FOLLOW US ON: follow us in feedly
GET THE NEWSLETTER
CONTACT US
Adam Ant’s brief career in comedy, 1982
07.15.2016
11:32 am
Topics:
Tags:


Adam Ant trying his hand at comedy during his appearance on the Cannon and Ball show, 1982.
 
Here’s something you don’t see everyday—Adam Ant dressed up as a caballero dancing his own version of a “Jarabe Tapatío” (or Mexican “hat dance”) during his appearance on Cannon and Ball, a UK comedy television program that was on the air from 1979 to 1988. Say WHAT?

Of course seeing Adam Ant dressed up like a caballero isn’t really much of a stretch given the fact that for much of his career he looked like a punk rock version of Tonto—but that’s besides the point. On the show, the then 28-year-old Ant (born Stuart Leslie Goddard) and the show’s stars, Tommy Cannon and Bobby Ball (Thomas Derbyshire and Robert Harper respectively) put on an amusing song and dance routine with Ant playing his role to the hilt all while maintaining a straight face.

According an article published back in 2013, Ant actually credited his appearance on the show with helping his 1982 smash “Goody Two Shoes” hit number one on the UK singles chart. While the footage isn’t great great quality it is a fantastic “who knew?” moment involving one of my fave raves. Plus Adam Ant lipsynching for his life and dancing by himself for three-plus minutes until he’s out of breath on Cannon and Ball doing you guessed it, “Goody Two Shoes.” Vive Le Ant and Olé!
 

Adam Ant performing in a comedy routine on ‘Cannon and Ball’ along with his totally 80s precursor of punk rock aerobics

Previously on Dangerous Minds:
Young Adam Ant looking like a pretty punk rock Adonis

Posted by Cherrybomb
|
07.15.2016
11:32 am
|
Behold the ‘New Romantic’ Barbie: A vintage ‘Boy George’ doll straight from 1984
07.15.2016
10:32 am
Topics:
Tags:


A 12-inch version of Boy George made by toy company, LJN in 1984.
 
Back in the magical year of 1984 toy company LJN put out a 12-inch version of a prominent member of the New Romantic movement, George Alan O’Dowd—otherwise known as Boy George—which came ready to party dressed in a “Color By Numbers” themed outfit.
 

A print ad for the Boy George doll by LJN.
 
Billed on the box as “The Original Outrageous Boy of Rock!” the toy Boy was fully poseable and his long hair came styled in one of his signature looks—braids tied with colorful ribbons to match the makeup on his face. Little Boy George also came with a microphone, hat and “posing stand.” Noted as an appropriate plaything for ages four and up, had I received a Boy George doll when I was a kid I would have promptly burned all of my Barbies in the backyard while Boy and I twirled around the fire to the sounds of “Karma Chameleon” playing on my boom box. Good times.

If you’re like me and had no idea that this delightfully dolled-up version of Boy George even existed and now must have one of your very own, you’re in luck as I found a few for sale on eBay. During my very important “research” for this post I also came across footage from a UK television show doing a feature on a Boy George doll (that came in two sizes—one rather alarmingly large) put out by a UK Culture Club fan club during which the gorgeous looking Mr. O’Dowd is presented with one of his very own—which he holds while singing a version of Cliff Richard and The Drifters song “Living Doll.” You can see that surreal event below along with a few images from die-hard CC fan, Flickr user KAZZ who went the extra mile and created custom outfits for her Boy George doll. All of this proves once again that the 80s were indeed much cooler (and a lot weirder) than most of our collective memories give it credit for. Enjoy!
 

 
Continues after the jump…

READ ON
Posted by Cherrybomb
|
07.15.2016
10:32 am
|
The time Iron Maiden vocalist Bruce Dickinson asked a hooker for a refund after a botched handjob
07.13.2016
09:12 am
Topics:
Tags:


Give Bruce what he wants!
 
This amusing footage of Iron Maiden vocalist Bruce Dickinson recalling the time he demanded a German prostitute refund his money for a handjob that apparently did not provide a “happy ending” was part of an interview conducted with him for the 2009 documentary Monty Python: Almost The Truth (Lawyer’s Cut).

