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Macabre masterpieces: Art exhibition celebrates the life and career of Vincent Price
08.10.2015
07:49 am

Topics:
Art
Movies

Tags:
Vincent Price

 

A. Nancy Cintron, “Programmed for Love & Destruction”
 
The Good Goat Gallery in Lakewood, Ohio, has decided to use the summer of 2015 to celebrate one of the finest actors in the sci-fi/horror pantheon (and a longtime DM favorite), the utterly ineffable Vincent Price. The modest storefront art space has mounted an exhibition of paintings inspired by Price’s life and career; the title of the show is “Six Degrees of Vincent,” and it is currently open for viewing on Thursday, Friday, and Saturday afternoons until August 29.

The gallery and the exhibition are the brainchild of A. Nancy Cintron, an artist whose paintings address topics from popular culture in amusing ways. “Six Degrees of Vincent” contains roughly 40 works of art, virtually all of which actually feature Price as a subject. Technicolor Vincent, black-and-white Vincent, campy Vincent, forbidding Vincent, interpreter of Poe Vincent…. so many representations of Vincent, all executed with noticeable skill and (far more important) evident affection and admiration for the actor’s work and unusual persona.

Posted on the wall near the entryway to the show is a statement from Cintron that reads as follows:

English was my second language … I actually learned it from watching a lot of television. Unfortunately, I was raised on incredibly raunchy comedy shows, hence my gravitational pull towards the perverse and the absurd. Vincent Price’s Doctor Goldfoot and the Bikini Machine was right up my alley. Although I have always preferred his classy macabre films, I have very much appreciated his ridiculous role as Doctor Goldfoot.

I have visited the exhibition twice, and on both occasions I had an extended discussion with Cintron. The gallery has a room that is not connected to the Vincent Price exhibition with a bewildering variety of works from multiple artists operating in an intriguing, whimsical, and macabre zone reminiscent of Tim Burton, Edward Gorey, Tara McPherson, etc. The Mexican tradition of Día de Muertos also serves as an inspiration for some of the artists.

Cintron’s enthusiasm for Vincent Price is obviously shared by the artists who have contributed works to the show, and she has somehow encouraged the painters to think outside the box when it comes to approaching the canvas mounted on the wall (although that may have been their idea all along, of course). In other words, a good many of the artworks have a 3-D component or combine sculptural elements in ways that bear some resemblance to the diorama or the puppet show. Indeed, one of Cintron’s own Price-inspired creations, “Product of My Warped & Twisted Genius,” features a knob that juts through the surface of the canvas with which the viewer can manipulate a music box—remarkably, it is not the only piece in the show that incorporates a music box.

As the statement above indicates, Cintron’s several works in the show focus on a 1965 movie of Price’s called Dr. Goldfoot and the Bikini Machine and its sequel, Dr. Goldfoot and the Girl Bombs, which came out in 1966. From the looks of Cintron’s work, the movie is a goddamn pip.

The artists represented in the show come from locales such as Mexico, France, Italy, and England, as well as less remote hubs of artistic activity such as Dayton and Cleveland (the latter of which which borders Lakewood). Victoria Price, the daughter of Vincent Price, has helped oversee the show, part of the proceeds of which will be donated to a scholarship foundation dedicated to the macabre master.

Cintron noted with some satisfaction that a remarkably high percentage of the depictions of Vincent Price in the exhibition (of which only a handful are shown here) featured Price’s trademark cocked eyebrow—proof enough that the artists aren’t kidding about the fervency of their ardor for the actor’s work.

On Friday, August 28, there is a reception to mark the end of the exhibition, which may find itself in such far-flung places as Los Angeles or Australia in the not-too-distant future.

Some of the works below can be viewed in greater detail by clicking on them.
 

A. Nancy Cintron, “Product of My Warped & Twisted Genius”
 
More delightful paintings of Vincent Price after the jump…..
 

