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Greedheads, preying priests and oligarchs: The politically-charged surrealist paintings of Ole Fick

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‘Red Alert.’
 
You may have heard of Postman Pat or rather, “Postman Pat, Postman Pat, Postman Pat and his black and white cat.” If you know what I’m talking about, then you’ll know how goddamned difficult it is to say “Postman Pat” without singing the show’s catchy little jingle.

Anyway, Postman Pat is a kids’ series on British TV that’s been running long enough for the big-nosed puppet Pat to claim his pension. It’s been so successful the series has been sold to who knows how many different countries across the world. One day, no doubt, there will a gathering of all the world’s bigwigs at the UN who will suddenly agree on global peace and prosperity after bursting into several rousing renditions of the Postman Pat theme tune.

Ole Fick is the Danish actor who provides the voice for the series in Denmark where it’s known as Postmand Per. Fick has voiced a whole bunch of kids TV and movie imports as far back as Disney’s The Aristocats,. As an actor, he’s starred in quite a few big screen movies and acclaimed TV series.

But acting is just one of the many things with which Fick (b. 1948) has achieved great success in his life. He’s also well-known as a comic who has worked alongside comedy duo Monrad & Rislund—think Rowan and Martin or Morecambe and Wise. He writes kids’ books and draws cartoons. But Fick’s probably best known in Denmark as singer and guitarist with the jazz-funk-prog rock band Burnin Red Ivanhoe—who coincidentally celebrate their 50th anniversary this year.

If this weren’t enough to make you want to re-evaluate your own productivity, Fick is a painter who since 2010 has been exhibiting his surreal and satirical paintings across Denmark to considerable success. Fick paints pictures of the various kinds of deluded men who seem to have an overly large part in running the world. The men who feast on havoc and chaos, exploitation and greed. Fick’s paintings are chronicles of the world in which we all live—between the devourer and the devoured—where manners and etiquette don’t soften the damage done. See more of Fick’s work here.
 
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‘Something is Rotten.’
 
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‘Soft Cut.’
 
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‘Epiphany.’
 
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‘Appetite.’
 
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‘Selfie in Landscape.’
 
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‘Above Everything.’
 
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‘Slowness.’
 
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‘A Question of Taste.’
 
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‘Still Life with a Slice of Bread.’
 
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‘Personal Intervention.’
 
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‘Eggman.’
 
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‘High Spirited Patriarch.’
 
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‘Untitled.’
 
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‘Bulgakov Syndrome.’
 
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‘Warm Salad.’
 
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‘Put and Take.’
 

Posted by Paul Gallagher
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11.10.2017
08:36 am
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