When Danger Mouse released The Grey Album, his notorious—and quite illegal—mashup of Beatles tunes and Jay-Z’s a cappella wordplay in 2004, EMI Records immediately issued a cease and desist order. The album became a bit of a cause célèbre, with the “information wants to be free” types providing download links and seeding torrent files all over the Internet. Take that, evil EMI!
Cut to today and the mashups genre has a pretty well-established presence on the Web and, well… yawn. Who cares, right? Most mashups are clunky ear-bleeders, better read about than actually listened to, the main joke being, “Hey, I remixed Patsy Cline with Black Sabbath” or “Hey I mixed Glen Campbell with Sunn O)))!” or whatever zany thing those crazy kids on the Internet will think of next. Amusing? Kinda of, in a very last decade sort of way, but do you actually want to listen to it?
But sometimes—not often—something wonderful happens when two great tastes that shouldn’t necessarily taste great together get mashed up anyway. In 2010, an Englishman named Tom Caruana decided to take some Wu-Tang raps and painstakingly construct a new song using Beatles samples on his Enter the Magical Mystery Chambers project. And what’s even more surprising than his flagrant flaunting of EMI’s copyrights is that the resultant mashups are really good! If Wu-Tang’s resident geniuses ever decided to delve deep into the Beatles catalog instead of soul obscurities for inspiration, this is the album they might have come up with. While most mashups sound like horrible musical Frankenstein monsters created in Pro Tools, this one sounds less like a mashup and more like an actual Wu-Tang record that uses Beatles samples. You can hear the Beatles, clearly, in the mixes (as well as Beatles songs covered by orchestras and “easy listening” combos) but it’s more covert than overt in this case.