I never want to make too many assumptions about our readers or their workplaces, but I think it’s only fair to give y’all a warning: this is a stag film, and therefore probably not appropriate for most office environments.
That being said, you have to see Candy Barr dance. She’s positively hypnotic, with a seemingly instinctual control of her own body. Although her skills were certainly enough to earn her a place in pop culture history, she’s famous for far more than her serpentine shimmy.
“Candy” was born Juanita Dale Slusher in small-town Texas. Her childhood wracked by trauma (the death of her mother at age 9, and sexual abuse from both a neighbor and a babysitter), she ran away at 13 to Dallas. She was married at 14, but the union ended when he went to jail (he was supposedly a safe-cracker).
The next few years of Candy’s life yield conflicting accounts. It’s known that she worked as a cigarette girl, and eventually an exotic dancer, but sources vary on whether she worked as a prostitute or not. She did, however, appear the early “smoker,” Smart Alec at the age of 16. Broke and hungry, Candy (who was still Juanita at the time) made the film under extreme stress and coercion, regretting it for the rest of her life.
Candy’s life should not be reduced to tragedy. Shortly after the release of Smart Alec, she got a well-paying job at a strip club, adopted her moniker, and established her trademark cow-girl routine—complete with cowboy hat and boots, holstered cap six-shooters, and not much else. Though she shot her violent second husband (non-fatally), it was a marijuana possession charge that actually threatened Candy—a fifteen year sentence for four-fifths of an ounce. (Oh, Texas…)
The case dragged on with appeal after appeal, and Candy’s star rose all the while. She went form city to city, made fantastic money, was hired by Fox studios to choreograph Joan Collins for the movie Seven Thieves. She also dated gangster Mickey Cohen. Smitten, Cohen wanted to marry her, and as the appeals of her case began to wind down and the threat of imprisonment loomed closer, he sent Barr and her young daughter to Mexico. Candy, never one to hide, eventually returned to the states and broke it off with Cohen.
Shortly after, she married Jack Sahakian, hairdresser to the stars—the same hairdresser, incidentally, that Cohen arranged to dye her hair so that she could live incognito in Mexico. A few months later, she lost her final appeal and was sentenced to fifteen years. She spent over three years in jail before being paroled. Perhaps agog at the obviously overly punitive sentencing of a “scandalous woman,” Texas Governor, John Connally, pardoned her in 1968, and she resumed her very successful career.
In 1972, she published, A Gentle Mind . . . Confused. a collection of 56 poems she wrote while in prison, revealing a rich internal monologue and a deft utility of words belying a woman who dropped out of school at thirteen. An excerpt.
“Hate the world that strikes you down,
A warped lesson quickly learned.
Rebellion, a universal sound,
Nobody cares, no one’s concerned.
Fatigued by unyielding strife,
Self-pity consoles the abused,
And the bludgeoning of daily life,
Leaves a gentle mind . . . confused.”
From my perspective (that of a failed ballerina), Candy Barr stands out among her stag film peers, first and foremost, as a natural dancer. I mean, Bettie Page was darling and charismatic, of course, but like a lot of stag film dancers, she was known more for her charms than her craft. After retiring, Barr moved back to the small town of her birth, living comfortably and quietly, choosing not to bank off her cult status. She always said the male attention was never really the thrill for her; she just wanted to dance.
The Wall Breakers