In the video (posted below), Dickinson carefully dances around the occasion when the band was on tour stop in the early 80s in Hamburg, Germany during which one of the members of Maiden’s road crew suggested that they pay a visit to the Eros Center (that at one time was rumored to be the largest collection of brothels in Europe). The two ended up walking along the Reeperbahn in Hamburg’s Red Light District and quickly found themselves upstairs “negotiating” the price of a handjob with a couple of German hookers. As (according to Dickinson who was 24 at the time) this was his “first time” attempting to exchange currency for the procurement of sex, it turns out he wasn’t very good at it. During the deliberations regarding the twenty-minutes of good-times the headbangers were hoping to enjoy, Dickinson asked if the time slot could accommodate more than one “shag” (a British term for “intercourse” for those of you who have never seen an Austin Powers film) in the event that they were able to get their “willies working again.” I’ll leave the rest of the story to Bruce to relay as I don’t want to spoil the fantastic punchline.
 
Keep reading after the jump…

READ ON
Posted by Cherrybomb
|
07.13.2016
09:12 am
|
Behind the scenes photos with Joliet Jake, Elwood, Carrie Fisher & the cast of ‘The Blues Brothers’
06.17.2016
12:03 pm
Topics:
Tags:


An unused fake mug shot of John Belushi taken during the filming of ‘The Blues Brothers.’
 
I must admit a bit of bias when it comes to this post as its about my very favorite film of all time (and perhaps yours too), what could easily be considered the greatest credit in director John Landis’ long career, 1980’s The Blues Brothers.
 

John Belushi, Dan Aykroyd, and Carrie Fisher looking cozy on the set of ‘The Blues Brothers.’
 
Of particular interest are the images of Dan Aykroyd and a 23-year-old Carrie Fisher looking quite cozy alongside her fictional cold-footed fiancee in the film, charismatic comedian John Belushi. Which of course got me wondering if I had somehow missed out on the news that the two actors had perhaps had a shotgun free, off-screen fling. As it turns out, Fisher was actually briefly engaged to Dan Aykroyd who asked her to marry him after he “saved her life” by performing the Heimlich maneuver when she was choking on what Fisher recalls was a boring old brussel sprout, not a fistfull of Quaaludes. Sadly the engagement didn’t last, and Fisher left Aykroyd for her former paramour Paul Simon whom she would marry in 1983—the same year that Aykroyd married former Miss Virginia of 1976, blonde beauty queen and actress, Donna Dixon.

Of course, the scene where Joliet Jake and Elwood take a scenic 100 mph drive through the Dixie Square Mall (you know, the place that had “everything”) is probably the very first thing that most people think of when it comes to The Blues Brothers. The mall had been left to decline after closing its doors in 1979 and had since become an epicenter for gang violence and vandalism. A good bit of timing for Landis who proposed the idea of letting his movie crew and two actors—wearing dark sunglasses with a full tank of gas and a half a pack of cigarettes—finish it off. Dixie Square got a Hollywood makeover, and Landis let the cameras roll while Belushi and Aykroyd tore it apart again like a pair of wild dogs. However, the scene where the Blues Mobile makes its final journey to the place where they “have that Picasso,” Daley Plaza, proved to be a bit more difficult to pull off. So Landis sent John Belushi off to work his charm on the mayor of Chicago at the time, Jane Byrne.

According to Byrne, she met with a very “sweaty and nervous” John Belushi in her office who offered her a $200,000 donation to Chicago’s orphans if she would allow them to film that scene and others in Chicago. Byrne of course agreed and large group of stunt people, six camera crews; 300 extras (with an additional 100 dressed up as Chicago’s finest); 300 members of the National Guard decked out as soldiers; a four-man SWAT team; seven mounted police officers; three Sherman M3 tanks; five fire engines and two Bell Jet Ranger helicopters were unleashed on Daley Plaza. To the great satisfaction of Mayor Byrne who was not a fan of Chicago’s 48th mayor, Richard J. Daley who no longer dines at Chez Paul because he’s dead. Tons of intriguing images shot during the making of this remarkable rock and roll cinematic triumph follow. Dig it!
 

Former Chicago mayor Jane Byrne and her daughter Kathy wearing Jake and Elwood’s signature hats and sunglasses with Dan Aykroyd and John Belushi.
 

Pope John Paul II paying a visit to the set of ‘The Blues Brothers’ to ‘bless the set.’ Here, John Belushi can be seen kissing the Pope’s ring.
 

John Lee Hooker with Belushi and Aykroyd.
 
