FOLLOW US ON:
GET THE NEWSLETTER
CONTACT US
Bizarre 1984 TV commercial from New York’s legendary Danceteria nightclub
10.14.2015
03:12 pm
Topics:
Tags:


 
Danceteria was arguably the most influential and important club in New York City in the 1980s. Any musician who mattered played there, and it was featured prominently in the movies Desperately Seeking Susan and Liquid Sky. I spent a little while going through this intriguing collection of Danceteria flyers, and came upon the following names: the Fleshtones, Madonna, Sonic Youth, Marc Almond, Sade, Alien Sex Fiend, the Smiths, Cocteau Twins, Gene Loves Jezebel, Diamanda Galas, Beastie Boys. On December 16, 1982, A Certain Ratio played Danceteria with Madonna opening—she was at the time employed as the club’s coat check girl. It’s a place with that sort of pedigree.
 

 
The two main figures at Danceteria were Rudolf Pieper and Jim Fouratt. Pieper was German, and it’s his accent you hear in the crazy commercial embedded below, in which he calls himself “the head bimbo of Danceteria” and supports Esperanto as the language of the club and claims to oppose the inclusion of a Belgian ethnic group called the Walloons unless they “dress fabulously,” of course. Oh, and “exiled Latin American dictators have free admission here, every night.”
 

 
John Argento, who was instrumental in the club’s move from West 37th Street to 21st Street in 1982, says, according to Trey Speegle’s blog, this about the commercial:
 

What can I say? Low budget, public access TV… Rudolf does the voice over, reiterating long standing door policies such as ‘Latin American Dictators get in for free’…’Walloons only if they’re dressed fabulously.’

I remember him doing the voice over in the fourth floor DJ booth… I believe the soundtrack was from the movie La Dolce Vita. A difference of opinion then, the choice of music looks like the right thing to have done now.

 
One might ask, why would a club that was as successful as Danceteria was at that time even bother with a commercial? Why would they need it? Jim Fouratt, who was the talent booker for the club, remembers it as “a nightmare of lies and intimadation [sic],” in effect an effort to displace Fouratt’s role in the club as well as other ventures like Interferon, which failed. Here’s Fouratt’s account, typos included:
 

I was sent this commercial for Danceteria .. it comes from an ugly period. I had been locked out of the club on 21st and my average normal business accounts were frozen because my business partner had accept the offer of Alex Delorenzo of the son of mobster and real estate mogul offer to work with his protege John Argento who he had invested over a million dollars into a failed club that was to replicate the Original Danceteria . It ws called Interferon. (good grief) .It failed . Delorenzo called me and I brought putting to the meeting . I forgot the history of putting Germans and Italian together (sorry) , Argento and Delorenzo’s son-in-law had cleared a block of rent regulated tenants in the East 50’s so Delorenzo could raze and build. They had used every kind of intimadation to frighten the hell out of the tenants. Delorenzo wanted to reward them and Argento said he wanted to open a club on 21st in a building Delorenzo owned (it was a dead street at the time). He did . It failed We made a deal and one of the points was Argento was not to be involved .; Delorenzo wanted to protect his other business realtons and insisted Argento be icharge of all the day deliveries .. including liquore , napkins, etc the cash items and the cleaning and removal of the trash. We agreed once it was agreed the Argento would have nothing to do with the club other than his janitorial job I sued Delorenzo for contract violation (yes sued Godfather like business family ) and sued Rudolf for fiduciary betrayal.. it ws a nightmare for six years . This commercial was to establish Rudolf as Danceteria honcho.. he had been telling people I had AIDS .. and that is why I wasn’t there . The real reason was greed .. i was told I was paying talent too much money .. and the club when I was they was a hige hit. Trust me I would neve have approved a commercial .. we did nto need it ..and my door policy insured a fabulous safe mix of people and my bookings were the best in the universe (ok hyperbole) ... this is nto the place to go into just what a nightmare of lies and intimadation .. but since this video has turnes up ... I wanted to put it in context… and no i did not nor do have AIDS or am I HIV +. ...

