Jarbas Agnelli created this ultra-hip music video for the Brazilian pop band Pato Fu.
We scanned all the instruments and props on a big X-ray machine, and then modeled and rendered everything with CG. Since we couldn’t put the musicians in the machine (the career of the band would end abruptly), we filmed everyone on green screen, at the same time capturing their movements with a motion apture system. We then generated CG skeletons, and applied over the footage. Shot with Sony HDR-FX1 on Green Screen.
José González is a fairly popular Swedish singer/songwriter that I’ve always found to be so mellow as to almost be non-existent, however his newly re-formed pre-fame trio, Junip has just released an album that I’m finding myself drawn to repeatedly as of late. Mind you, it’s still José‘s delicate nylon string guitar and whispered vocals routine but now framed by deeply krautrocky playing by the drummer and keyboardist. It’s pretty bewitching stuff that really evokes Can and Neu and In A Silent Way era Miles in a most pleasant way. Have a listen.
This bizarre video was found in the vaults of the Australian Broadcasting Corporation. The Kinks’ “You Really Got Me” enacted by plastic dolls. Whoever put this together had a very kinky mind.
Rare Japanese documentary footage of The Dictators, Suicide, Bad Brains, Mink DeVille, James Chance, The Ramones and The Dead Boys at CBGB, 1978. The Plasmatics at Cbs 1980 from NYC cable show ‘Innertube’. Johnny Thunders and The Heartbreakers, also from Innertube, 1979, at Max’s.
Sinead has taken alot of shit over the years for being fearlessly outspoken. Her uncompromising stance on Catholicism, the Pope and the Priesthood pretty much ruined her career as an artist. I respect and admire her. Were she not a woman, would she have been treated so brutally by the press? Tell it like it is, sister!
Here’s an excellent short rhythm session featuring some of the best British drummers of the ‘60s.
It’s a scene from Gonks Go Beat, a dorky British sci-fi/musical fantasy film from 1965, featuring furry little puppets called Gonks and directed by Robert Hartford-Davis. It basically retells Romeo & Juliet on an Earth that’s been split into the freak-populated Beatland and the more straightlaced Ballad Isle. Shot on chintzy cardboard sets, the film is mostly a showcase for the all-star R&B band the Graham Bond Organisation, which featured the undersung keyboardist/singer Bond backed by a pre-Cream Ginger Baker on drums and Jack Bruce on bass, along with guitarist John McLaughlin.
Here Baker joins Bobby Graham, Alan Grindley, John Kearns, Bobby Richards, Ronnie Verrell, Andy White, Ronnie Stephenson and Arthur Mullard to pound out the jams.
YouTube ‘60s obsessive Alquit4 notes:
The late Bobby Graham was a top English session man. He played on thousands of records including early Kinks and Pretty Things hits. The late Ronnie Verrell was the drummer for Animal in the Muppets.
The late Ronnie Stephenson played with many top jazz stars and was also did many pop sessions.
Andy White is best known for playing on the Beatles first single ‘Love Me Do’.
One hit wonders in Germany, Adam and Eve do their best Sonny and Cher in this video from 1967, “They Can Look At Us And Laugh”. The duo were Eva Bartova from Prague and American expatriate John Christian Dee.
There’s not much information on John Christian Dee that I can find. He was born in Buffalo, NY. He moved to London in his twenties. He wrote some songs for The Pretty Things and The Pink Fairies. He later married the infamous Janie Jones and together they ran a prostitution ring in London. He and Jones were busted and sentenced to prison but he fled the country. In 1975 he was jailed in Germany for stabbing his girlfriend. He escaped and disappeared somewhere in France. John Christian Dee died in London in 2004.
After Dee split for England, Eva continued to record with a new Adam, Hartmut Schairer, but the results weren’t nearly as interesting as her brief career with Dee. She died in 1989.
The video is a real oddity. The Sonny and Cher replication is pretty amazing. The song sounds like something Sonny would write, with its depiction of hippies as proud loners being ostracized and ridiculed by straight society. The first Sonny and Cher album was titled Look At Us - not much different from the title of this song. Dee has Sonny’s vocal mannerisms down pat: stretching vowels with a wiseass snarl.
Anyway, here’s Adam and Eve. If you don’t dig the song, you’ll love the wigs and bell bottoms. If you want more, buy the CD here.
The sound isn’t great, but the video looks terrific and it’s new to me. Jimi kicks in around the 2 minute mark.
Footage from heart of Swinging London in legendary ‘I Was Lord Kitchener’s Valet’ boutique, Carnaby Street. Jimi plays Like A Rolling Stone, Stone Free. footage was taken in 1967, Chelmsford, England.