“He’s a friend – to the friendless
He’s a father – to the fatherless
He’s your joy – he’s your sorrow
He’s your hope – for tomorrow”
This week I’ve been busy putting various menial finishing touches to an exciting forthcoming Headpress release on music and the occult by Mark Goodall, Gathering of the Tribe: Music and Heavy Conscious Creation. The collection includes essays on various “occulted” artists ranging from Captain Beefheart to John Coltrane, the Beatles to the Wu Tang Clan, and features contributions from Mick Farren, David Kerekes and myself, among others.
For the last day or two, I’ve been mostly embroiled in the book’s final chapter “Mindfuckers: Cult Groups, Outsider Artists and Their Sounds,” and so by osmosis have ended up predominantly listening to music made by psychopathic demagogues and their unfortunate minions. Most distinctive of these, perhaps, is the saccharine, sunny, seventies pop gospel of Jim Jones’ People’s Temple Choir, almost all of whom would be wiped out in the Jonestown massacre about five years later, resulting in the re-release of their 1973 He’s Able album with a far darker cover (see above) than the one in which it first appeared. The playlist below treats you to the entire life-affirming record – which was once described as, “coming out of your stereo speakers like a sunbeam through a stained glass window.”
Hands up who’s in the mood for a refreshing glass of Kool-Aid?