“Baby Marx” is an ongoing TV pilot project by Mexican artist Pedro Reyes currently on exhibit at the prestigious Walker Art Center in Minneapolis from August 11 to November 27.

Reporting on the advent of the Second French Empire in 1851, Marx famously repeated an insight he had read in a letter from Engels, itself a variation on Hegel: if all great world-historical facts and personages occur twice, the first time they do so as “grand tragedy,” the second as “rotten farce.” A century and a half ago, Marx and Engels regarded this repetition with despair, brandishing the category of farce as a denunciation of Louis-Napoléon Bonaparte’s dictatorship.

In the context of advanced capitalism, however, Pedro Reyes (Mexico City, 1972) asks us, with Baby Marx, to re-evaluate the political inheritance of both repetition and farce.

Taking up a recent trend in the production of Hollywood blockbusters, Reyes proposes to “reboot” the nineteenth century debate between socialism and capitalism. Media moguls such as Ronald D. Moore (Battlestar Galactica) and J.J. Abrams (Star Trek) have similarly resurrected dystopian, Cold War-era visions of the future to great commercial success. Repetition recommends itself in these latter contexts principally as a means of streamlining the production process itself: brand recognition has been subsidized in advance, capitalizing on consumers’ prior emotional investments in the franchise’s narrative.

Reyes and his team are actually shooting new scenes for “Baby Marx” at the Walker Art Center. The behind the scenes process is what the exhibit is all about. I think this is a funny idea, but I don’t think it’s funny enough. I’ve read that Reyes hired two writers from an Adult Swim show to help punch it up a bit in that department. “Baby Marx” has been pitched to HBO and Japanese TV execs, who both apparently turned it down. In the age of The Daily Show, South Park and Bill Maher, something like this would require an absolutely savage satirical wit to make it come alive and so far this project lacks that, in my never so humble opinion. It’s cool, but it could be a lot better.

The first installment of “Baby Marx,” produced for Japan’s Yokohama Triennial in 2008:
 

 
Below, Karl Marx and Adam Smith ponder Andy Warhol’s “Sixteen Jackies” and discuss “surplus value.”
 

 
Alienated: “Give me the cookie!”

 
I just watched Monty Python Live at the Hollywood Bowl at my sister’s house over the weekend and thought their “Communist Quiz” sketch actually achieves the laughs that “Baby Marx” aspires to:
 

 
Thank you kindly Mr. Glen E. Friedman of New York City!