 
Golly! Who would have thought that such an innocent-seeming and campy commercial could have that kind of darkness behind it?

It was edited by Danny Cornyetz, who went by the name Dee Cortex. Experience some primo 1980s oddness below:
 

 
via Trey Speegle

Previously on Dangerous Minds:
Kim Gordon’s video love letter to Danceteria, early 1980s
The legendary X-rated Butthole Surfers show at Danceteria

Posted by Martin Schneider
|
10.14.2015
03:12 pm
|
The legendary X-rated Butthole Surfers show at Danceteria
05.16.2014
05:39 pm
Topics:
Tags:


 
The Butthole Surfers show at Danceteria in early 1986 has become the stuff of legend, but as is often the case, “legends” can be imperfect and are often reported on by someone not even born when the event in question transpired or by someone who didn’t bother to even check a single source other than Wikipedia.

Here’s Gibby’s version, as told to Option Magazine in 1993:

At the legendary Danceteria in New York during the early days of the Butthole Surfers, Gibby got caught drinking and tripping with his pants down. “Ten minutes into the show, I’d put on ten dresses - you see, I used to put dresses on and then tear ‘em all off,” he explains. “But I’d gotten so trippin’ and so drunk. I forgot to put on my underwear. So I got down to my last dress” - he pauses for a well timed hiccup - “and, goddamn it, I was naked. “I looked over at [band members] Cabbage and Kathleen: Cabbage had come out from behind the drums and she had this Fred Flintstone plastic baseball bat filled with urine and was sprinkling it on the crowd. Kathleen was totally naked and bald. And all of a sudden it became like this sexual thing, and there I was with a semi-erect penis onstage, in between this girl’s legs, and about to do this thing. Then it kinda suddenly dawned on me what was going on and I was like, Whoa!”

After the show, the mentally and physically impaired Gibby caused some more trouble. “They tried to pay me and I tore up the check and threw it at the guy,” he says. “And I almost got in a fight with this gigantic doorman who would’ve just thumped me.” He pauses for a well-timed sheesh. “There’s just so many of those kinda things. “But really,” he adds, like a surgeon general, “before anybody goes out and takes a bunch of psychedelic drugs, they should first go and visit Roky Erickson down in Texas. He’s a casualty. That can happen, too, you know.”

 

 
Guitarist Paul Leary told the tale this way to the Phoenix New Times in 1991

The frenzied peak of this touring period came during a gig at New York’s Danceteria club in 1986. The show started out predictably enough. Lead singer-guitarist Gibby Haynes—with economy-size bottle of lighter fluid in hand—was up to his usual pyrotechnics. But then the onstage shenanigans got out of hand—even by Butthole standards.

“I walked around with a screwdriver and started playing samurai with every single speaker,” Leary says without a note of either pride or regret. “And then Cabbage, our drummer at the time, and our dancer Kathleen were taking turns peeing into the tiny hole at the end of this plastic Fred Flintstone baseball bat. They filled it with piss and were shaking it around everywhere.”

By the end of the gig, almost all of the Buttholes were naked, including Gibby and Kathleen, who were fornicating at the foot of the stage with the casualness of X-rated movie actors. Maybe more went on, says Leary, but time—and over consumption of acid—has blurred his memory of many of these seamier shows.

In Paul Young’s book L.A. Exposed: Strange Myths and Curious Legends in the City of Angels, it’s said that Haynes was copulating with a female audience member. Kathleen Lynch, says that no actual fornicating took place. She ought to know (but the video evidence seems less certain…)

Then again, there is Kramer’s account, as told via his pal Macioce in Michael Azerrad’s book, Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991. He was playing bass onstage that night:

In early ‘86 they drove from Los Angeles all the way to New York just to play two lucrative weekend shows at the Danceteria club, only to arrive to find that the second night had been canceled. The band was livid; Haynes got quite drunk just before show time. “During that show it was just complete bedlam,” says Leary, a man who knows from bedlam. After only a song or two, Haynes picked up a beer bottle and viciously smashed Leary over the head with it. Leary’s eyes rolled back in his head as he crumpled on the floor. Then he quickly got up and resumed playing. It was a stunt bottle, made out of sugar. Then Haynes picked up a real bottle and heaved it the length of the room, where it exploded above the exit sign. Soon Haynes had set fire to a pile of trash in the middle of the stage. “And you’re really thinking, ‘Should I get out of here?’” says Michael Macioce. “That was the type of feeling you had - you were* in danger* at one of their shows.”