Posted by Martin Schneider | Leave a comment
Vincent Price has some thoughts on racial prejudice and religious hatred
03.20.2015
07:09 am

Topics:
Heroes
Race

Tags:
Vincent Price


 
As if anyone needed any further proof of the ultimate badassery of Vincent Price…

In this crucial speech from the conclusion of the “Author Of Murder” episode of The Saint, which aired on NBC Radio on July 30, 1950,  Price lays out his feelings on prejudice being antithetical to a free society. Price denounces racial and religious intolerance as a “poison” which fuels support for the nation’s enemies. These are powerful words for 1950, but just as important, necessary, and applicable today.

And, of course, Price’s delivery always guarantees chills.

Ladies and gentlemen, poison doesn’t always come in bottles. And it isn’t always marked with the skull and crossbones of danger. Poison can take the form of words and phrases and acts: the venom of racial and religious hatred. Here in the United States, perhaps more than ever before, we must learn to recognize the poison of prejudice and to discover the antidote to its dangerous effects. Evidences of racial and religious hatred in our country place a potent weapon in the hands of our enemies, providing them with the ammunition of criticism. Moreover, group hatred menaces the entire fabric of democratic life. As for the antidote: you can fight prejudice, first by recognizing it for what it is, and second by actively accepting or rejecting people on their individual worth, and by speaking up against prejudice and for understanding. Remember, freedom and prejudice can’t exist side by side. If you choose freedom, fight prejudice.

From the original broadcast:
 

 
From: The Vortex of Our Minds

Posted by Christopher Bickel | Leave a comment
Vincent Price visits ‘The Dating Game,’ 1972
10.30.2014
04:18 pm

Topics:
Amusing
Television

Tags:
Vincent Price
The Dating Game


 
On October 31st, 1972, a 61-year-old Vincent Price paid a visit to the ABC game show, The Dating Game. Many notable entertainers were contestants on the show such as Karen Carpenter, Sally Field, Farrah Fawcett and Steve Martin. Dusty Springfield, Andy Kaufman, Arnold Schwarzenegger and even a serial killer made The Dating Game scene.

In case you’ve never seen the show, here’s the premise: three “eligible bachelors” (or bachelorettes) are kept behind a partition as a potential romantic prospect asks them each questions to determine who she (or in some cases he) should go out with. On this episode however, Price, who was promoting his 1972 film, Dr. Phibes Rises Again!, ran interference with the trio of single guys on behalf of the show’s contestant (who was always referred to as “Miss X”), 19-year-old actress Janit Baldwin.

The affable Price is ridiculously entertaining and in line with the Halloween theme of the show, he tweaks his questions to include subject matter just so, leaving the bachelors to respond in ways that are totally cringeworthy (which was business as usual on this program, by the way). Apologies for the quality of the video but it was just too good not to share!
 

Posted by Cherrybomb | Leave a comment
Craptastic: Vincent Price hosts ‘Strange But True: Football Stories’


 

“Sometimes pro football is like the Bermuda Triangle…. strange and unusual things happen that can’t be explained.”

Although it tries to come off like the Mondo Cane of NFL football or something, the Vincent Price-hosted Strange But True: Football Stories, a direct to VHS home video release from 1987 is basically just tales of uncanny victories, player superstitions and dumb luck. A few stories are more amusing than others, but all in all, one has to wonder just how desperate Vincent Price was for a paycheck at this stage of his career by agreeing to host this In Search Of meets the NFL lameness. I want to believe he shot this piece of crap in a day to underwrite the purchase of an expensive painting or a bottle of fine wine. It’s basically stories of unlikely wins with scary music and Price showing up every once in a while. He doesn’t come off as much of a football fan, does he?

From the back of the VHS box:

Travel off the beaten path with Vincent Price as he unearths the strange plays and bizarre players who have inhabited the NFL for the past half century.

Step right up and see for yourself the one-eyed quarterback who led the NFL in passing one year. Meet the player whose diet consisted of blood and raw meat. See weird team rituals. The strangest games. Discover the fattest achievers who ever played. And relive such out-of-this-world plays as “the Holy Roller,” “The Immaculate Reception” and “The Miracle of the Meadowlands.

