:21 am
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The influence of Mexican-American musicians on L.A. punk is undeniable thanks to key bands like the Zeros, Plugz, Bags, Stains, Suicidal Tendencies, Los Crudos et al sporting either partly or entirely Chicano/a lineups, but the full story really has yet to be told. That’s partly due to a schism in the L.A. scene—bands from East L.A. really didn’t get to participate much. In a segregated and cliquey city, East L.A. bands weren’t typically prioritized by a scene centered in the more affluent West Side areas where all the clubs were located.

But as ALWAYS happens when a sufficiently motivated creative scene is stifled or confined, a vibrant DIY ethos emerged. In 1980, East L.A. venue The Vex began supplementing a thriving gymnasiums-and-backyards gig circuit, and a creative community grew, a community that included the Boyle Heights band The Brat. Formed in 1979 and fronted by vocalist Teresa Covarrubias, the band purveyed an irresistible catchy, poppy, sound that was underpinned with punk aggression, politically conscious lyrics, and three-chords-and-a-cloud-of-dust arrangements. They were championed by Plugz/Cruzados main man Tito Larriva, who in 1980 released their 5-song E.P Attitudes on his Fatima label. They also released, on the 1983 Los Angelinos: The Eastside Renaissance compilation, a song called “The Wolf,” which sounds for all the world like an inspiration for Concrete Blonde’s indelible “Still in Hollywood” riff.

More after the jump…

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Posted by Ron Kretsch
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08.15.2017
09:21 am
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