Then Lynch jumped onto the stage from the audience and began dancing. Macioce then left - it was about three in the morning by this point - but he called his friend Kramer the next day to see how the rest of the gig had gone. “That girl, she pulled down her pants and Gibby started sticking his thumb up her ass!” Kramer told Macioce. He was fucking her with his thumb just back and forth and this went on for like a half hour or forty-five minutes, just like that!” And that was only the beginning. The band had played only five shambolic songs before Leary leaned his guitar against his amplifier, producing ear-splitting feedback; the strobes were flickering, sirens were flashing, the films were rolling, and through the dry-ice fog a couple of open fires burned brightly. “Gibby filled up a plastic whiffleball bat full of urine - he managed to pee in the little hole in the end of the bat,” says Leary, “and made this ‘piss wand.’” Haynes then began swinging the bat, spraying urine all over the crowd. But it didn’t stop there - Lynch, now completely naked, lay down on the stage and Haynes, in Leary’s words, started “mounting’ her. Later Leary saw video footage of the scene. “Her legs are up in the air and there’s Gibby’s pumping butt in the strobe lights and the smoke,” says Leary, chuckling. “it’s really fuckin’ hideous, man.”

In the midst of the chaos, Leary went around discreetly poking screwdriver holes in every PA and monitor speaker in the place. After the show there was a tense confrontation between the Danceteria management and the band. The Buttholes got paid, but they literally walked out of the place backward as the club’s hired goons not so subtly showed them the door. “You’ll never play New York again!” the club’s manager screamed after them. “And we were playing CBGB within two weeks,” Leary crows, “*for more money!”

 

 
Someone on the Internet named JoJo Jones writes:

at danceteria, gibby came out in a bloody dress with a pregnant belly that soon exploded and cockroach confetti sprayed everyone…then he had sex right on stage in the fog with some buxom lass…then get up and ranted on the bullhorn then went back down in the fog…totally nude…blood and roaches. Anyone who says these were not one of the most amazing live shows really knows nothing about the infamous late 80’s nyc shows. There is more to a “show” than music my friend. Danceteria had some license problems after word got out about the live sex. They were soon banned by many clubs and had bouncers all over them at the Cat Club show.

I was actually at this gig myself, but more or less by accident. I wasn’t there to see The Butthole Surfers—I had never heard of them—Danceteria was just where I hung out at that age, so I happened to be there. At a certain point during their set, the buzz about the (literally) balls out lysergic Dionysian insanity that was going on the first floor of the club started to climb the steps and I went down to check it out. My memory of this gig is that Gibby Haynes had his feet and calves up to the knees covered in clay like he was a tree with roots going into the floor and that he was naked otherwise. Maybe he was standing in a potato sack?

Or maybe not. It would appear that my own standing-in-the-audience memory is a faulty one, too, but apparently no more faulty than the conflicting reports and the Rashomon-ish variations in the tale as told by band members themselves and people who, like me, were there that night

I was at the Cat Club show, JoJo mentions, too and it was equally demonic. I saw the Butthole Surfers many, many times in their heyday. The first time was this Danceteria gig. For several years, the era when the drugs were still working for them, rather than against them, the Butthole Surfers were the most fearsome live act in rock, bar none. Their NYC shows were the sort of events you had your drugs sorted out for well in advance!
 

