I suppose it was just another ordinary evening over at Bernard Montorgueil’s apartment. In the front room, there was gathered the usual array of flagellants, sadists, masochists, onanists, fellators, fellatrix, cunning linguists, sodomites and tethered cross-dressers. Each, in their own way, happily enjoying a quiet evening of sex and torture. Most of the men almost naked apart from their stockings and six-inch heels and the glitter of their nipple clamps and cock rings. The women, more sensibly, wore beautiful evening gowns, dress coats or fine tweed skirts and jackets matched by a stout pair of brogues.

It was just as Msr. Montorgueil had imagined it. For he had imagined it all and set it down on paper with a pencil. For this was what Msr. Montorgueil did most days and evenings sitting at his desk—draw pictures of men and women enjoying the carnal delights of S&M.

No one knows the true identity of Bernard Montorgueil. He was so mysterious a figure that “Montorgueil” does not merit even a full entry in Wikipedia. What little is known is that he (or she) was a French artist who produced the bulk of their erotic writing and artwork during the 1920s and 1930s. The work mainly focussed on the world of femdom-malesub with a dash or two of homoerotica and some forced feminization. Montorgueil’s work became very popular in the 1950s, where it was circulated around the underground fetish BDSM community. The drawings were originally produced in pencil and later colored for publication in the 1970s when they were collated into the volumes Dans La Maison des Amazones, Madame de Varennes and Barbara, and Les Quatre Jeudis. These books are long out of print though can be found on eBay. More recently, an edition Dressage was published.
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
H/T Ilnudo.