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Otto Dix captures the violence and brutality of war’s front lines in ‘Der Krieg’
07.10.2014
11:24 am
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Otto Dix captures the violence and brutality of war’s front lines in ‘Der Krieg’


Stormtroopers Advancing Under Gas
 
When World War I broke out, German artist Otto Dix volunteered for the army. He spent three years on the front lines, amidst some of the most horrifying violence imaginable, before being discharged a few weeks after the war’s end. He returned home with a nasty case of PTSD and a new artistic motivation, helping to form the progressive, pacifist artists’ collective, the Dresden Secession. In 1923, he debuted The Trench, an anti-war painting so disturbing the museum hid it behind a curtain. The Mayor of Cologne not only backed out of purchasing The Trench, he got the museum director fired for even displaying it.

A year later, he published Der Krieg, a collection of 50 etchings inspired by the war, a sampling of which you see here. The harsh lines and brutal textures exude a violent intensity—it all seems to accost the viewer. (If you recognize a bit of “gonzo” in the illustrations, you’re picking up on one of Ralph Steadman’s major influences.) Dix was quickly labeled a degenerate artist when the Nazis took power, and over 260 of his paintings were seized—many of them burned. For a long time The Trench was believed to have been among them, but a bill of sale exists from 1940, leaving many with the hope that it may still be rediscovered someday unharmed.

Although Dix was eventually absorbed into the Nazi propaganda machine, (forced to paint properly nationalist landscapes), he secretly continued to paint anti-Nazi art—many pieces were later found in the 2012 Munich artwork discovery. At one point Dix was even arrested under suspicion of trying to assassinate Hitler, but the accusation was spurious and he was released. In a horrible irony, the pacifist Dix was conscripted into the Volkssturm. He was eventually captured by the French, but he was released at war’s end, and lived to see his work like Der Krieg, extolled and immortalized all over the world.
 

Soldier’s Grave Between the Lines
 

Buried Alive - January 1916, Champagne
 

Gas victims - Templeux-la-Fosse, August 1916
 

Crater Field Near Dontrien Lit Up by Flares
 

Wounded Soldier - Autumn 1916, Bapaume
 

Mealtime in the Trenches
 

Dance of death 1917
 

Dead Man in the Mud
 

Evening on the Wijtschaete Plain - Nov 1917
 

Bomb-crater with flowers - Spring 1916

Posted by Amber Frost
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07.10.2014
11:24 am
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