More after the jump…

READ ON
Posted by Cherrybomb
|
06.17.2016
12:03 pm
|
‘Megaplex’: A celebration of the super ‘awesome’ 1980s in all its cheesy glory
06.13.2016
03:29 pm
Topics:
Tags:


 
The 1980s… Madonna sang that she felt “shiny and new,” and so felt we all. Or most of us, anyway. The gritty realism of ‘70s cinema and the social commentary of ‘70s TV—incoming President Reagan apparently banished it all, and the emphasis in entertainment was squarely on fantasy and transformation.

Smash TV, the megamix geniuses recently responsible for “Skinemax” and “Memorex” have completed the third installment, titled “Megaplex.”

To watch “Megaplex” is to be transported into a gleaming and undeniably mind-boggling place dominated by lasers, cyborgs, break-dancing, video games, pro wrestling, and—most importantly—transformative shafts of light. The disbelieving eyeballs repeatedly emphasize the crucial role of wonder in the 1980s aesthetic. The key word for a teenager coming of age during the go-go cable TV Reagan years, as co-creator Ben Craw told me in an email, is “awesome”:
 

When you’re age 4 to about 11, everything is so, so awesome. You are naive, and you haven’t matured yet to the point of irony or self awareness, so not only is everything awesome but you have no sense of shame or restraint in pursuing what you think is awesome.

 
When you’re dscussing the awesomeness of the 1980s, you have to mention Schwarzenegger, Stallone, and, to a lesser extent, Hulk Hogan, and this video features plenty of all of them. (There’s an amazing montage of winning moves from Stallone’s ode to arm-wrestling, Over the Top.)
 

Christopher Walken in Brainstorm
 
It’s tricky to define just what magical thing “Megaplex” is intent on capturing, but it has something to do with the new possibilities afforded by technology. Key texts include the original Tron, Highlander, Electric Dreams, The Last Dragon, Cocoon, Total Recall, Brainstorm...... I’m leaving out so, so many.

Craw’s partner Brendan Shields says that the intent was “to boil down a ton of movies to their most visually interesting couple of minutes and recontextualize them into something bizarre and beautiful.” For his part, Craw says that the video was driven by the need to acknowledge “love for the movie theater, love for the home video, love for cable, it’s all wrapped up together for us.”

Click below to see the video. Note that there is a disclaimer at the start warning of the possibility of “seizures for people with photosensitive epilepsy.”
 

Previously on Dangerous Minds:
Smash TV presents ‘Skinemax: A B-movie and late night TV odyssey’

Posted by Martin Schneider
|
06.13.2016
03:29 pm
|
Electrifying early-80s footage of The Cure, Bauhaus and The Smiths on the ‘Oxford Road Show’
06.13.2016
11:45 am
Topics:
Tags:


Morrissey and Johnny Marr performing on the ‘The Oxford Road Show.’
 
A recent post that featured two-hours of “mind melting” high quality footage of Siouxsie and the Banshees performing on various music television shows such as the The Old Grey Whistle Test, Rock Goes to College, The Oxford Road Show as well as the ever popular, Top of the Pops was unsurprisingly very popular with our readers. As I was not familiar with The Oxford Road Show, I decided to take a deep-dive into YouTube land to see what other vintage delights the BBC show might have to offer.  I was not disappointed—and you won’t be either.
 

Robert Smith of The Cure in a still from ‘The Oxford Road Show.’
 
Once allegedly parodied as “Nozin’ Aroun’” on “Demolition,” the pilot episode of cult British sitcom The Young Ones, The Oxford Road Show (later known as “ORS”) was around for about four years until it marched off into the sunset. While not every band performed live (as you will see with the video of The Smiths below), many of them did and early on in their emerging careers. I cherrypicked a few highlights from The Oxford Road Show that I found most compelling such as The Cure’s 1983 appearance on the show performing “One Hundred Years” from their 1982 album, Pornography and Bauhaus in 1982 doing two of their early 80s singles, “Passion of Lovers” and an absolutely balls-out performance of “Lagartija Nick.” But what really killed me was The Smiths’ lipsynching 1984’s “What Difference Does it Make” while Moz sashays around on stage looking like he wishes he was home dancing in front of his mirror while giving zero fucks. In other words, what you are about to see is pure 80s vintage goodness that once again proves that the much maligned decade was actually pretty great.
 

The Cure performing ‘One Hundred Days’ on ‘The Oxford Road Show’ in 1983.
 

