‘Hello. I’m writing in my diary about James Anderton. What a ghastly man.’
‘He’s saying we’re living in a cesspit of our making. I mean, how absurd. What a horrid little man. How the supposed Chief Constable of Manchester can say such vile things. It just makes me more determined, you know what I mean? I want to make a film about it.’
Film was personal and political for Jarman. While most most cinema during the 1980s was vacuous, empty, full of sound and fury, Jarman made films that were infused with his life, his thoughts, his passions, his politics—even the biopic Caravaggio mixed-in elements from his life to that of the Renaissance artist.
Jarman was a painter who made movies.
In the Shadow of the Sun is an extraordinary collaboration between Derek Jarman and Throbbring Gristle. It is a more personal work for Jarman, which mixes elements from 3 of Jarman’s Super-8 movies: Journey to Avebury (1971), Tarot (aka The Magician) (1972) and Fire Island (1974), into a dream-like film, filled with magick and ritual, which Throbbing Gristle’s music matches perfectly.
In the Shadow of the Sun was premiered at the Berlin Film Festival in 1980. It contains many of Jarman’s favorite leitmotifs—mirrors, fires, dance—which he returned to again in the more political, The Last of England.