In one single day we upload more images onto the Internet than the total number of pictures produced during the whole of 19th century.
In one day—more pictures than a century’s worth of imagery. That’s one heck of a lotta selfies.
Our need for visual stimulus is relentless. We no longer view or experience imagery as previous generations did. The reverence with which some paintings or even photographs were once held is no longer relevant—we view indiscriminately, we consume continuously.
The French artist Coco Fronsac buys old discarded photographs from flea markets and turns them into Surreal works of art. Coco comes from a family of artists. Her grandparents Lucien Neuquelman and Camille Lesné were respected painters. Her parents met at art school. Coco attended art college in Paris before beginning her career as a painter, sculptor and creator of Surreal artworks from found photographs.
Coco takes each photograph—draws on it, paints over it and gives it a new life. If we cannot reclaim our past then we cannot understand our present. These photographs of people long dead, long forgotten have been abandoned, orphaned, thrown to the wind, sent for landfill. We no longer have any interest in them, their subject matter or the lives they lived. By turning these images into art, Coco reconnects the viewer’s relationship with the photo’s subjects. These reinvented images encourage the viewer to take a second look—to enquire about the subject matter and its history. Her intention is to bring people of different backgrounds together and rediscover the connections between us are far greater than the differences.
See more of Coco Fronsac’s work here.
Holidays on Mars.
More of Coco Fronsac’s work, after the jump…