More after the jump…

READ ON
Posted by Cherrybomb
|
06.13.2016
11:45 am
|
The Smashing Pumpkins—very early on—live for an hour on a local Chicago TV show, 1988
05.23.2016
09:00 am
Topics:
Tags:


Smashing Pumpkins
 
What you are about to see is some pretty incredible early footage of the Smashing Pumpkins performing songs from their first demo tape on a local Chicago television show, The Pulse back in 1988.

While the producer of The Pulse Lou Hinkhouse had heard the buzz on the street regarding the band, he hadn’t yet heard their music. Corgan had just moved back to Chicago from Florida after ditching his gig as the vocalist and guitarist of The Marked. After meeting up with James Iha, the two started writing music together with the help of a drum machine (much like his days with The Marked), and were soon doing live gigs around Chicago. Corgan then hooked up with bassist D’arcy Wretzky and the Smashing Pumpkins became a trio. After some urging, Corgan ditched the drum machine and enlisted a human timekeeper, Jimmy Chamberlin. Hinkhouse was “blown away” by the demo and immediately contacted Corgan (who was just 21 at the time), and asked if the band would perform on the show’s “Basement Jam” segment.
 

A 21-year-old Billy Corgan
 
With only a few live gigs under their belt, the Pumpkins agreed to Hinkhouse’s proposal and in the footage below you will see and hear the band perform nine songs, “There it Goes,” “She,” “Under Your Spell,” “My Eternity,” “Bleed,” “Nothing and Everything,” “Jennifer Ever,” “Death of a Mind (that would later be called “Sun” on the 1991 album, Gish),” and the blistering track, “Spiteface.” According to Corgan, during this early time period when the band was still developing their own sound, they were heavily digging on the melancholy sounds of “sad-rock” being made by bands like The Cure…

Continues after the jump…

READ ON
Posted by Cherrybomb
|
05.23.2016
09:00 am
|
R. Crumb drawings based on the exploits of Charles Bukowski
05.17.2016
09:42 am
Topics:
Tags:


The cover of Charles Bukowski’s short story, ‘Bring Me Your Love’ illustrated by R. Crumb.
 
The seemingly logical collaboration of the great R. Crumb and transgressive writer and poet Charles Bukowski finally became a reality in the early part of the 80s when Crumb created illustrations for two of Bukowski’s short stories, Bring Me Your Love (1983) and There’s No Business (1984).
 

An illustration from ‘There’s No Business’ by R. Crumb.
 
Crumb’s illustrations give the already gritty storylines of both stories visual context—such as a man who looks much like Buk wrestling on the floor with his “wife” after a dispute involving answering the phone or various barroom skirmishes depicting a Bukowski-looking character running amok. The pair would collaborate once again in 1998 (four years after Bukowski’s passing in 1994) with Crumb illustrating a collection of excerpts from Bukowski’s diary, specifically passages from the year prior to his death, The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship. Many of Crumb’s illustrations from all three publications, as well as a few other cartoons images of Charles Bukowski drawn by Crumb follow.
 

 

 
More after the jump…

READ ON
Posted by Cherrybomb
|
05.17.2016
09:42 am
|
De La Soul’s epic (and slightly awkward) appearance on Dutch TV from 1989
05.16.2016
01:27 pm
Topics:
Tags:


Don’t let the flowers and peace symbols fool you, De La Soul are not hippies.
 
It has been 27 years since hip-hop pioneers De La Soul released their groundbreaking album, 3 Feet High and Rising on Tommy Boy Records. I recently pulled my copy of the record out for a spin at the request of my twelve-year-old son, no less, who had just heard “Me Myself and I” on the radio in the car and wanted to know who was responsible for the infectious track. I don’t often brag about my parenting skills, but when I do, musicology is involved.
 

De La Soul on Dutch TV show, Fa. Onrust, 1989.
 
So let’s go back to the magical number year of 1989 and De La Soul’s trip to the Netherlands. The trio appeared on Dutch television show Fa. Onrust and performed three songs from 3 Feet High and Rising, “The Magic Number,” “Plug Tunin’” and “Me, Myself, And I.” To say that De La’s performance is anything less than completely stellar, would be a vast understatement as it could easily be considered a historic piece of hip-hop flavored performance art that beautifully expressed the band’s culturally rich message. A message that still strongly resonates today.