So enter, if you dare, into the weird, wild and wacky world of the NFL. This is one fantastic voyage you won’t want to miss.”

That’s pretty debatable unless you’re a glutton for punishment. But it tries so hard…
 

 
More supernatural sports with Vincent Price after the jump…

Posted by Richard Metzger | Leave a comment
Cooking with Vincent Price to a funky beat!
03.28.2014
08:57 am

Topics:
Amusing
Food

Tags:
Vincent Price


 
Here’s Vincent Price’s very own recipe for boneless pork sirloin like you’ve never heard it before. Price boasts that “the meat will be as tender as a woman’s heart and the flavor can only be described as… reckless.”

Mix by RenRok.

 
With thanks to Colony!

Posted by Tara McGinley | Leave a comment
Devil’s Food: Alice Cooper and Vincent Price in ‘The Nightmare’
02.07.2014
07:44 am

Topics:
Music
Television

Tags:
Alice Cooper
Vincent Price


 
As regular readers of this blog know, I’m a total nut for Alice Cooper. But Alice Cooper, the band. The solo Alice? Eh, not so much.

The “classic” Alice Cooper albums I can play over and over and over again. I played them obsessively when I was a child and I still play them a lot today (especially Billion Dollar Babies). There was one year—1986 to be exact—where I pretty much only listened to four things: James Brown, Sly & The Family Stone and Herb Alpert & The Tijuana Brass (don’t laugh, they’re fucking awesome) and Alice Cooper. To the exclusion of all else.

From Pretties for You through Easy Action, Love It to Death, Killer, School’s Out and Billion Dollar Babies, Alice Cooper could do no wrong in my eyes. Those albums are perfect (well maybe not the first two, but they do have their perfect moments.)

Muscle of Love is basically a shit album. There’s a reason why it was in the cut-out bins so soon after it came out. It’s a weak record and the band split after it.

Then comes solo Alice. Welcome to My Nightmare, Alice Cooper Goes to Hell, Lace and Whiskey... and the singles for fuck’s sake, Alice Cooper was singing ballads! Sensitive ballads. Even if I do have soft spots for “Only Woman Bleed,” “I Never Cry” and “You and Me,” this was AM radio lovey-dovey stuff that could have been written by David fucking Gates coming from the coal-eyed ghoul with the snake ‘round his neck who’d given the world “Black JuJu,” “Dead Babies” and “The Ballad of Dwight Fry”!!! What gives?

Although I thought it was great when I was a kid, Welcome to My Nightmare is a really mediocre album. I listened to it recently and the only things I liked were the title song, the aforementioned sappy ballad and the one number that really rips on that album “Cold Ethyl,” which is absolutely fucking amazing. It’s tame, slick and uninteresting. Even backed by Lou Reed’s stellar Rock & Roll Animal band, these albums are a pale, pale version of what preceded them.
 

 
Now having said all that, I can forgive the lapse in musical quality and still enjoy “The Nightmare,” a late-night 1975 TV special that aired on ABC’s Wide World in Concert on its own terms (or at least on the terms that I first saw it on, as a wide-eyed nine-year-old Alice Cooper fanatic up well past his bedtime). It’s basically an extremely campy “rock opera” type treatment of Welcome to My Nightmare (itself a bit of a concept album to begin with, with a guy trapped in a bad dream he can’t escape from) with Cooper, Vincent Price (who is featured on the album prominently) and a variety of dancers, including Alice’s future wife, Cheryl. The former “No More Mr. Nice Guy,” the more mainstream-friendly, Muppet Show-appearing Alice was still a lot of fun at this point—for at least for a little while longer—so enjoy!
 

Posted by Richard Metzger | Leave a comment
Vincent Price wrote a book about his dog Joe
12.31.2013
09:05 am

Topics:
Amusing
Animals

Tags:
Dogs
Vincent Price

ecirpvindogdogBBBB.jpg
 
If you didn’t have enough reasons to love Vincent Price, here’s one more.

