Pier Paolo Pasolini said his first films were inspired by Antonio Gramsci, the founder and one-time leader of the Italian Communist Party.

To Pasolini, Gramsci was the ‘greatest Marxist theoretician in all Italy,’ who wanted popular art to be aimed at an “ideal people.”

But by the 1960s, this “ideal people” had been turned by capitalism into consumers—a culture of mass consumption, where works of art and politics had little or no value.

It was then that Pasolini instinctively rejected the idea of making films for mass consumption, and instead opted for a more personal and political film-making.

Based on Montaigne’s idea that ‘one does not really know a person until he has died,’ Philo Bregstein’s documentary Whoever Says The Truth Shall Die—A Film About Pier Paolo Pasolini offers a fascinating look at the life, artistic ambitions and political vision of the poet, writer and controversial film director.
 

 
Previously on Dangerous Minds