More after the jump…

READ ON
Posted by Cherrybomb
|
05.16.2016
01:27 pm
|
The Church: Watch a gorgeous performance by the Aussie New Wave youth group, 1981
05.12.2016
09:59 am
Topics:
Tags:

A single for The Church's 1981 track, The Unguarded Moment
A single for The Church’s 1981 track, ‘The Unguarded Moment.’
 
I don’t think that Australian music television show Countdown could have picked a better backdrop for The Church to perform in front of for one of their most memorable songs—“The Unguarded Moment” from their 1981 album Of Skins and Heart—than a stage rigged with lighting that resembled church-style stained glass. The 35-year-old footage is really quite surreal.
 

A shot of Steve Kilbey on the churchy-looking stage of ‘Countdown’ in 1981.
 

 
In his 2014 autobiography, Something Quite Peculiar, Church vocalist Steve Kilbey, (who also hosted Countdown himself a few times) recalls how that very performace on made such an impact overnight that people were turned away at the door of at their gig the following eveing, as the venue was quickly (and quite unexpectedly) packed to capacity. Kilbey also fondly refers to the early days of The Church’s career as his “halcyon days” thanks to the rather sudden fame the band experienced back in 1981 (as they had only formed the year before). I saw The Church (along with The Psychedelic Furs) last year and can personally vouch that Steve Kilbey’s voice is still as swoon-worthy as it was to my ears back in 1988 when I wore out my cassette copy of Starfish listening to “Under the Milky Way” and “Destination” over and over again. If you missed your chance to see one of the 2015 Church/Furs’ string of gigs, you’re in luck as the two bands are set to embark on a new fifteen-show tour of the US on July 15th, 2016.
 
Keep reading after the jump…

READ ON
Posted by Cherrybomb
|
05.12.2016
09:59 am
|
Motörhead, The Cure, The Jam (+ a bizarre Adam Ant comic) from the pages of cool 80s mag Flexipop!
05.05.2016
12:15 pm
Topics:
Tags:

Motörhead on the cover of Flexipop! magazine, June, 1981
Motörhead on the cover of Flexipop! magazine, June, 1981.
 
UK music magazine Flexipop! was only around from 1980 to1983, but in that time it managed to put out some pretty cool content within its pages, such as the sweet 7” colored flexi discs that featured music from bands featured in the mag like Motörhead, The Cure and The Jam. One flexi-disc from the February 1981 issue was a recording of Adam and the Ants riffing on the Village People anthem “Y.M.C.A.” called “A.N.T.S,” which you can listen to in all its early 80s glory (as I can’t embed it), here.
 
Adam Ant on the cover of Flexipop! #4
Adam Ant on the cover of Flexipop! #4.
 
Adam and the Ants Flexipop! flexidisc from Flexipop! #4
Adam and the Ants Flexipop! flexi disc from Flexipop! #4.
 
Another thing that Flexipop! featured were cool “live-action” storyboards as well illustrated strips that detailed the the fictional exploits of various bands and musicians. Starting with the September 1981 issue, there was a three-part-series about the career to date of Adam Ant drawn by Mark Manning. Manning—who would go on to assume the cool-as-fuck moniker “Zodiac Mindwarp” and form the biker sleaze band Zodiac Mindwarp and the Love Reaction in the mid-80s—was Flexipop!‘s acid-dropping art editor at the time. I’ve included Manning’s “Adam and the Ants” comic strip in its entirety, as well as some scans from the magazine’s inner-pages.

Surprisingly, given its short existence, you can find lots of issues of Flexipop! out there as well as flexi discs from the magazine’s colorful discography on auction sites like eBay and Etsy. Cooler still is the fact that you can look through even more pages from Flexipop! that have been scanned and uploaded at the blog Music Mags 1970s-1980s.
 
Flexipop! March, 1983
Siouxsie Sioux and Budgie (The Creatures) on the cover of Flexipop! March, 1983.
 
Much, much more after the jump…

READ ON
Posted by Cherrybomb
|
05.05.2016
12:15 pm
|
Duran Duran’s Nick Rhodes and his cavity-inducing, bubblegum-colored totally 80s wedding
04.08.2016
09:53 am
Topics:
Tags:

Nick Rhodes and Julie Anne Friedman photographed at their art deco themed wedding, 1984
Nick Rhodes and Julie Anne Friedman photographed at their art deco themed wedding, 1984.
 