Vincent Price loved animals, in particular dogs, and his favorite dog was the one he owned, a dog called Joe.

Vincent was so enamored with his four-legged pal that he wrote an entire book about him called The Book of Joe, in 1961, which begins as follows:

“This is a tale of how I went to the dogs or, to be numerically correct, to the dog. Now please do not expect this book to end with a glorious proclamation of rehabilitation. Not a chance. After fourteen years I’m incurably hooked on, intoxicated by, and addicted to - my dog Joe.”

I had never heard of Mr. Price’s foray into canine biography before, but now have it on my growing list of books I would like to read,  and going by some reviews on Good Reads, it sounds like a treat:

If you are ever lucky enough to find this out of print and rare book, you will be delighted by the WONDERFUL stories it contains. Told as elegantly and masterfully as only Vincent Price could tell. I could hear his distinct voice within every written word. A real rare gem for Vincent Price fans or Dog lovers in general.

This book tells not only the story of Joe but of other Price pets. Including apes, camels and roosters, just to name a few. The book is somewhat auto-biographical in nature as it relates to his love of animals. Sometimes sad but often hilarious, I laughed more often than I cried. I always enjoy a happy ending and so Mr. Price deliveres as the climax and ending becomes triumphant yet poignant.

This book helped me remember that the world lost not only a great Actor when Mr. Price died, but a loving husband, father, gourmet cook, art critic, and one of a dog’s best friends.

It appears Vincent Price’s The Book of Joe is a much sought after and rather difficult to find book, so I guess until I’m lucky enough to own a copy, I will have to make do with these charming ink drawings by artist Leo Hershfield, which illustrate Mr. Price’s book.
 
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More from Vincent and Joe, after the jump…
 

Posted by Paul Gallagher | Leave a comment
‘Dracula—The Great Undead,’ fun vampire doc with Vincent Price
11.20.2013
01:19 pm

Topics:
Television

Tags:
Vincent Price
Dracula

vampirevincent.jpg
 
Tales of vampires have existed for millennia, but the idea of the vampire as we understand it today comes from late-17th and early-18th-century Europe where oral traditions told of vampires as revenants of evil beings, including suicides and witches, who preyed on the living.

Of course, the most famous vampire is Count Dracula the undead nobleman created by novelist Bram Stoker who spent seven years researching European folklore and vampire stories before writing one word of his classic tale. Yet Dracula was not the first fictional vampire: there had been Sheridan Le Fanu’s Camilla in 1871, which was the tale of a lesbian vampire who preyed on young women; before this James Malcolm’s Varney the Vampire (1847), a grisly “penny dreadful” that became a best-seller; and at the beginning was Vampyre, a story written by Doctor John Polidori during a madcap summer spent with Lord Byron, Percy Bysshe Shelley and Mary Shelley, which also inspired the creation of Frankenstein. That must have been one hell of a vacation.

Part of Dracula‘s great allure is the historical association with the bloody Transylvanian Vlad III Dracula of Wallachia or “Vlad the Impaler.” In the documentary Dracula the Great Undead, the ever-watchable Vincent Price traces the true story behind one of fiction’s greatest characters. As our host, Price is his usual charming self, and makes this documentary a delight to watch.
 

Posted by Paul Gallagher | Leave a comment
Ginormous Vincent Price ring
09.04.2013
01:46 pm

Topics:
Art
Design
Fashion

Tags:
Vincent Price
Rings


 
Just your average (ENORMOUS) sterling silver Vincent Price ring by artist Paul Komoda! Apparently only three of these rings were made. You can get more info about ‘em here

Previously on Dangerous Minds:

Vincent Price: A thrilling selection of his movie trailers

Vincent Price talks Art and Acting: A scintillating interview from 1974

Vincent Price & Peter Cushing: On location filming ‘Madhouse’ in 1974

Posted by Tara McGinley | Leave a comment
Vincent Price: A thrilling selection of his movie trailers
07.15.2013
03:06 pm

Topics:
Movies

Tags:
Vincent Price

esuohdamecirptnecniv
 
Vincent Price had a wicked sense of humor. The great actor often told tales of his sneaking into a local cinema that was screening one of his horror films. He would arrive towards the end of the film’s performance, seating himself behind some young, engrossed couple. Listening to their screams, he would wait until the final credits, before leaning forward and asking, “Did you enjoy that, my dears?”

