For many ‘80s teens, the dearly beloved USA Network program Night Flight was a gateway to a whole wide world of cool shit that wasn’t being played anywhere else. There were definitely plenty of Friday or Saturday nights I spent gaping at J-Men Forever or a full Neil Young concert. In some ways Cabaret Voltaire was a perfect Night Flight band, both finding inspiration in European experimental art of the early twentieth century: Night Flight was named after an Antoine de Saint-Exupéry book, and Cabaret Voltaire was named after a legendary dada nightclub in Zurich.
On this particular summer night in 1985—the commercials for John Candy’s Summer Rental and Billy Joel’s Greatest Hits Volume I & Volume II indicate the timing—Night Flight turned over a half hour of programming for what it called an “exclusive documentary” about the Sheffield postpunk masters.
Truly, hats off to the people at Night Flight for executing this in a way that the band itself might have dreamt up. The interview portions consist entirely of footage of Stephen Mallinder and Chris Watson speaking to the camera—there’s no stilted Q&A with a network stooge, it’s all suffused in an ashen b/w mode that is entirely in keeping with the videos we see, of “Just Fascination,” “Crackdown,” and “a special 8-minute version of ‘Sensoria’.” (I’m not sure, but I think this is the 12-inch version that was later included on #8385 Collected Works (1983-1985).)
In the interview bits, Mallinder says, “If we tried to be straightforward and direct, then it would be contrary to what we are as people, and music’s just an extension of what we are as people,” later saying, “We use the music as an exorcism.” Cabaret Voltaire was never a cheery bunch, and if you’re not into postpunk this entire half-hour will seem not much different from a dreary Sprockets imitation. If so, your loss, dummy!