I don’t know about you, but just looking at these photos of Nick Rhodes (the keyboardist for Duran Duran) all dolled up for his 1984 wedding to model and Iowa department store heir, Julie Anne Friedman, gave me both a cavity and a contact high.
 
Nick Rhodes of Duran Duran and his then wife, Julie Anne Friedman on their wedding day, 1984
Nick Rhodes of Duran Duran and his then-wife, Julie Anne Friedman on their wedding day, August, 18th, 1984.
 
Drawn together by their mutual love of music, Andy Warhol and apparently lipstick, the pair met when Rhodes was only 20, and when Friedman was a mere 23. Friedman’s wealthy folks loved Rhodes as they were under the impression that their new son-in-law didn’t do drugs and enjoyed a good game of Trivial Pursuit or Scrabble. Which was about as far away from the truth as you could get back in Duran Duran’s heyday, an era that was routinely full of liver-killing champagne, cognac and cocaine parties.

Warhol himself was a huge fan of Duran Duran and according to vocalist Simon Le Bon, had a bit of a crush on Nick Rhodes (of whom Warhol writes rather extensively about in his diaries—once confessing to UK magazine The Face that he masturbated while watching Rhodes in Duran Duran’s videos. You know, just like the rest of us). Here’s an excerpt from Warhol’s diary that recalls the occasion when Nick brought his then-girlfriend Julie Anne to meet meet the Pop of Pop:

Nick Rhodes of Duran Duran came to the office and bought his girlfriend Julie Anne. He’s twenty and she’s twenty three. He was wearing twice as much makeup as she was, although he is half as tall.

The pair were married in a ceremony in London, which Warhol did not attend as he didn’t care much for traveling. He did however send along a little wedding present—an original piece of artwork with the inscription, “To Nick and Julie, love Andy ‘84’.” Rhodes and Friedman divorced in 1992 and in 2014, Friedman auctioned off the wedding gift from Warhol (much to the apparent displeasure of Rhodes who had gotten the bulk of their large art collection when they split) for $149,000. More photos from the wedding and Andy’s wedding gift follow, as well as footage from Nick Rhodes’ interview segment with Warhol on Andy Warhol’s Fifteen Minutes in 1985.
 
Nick Rhodes in his pink tuxedo at his wedding to Julie Anne Friedman, August 18th, 1984
 
Nick Rhodes and Julie Anne Friedman at their wedding, August 18th 1984
 
More after the jump…

READ ON
Posted by Cherrybomb
|
04.08.2016
09:53 am
|
Louder than a bomb: Public Enemy’s intense extended live set on Dutch TV from 1988
02.11.2016
08:50 am
Topics:
Tags:

Public Enemy - Chuck D, DJ Terminator X and Flavor Flav
Public Enemy - Chuck D, DJ Terminator X and Flavor Flav
 
1988 was a huge year for Public Enemy. That year they released their second record, one of the most important records in history (hip-hop or not), It Takes a Nation of Millions to Hold Us Back and toured all around the world in support of the album, to insanely enthusiastic, packed house crowds.

I saw PE on that tour, and it was like nothing else that I’d ever seen before. Everything about that show was in fact, harder than the hardcore. Love them or hate them, everybody knew who Public Enemy was in 1988. Even in the Netherlands.
 
Public Enemy, 1988
 
During the tour, PE found themselves in Holland and made an appearance on a Dutch music television show called Fa. Onrust. During the show, Chuck D, Flavor Flav, Professor Griff, and DJ Terminator X rip through “Night of the Living Baseheads,” “Rebel Without a Pause,” “Bring the Noise,” and “Don’t Believe the Hype.” If that’s not enough for you, Run DMC just happened to be in Holland themselves at exactly the same time, and Joseph Simmons/DJ Run and Darryl “D.M.C.” Matthews joined PE on stage to kick out their 1988 track, “How’d Ya Do It Dee?” from Tougher Than Leather. Damn.
 
Public Enemy and Run DMC on Dutch television, 1988
Public Enemy and Run DMC on Dutch television, 1988. Chuck is asking the audience to throw up the “peace sign”
 
Despite all the good times that you will see in the video below, there is a slightly uncomfortable interview segment with the two (rather clueless) female hosts of the show. The interview was already going off the rails—thanks to the always brutally honest Professor Griff)—but then the always eloquent Chuck D. decides to give a pop quiz his hosts about the Netherlands’ political system, which they obviously don’t know a lot about…

Here come the drums!
 