 
Here’s Gibby Haynes telling the story again in 2011:

Ah, there are so many, but one of them was that we were playing in the Danceteria, one of the first of the big shows in New York here, and we went on about 4 o’clock in the morning and we were waaaaasted! The first band had played for about 3 fucking hours and we were ready to play at midnight man! So we had just kept drinking the hard stuff, oh man, we were wasted, and we went on stage and we immediately just took off all of our clothes and just started making noise! I tried to burn one of our amps and it wouldn’t stop working, it was just burning! And I tried to kick it with a bare foot and stubbed my toe! I was totally naked and I remember looking over at Paul was behind the drum kit without any clothes on with 2 drum sticks playing with his dick!

And then I started dancing with Kathleen our dancer and I grabbed her and was like humping her between her legs, and then my dick started to get hard and I was like “whoah this shouldn’t happen!”, so I put her down, and she was like “whoah!” and I walked back to my gear to fuck around with the delays or something and I looked up and there was this guy with a 16mm camera filming this and he was freaking out, and when I was walking towards the camera, my dick was sooo big, I looked like a God! (haha!) That was a crazy night!

Indeed it was, no matter how few brain cells any of us who were there that night have left…

Another account from SPIN, 1990.

Below, you can see a bit of the Butthole Surfers at Danceteria in Jem Cohen’s short film “Witness,” which was also shot in Texas and in San Francisco. Be warned, at the 8:15 mark it might get a little uncomfortable if you’re watching this at work… (Part II is here).
 

 
Thank you kindly, Ken!

Posted by Richard Metzger
|
05.16.2014
05:39 pm
|
Kim Gordon’s video love letter to Danceteria, early 1980s
10.14.2013
11:12 am
Topics:
Tags:


 
Here we have a fascinating artifact from an unquestionably fascinating artist, Kim Gordon. It’s an 11-minute video called “Making the Nature Scene” that pretty much perfectly blends music, video, and text to create a kind of high-minded no-wave manifesto dedicated to the pressing subject of, well, using video in nightclubs.

Consisting of little more than a handful of slow pans across the fabled Danceteria, the entropic tinkling of experimental and pop music, and some hastily penned video text, “Making the Nature Scene” honestly looks like it was thrown together in little more than a weekend. The quasi-Ballardian text, which is also highly Warhol-influenced (and indeed, mentions Warhol twice), frequently confuses “its” and “it’s” and generally does great violence to apostrophes, something that will surely drive Richard up the wall.

In a more serious vein, the sheer chilliness of it all is a sobering reminder of how “cool” things were in the early 1980s. All that concentrated energy and thought to defend the validity of using video…. we have it better now. Art and creativity are no longer so sequestered; it’s hard to imagine that a young person today with any kind of resources wouldn’t be able to find or justify this or that injection of anarchic expression in whatsoever context he or she desired, whether it be a cheerleading session, a haystack, a magnet board, a collection of 1940s postcards, or an expanse in a Home Depot. You’ll find it all on Vine, right?

We leave you with a brief reminiscence from Kim Gordon about Danceteria and then, the video itself:
 

Mike Gira, from the Swans was someone I knew from art school and we used to hang out with him. I remember hanging out with him at this club Danceteria and Madonna was around. She was sort of sitting on his lap kissing him but then looking around the room for her next move Or whatever… But when her first record came out we thought it was cool because it was such minimal dance music and it was sort of lo fi.

 

 

Previously on Dangerous Minds:
Happy Birthday Kim Gordon
Unedited interview with Kim Gordon from 1988
Literary Youth: Kim Gordon to publish two books, make cameo on HBO’s ‘Girls’

Posted by Martin Schneider
|
10.14.2013
11:12 am
|
Young Madonna performing at Danceteria, 1982
07.17.2009
05:14 pm
Topics:
Tags:


 
I accidentally stumbled across this clip of Madonna making a very early appearance at the fabled Danceteria nightclub in New York. It’s a wonder more people haven’t looked at this clip—just 4k as I write this. Must be one of the earliest Madonna performances out there (according to Wikipedia it was her very first “solo” appearance, but I’m not sure I believe that).

Madonna used to work at Danceteria, in the coat check. This is from a weekly talent show/cabaret night there that was called “No Entiendes,” hosted by Howie Montaug and DJ Anita Sarko.
 

Posted by Richard Metzger
|
07.17.2009
05:14 pm
|