The effect of unexpectedly hearing the Price’s voice, always made his victims scream for their lives.

This delectable bundle of film trailers was compiled for The Duke Mitchell Film Club’s Vincent Prince Night in June 2008. It certainly fulfills my idea of a perfect evening’s entertainment—a veritable, cinematic feast of Vincent Price movies, which includes:

Madhouse (1974) based on the novel (and one of my childhood favorites) Devil Day by Angus Hall (the villainous character partially inspired By Orson Welles and Aleister Crowley); the unforgettable…Laura (1944), with Gene Tierney and Dana Andrews; The Last Man On Earth (1964), an early version of the late Richard Matheson’s novel I Am Legend; The Bribe (1949), another Film Noir with Ava Gardner; Confessions Of An Opium Eater (1962), adapted from De Quincey’s novel; The Fall Of The House Of Usher (1960), Roger Corman’s classic telling of Poe’s story; His Kind Of Woman (1951), another supporting role, this time to Robert Mitchum and Jane Russell; More Dead Than Alive (1969), a rather disappointing western, though it does have its moments when Price is on screen; Theater Of Blood (1973), one of the actor’s greatest comic-horror films, co-starring Diana Rigg and an all-star cast of victims. And then of course, the adverts, and filler (provided by Pearl & Dean, Vincent and Kermit).

Admittedly, there is no Masque of Red Death, The Tingler, House on Haunted Hill, Comedy of Terrors or The Abominable Doctor Phibes, but what more could one ask for? Other than having Mr. Price tapping you on the shoulder and asking, “Did we enjoy that, my dears?”
 

 

Posted by Paul Gallagher | Leave a comment
Happy Birthday Christopher Lee

eelrehpotsirhclivedsedir.jpg
 
Happy Birthday Sir Christopher Lee, actor, singer and cinematic icon, who celebrates his 91st birthday today.

I can still recall the fabulous thrill of seeing Lee’s performance as the gruesome “Creature” in The Curse of Frankenstein (1956), where he managed to make the brutally disfigured creation both pitiful and terrifying. He achieved greater success as the Count in Dracula (1958), a performance that established him as an international star. Lee made the role of Dracula his own by bringing a charm, sophistication, intelligence and sexual attraction to the role.

In both films, Lee played against his friend and colleague Peter Cushing (who would have been 100-years-old yesterday) and together they dominated the box-office from the late 1950s-to mid-1970s, with a range of classic Horror movies, including The Gorgon, Dr. Terror’s House of Horrors, The Skull, Scream and Scream Again, The House That Dripped Blood, Dracula 1972 A.D., Nothing But The NIght, The Creeping Flesh, and Horror Express.

Of course, there were also his solo turns with The Devil Rides Out, The Private Life of Sherlock Holmes, The Wicker Man, The Three Musketeers and The Man With The Golden Gun.

But unlike Cushing, or Vincent Price (whose birthday is also celebrated today), Lee wanted to be more than just a Horror actor, and therefore moved to America in the 1970s, where his starred in a variety of films—some good, some not-so—which ranged from Airport ‘77, 1941 and Gremlins 2.

Most careers would have finished there, but not Lee’s. He return to form and greater success with roles in Tim Burton’s Sleepy Hollow (1999) and then the BBC TV-series Gormenghast (2000), all of which led onto Peter Jackson’s The Lord of the Rings trilogy and episodes 2 and 3 of Star Wars.

At 91, Sir Christopher is making 2-to-3-films-a-year, and has just recorded and released a Heavy Metal album, Charlemagne: The Omens of Death.

Happy Birthday Sir Christopher and thanks for all the thrills!
 