Previously on Dangerous Minds:
Public Enemy’s ‘It Takes a Nation of Millions to Hold Us Back’ Deconstructed

Posted by Cherrybomb
|
02.11.2016
08:50 am
|
Classic Japanese punk band ‘The Star Club’ covering Sham 69,The Clash, & the Ramones
02.01.2016
10:17 am
Topics:
Tags:

The Star Club
An early photo of The Star Club

Since getting their start back in Nagoya, Japan in the spring of 1977, Japanese punk band, The Star Club, has put out more than 30 records (their most recent Max Breakers was released in December of 2015), and despite numerous lineup changes over the decades, the band continues to tour and perform with original vocalist, Hikage.
 
The long-running vocalist for The Star Club, Hikage, 1978
Hikage, the long-running vocalist for The Star Club, 1978
 
There were no shortage of punk bands in Japan during the late 70s and early 80s such the influential Blue Hearts, Anarchy, The Stalin, Crack the Marian, noise-punks Outo and hardcore punks, Gauze. Obviously, most of these groups got their inspiration from the punk that was happening thousands of miles away in the UK and New York, as the title of this post alludes to. Over the years, the rotating members of The Star Club even have even used mashups of the names of members of the Sex Pistols and Clash as their own. At one time back in the day, the bass player was known as “Paul Vicious,” the drummer called himself “Topper Cook,” and the guitarist became “Steve Cat Jones.”
 
The Star Club, early 1980s
 
From heavy metal to art, I’m a huge fan of the creative forces that emanate to my ears and eyes by way of Japan. And watching videos of The Star Club performing not only their own music back in the 80s, but the music of their punk idols, pioneers like Sham 69, The Clash and the Ramones, pretty much made my day. I found it especially enjoyable to watch the 80s version of Star Club vocalist Hikage swirling around while spewing out “Bodies” in a shirt not unlike Johnny Lydon’s straight-jacket-looking muslin “Destroy” shirt.
 
The Star Club
The Star Club “Aggressive Teens/Bodies” Australian release, 1986
 
If you dig what follows, I have some good news for you as many of The Star Club’s recordings can be found on Ebay and Discogs. I’ve also posted videos of the Star Club covering “Borstal Breakout” by Sham 69, The Ramones’ “Blitzkrieg Bop,” “Bodies,” by the Sex Pistols, and “I Fought the Law” as famously covered by The Clash (which is a part of the performance in first video below). The first video also includes a short amusing interview with the band, which was recorded at a show The Star Club did under the alias of “Anarchy in the J.A.P” in support of their fifteenth anniversary and cover album of the same name in 1992.
 

The Star Club performing as “Anarchy in the J.A.P” in the early 90s. A brief interview with the band pops up just before their cover of Sham 69’s 1979 single, “If the Kids are United”
 
More from the Star Club, after the jump…

READ ON
Posted by Cherrybomb
|
02.01.2016
10:17 am
|
Bizarre, sexually depraved covers of vintage Italian adult comics from the 70s and 80s
01.20.2016
03:17 pm
Topics:
Tags:


“Policewoman - Gay City” an adult themed comic from Italy, 1970s/1980s

I love to blog about topics that are popular with the crowd on the wrong side of the tracks, and the unsettling, strange and straight up bizarre covers of the following vintage Italian comics that you are about to see, fall into that very category.
 

“Vital Energy” the cover of an adult Italian comic from the 1970s/1980s
 
According to the book, Drawn and Dangerous: Italian Comics of the 1970s and 1980s, adult-themed Italian comics comics began to find their way to France, where they were translated and published starting in the very early 70s, which, before I’m schooled by our astute readers that some of the covers pictured here are not written in Italian, explains why some of the magazines in this post are in French.

Known in Italy as “fumetto” or its plural “fumetti,” the grown-up comics generally featured scantily-clad women being subjected to all kinds of manhandling and mayhem. Such as sexual assaults by super-buff men with monkey heads (and other horny man/animal hybrids), bad guys with bestiality issues, as well as a little good-old-fashioned BDSM. In other words, anything goes as long as it involves a hot chick with large breasts, in some sort of sexy peril. That said, please assume that all of what follows is strictly NSFW.
 

“The Razor’s Edge”
 

“Musketeer” (printed in Italian)
 

READ ON
Posted by Cherrybomb
|
01.20.2016
03:17 pm
|
Page 3 of 4  < 1 2 3 4 >