Austrian filmmaker Virgil Widrich and his crew truly turned it out in 2003 with Fast Film, an amazingly obsessed confluence of film history, paper-craft and pre-digital animation.

Born from the scraps of Widrich’s equally well-crafted short, Copy Shop, Fast Film imbues its surrealistic qualities with familiarity, humor, anxiety, dread and hints of sexuality.
 

 
Here’s the thinking and technique behind it.