Behind the scenes with Christopher Lee and Peter Cushing on ‘Dracula 1972 A.D.’
 

A preview of Christopher Lee’s heavy Metal album ‘Charlemagne: The Omens of Death’
 
Previously on Dangerous Minds

Double Horror: Vincent Price & Peter Cushing tell thrilling tales behind the scenes of ‘Madhouse’


 

Posted by Paul Gallagher | Leave a comment
Priceless: Vincent Price sporting an afro
04.28.2013
08:26 pm

Topics:
Amusing
Fashion
Movies

Tags:
Vincent Price


 
Vincent Price all ‘fro’d up for the campy 1973 horror film Theatre of Blood. He wears it well!


 

 

Posted by Tara McGinley | Leave a comment
Vincent Price talks Art and Acting: A scintillating interview from 1974

tnecnivecirptra.jpg
 
Vincent Price started collecting Art at the age of 12.

‘It was just one of those things. I’d read so many books on Art that one day I walked into a little art store, downtown St. Louis—mainly a framing place—they were having an exhibition of Rembrandt etchings, and there was one that really took my fancy.

‘I said, “How much is it?” And the man said, “It’s thirty-seven dollars, and fifty-cents.”

‘Well, I had $5 in my pocket, so I said could I put that down on it? And he said, “Yes.” I think he knew my father was good for the other thirty-two dollars and fifty-cents.

‘I paid for it myself, and from it, I learned a tremendous amount about the importance of the ownership of Art. The importance of buying a recording, of owning a work of Art, so you could study it, and live with it, and make it really your own, rather than just a thing you pick-up at a cursory glance in a museum. And [Art collecting] lasted all my life.’

Alas, Mr. Price had to sell his Rembrandt when he was broke, but his love of Art and Art History never left him.

It was in London, while working as an Art Historian at the Courtauld Institute, that Mr. Price’s love of theater began. As the theater was cheap in London, he saw as many productions as he could, before taking the plunge. He quickly moved form bit part to lead, and was on Broadway by 23.

A fascinating, and thoroughly enjoyable interview, in which Vincent Price relishes discussing those things closest to his heart—Art and Acting. From the public access TV series Day at Night, April 1974.
 

 

Posted by Paul Gallagher | Leave a comment
Vincent Price & Peter Cushing: On location filming ‘Madhouse’ in 1974

Madhouse_1974
 
A location report for Jim Clark’s 1974 film Madhouse, starring Vincent Price, Peter Cushing, Robert Quarry, Adrienne Corri and Linda Heyden. The film was very loosely based on Angus Hall’s pulp thriller Devilday, which told the story of a dissipated actor, Paul Toombes (Price) and his return to acting in a TV horror series about the evil Doctor Dis (Doctor Death in the film). Toombes was an obese, unrepentant, drug addicted and sexual predator, who dabbled in Black Magic, and is suspected of a series of brutal murders. Hall’s character owes something to Orson Welles and Aleister Crowley, and the book offered quite a few interesting plot lines the film never developed. Clark went on to edit Marathon Man, The Killing Fields, and The World is Not Enough, amongst many others. Madhouse was his last film as director.

Here director Clark talks about his admiration for the gods of film James Whale and Todd Browning, while Vincent Price and Peter Cushing talk about why ‘horror’ or ‘thrillers’ are so popular.
 

 
With thanks to Nellym.
 

Posted by Paul Gallagher | Leave a comment
Vincent Price: ‘A Christmas Carol’ from 1949

vincent_price_haunted_palace
 
Close the door against the chill and draw yourself a little closer to the fire. There. Comfortable? Then we’ll begin…

Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge’s name was good upon ‘Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.

Vincent Price hosts this short TV adaptation of Charles Dickens’ A Christmas Carol, starring Taylor Holmes as Ebeneezer Scrooge, Pat White as Bob Cratchit, and Earl Lee as the Ghost of Jacob Marley, directed by Arthur Pierson, from 1949.
 

 

Posted by Paul Gallagher | Leave a comment
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