Years before the Runaways or the Go-Go’s, there was pioneering “chick rock” band, Fanny. Fanny was formed in 1969 by teenaged guitarist-singer June Millington, with her sister Jean and drummer Alice de Buhr, as “Wild Honey.” When Nickey Barclay, a keyboard player who toured with Joe Cocker’s infamous “Mad Dogs and Englishmen” group joined them, the band was renamed “Fanny.” In the UK, where the word means “vagina” and not “butt” like it does in the USA, Fanny were thought to be quite outrageous by radio programmers. More outrageous than I think they intended.
 

 
Along with Suzi Quatro’s early band, The Pleasure Seekers and before them, Genya Ravan’s girl group Goldie & the Gingerbreads, Fanny was among the very first real female rock groups signed to a major label (Reprise Records, the artists first label started by Frank Sinatra, who was the “Chairman of the Board”). They worked with famed producer Richard Perry (Carly Simon, Ringo Starr, Harry Nilsson, etc) and later Todd Rundgren. They recorded at the Beatles’ Apple Studios and backed Barbra Streisand on her Barbra Joan Streisand album. They toured opening up for huge 70s acts like Slade, Jethro Tull and Humble Pie, but sadly, they are little more than a gender pioneer footnote today.

Fanny were nothing short of incredible, as you will hear, but they never made it as big as they should have. It’s unfair.

David Bowie, in a 1999 Rolling Stone interview, said of the group:

“One of the most important female bands in American rock has been buried without a trace. And that is Fanny. They were one of the finest… rock bands of their time, in about 1973. They were extraordinary: They wrote everything, they played like motherfuckers, they were just colossal and wonderful. They’re as important as anybody else who’s ever been, ever; it just wasn’t their time. Revivify Fanny. And I will feel that my work is done”

More Fanny after the jump…

 
Years before the Runaways or the Go-Gos, there was pioneering “chick rock” band, Fanny. Fanny was formed in 1969 by teenaged guitarist-singer June Millington, with her sister Jean and drummer Alice de Buhr, as “Wild Honey.” When Nickey Barclay, a keyboard player who toured with Joe Cocker’s infamous Mad Dogs and Englishmen group joined them, the group was renamed “Fanny.” (In the UK, where the word means “vagina” and not “butt” like it does in the USA, they were thought to be quite outrageous by radio programmers.)

Fanny was the first real female rock group signed to a major label (Reprise Records, the artists first label started by Frank Sinatra, who was the “Chairman of the Board”). They worked with famed producer Richard Perry (Carly Simon, Ringo Starr, Harry Nilsson, etc) and later Todd Rundgren. They recorded at the Beatles’ Apple Studios and backed Barbara Streisand on her first “rock” album, Stoney End. They toured opening up for huge 70s acts like Slade, Jethro Tull and Humble Pie, but sadly, they are little more than a gender pioneer footnote today.

Fanny were nothing short of incredible, as you will hear, but they never made it as big as they should have. 

David Bowie, in a 1999 Rolling Stone interview, said of the group:

“One of the most important female bands in American rock has been buried without a trace. And that is Fanny. They were one of the finest… rock bands of their time, in about 1973. They were extraordinary: They wrote everything, they played like motherfuckers, they were just colossal and wonderful. They’re as important as anybody else who’s ever been, ever; it just wasn’t their time. Revivify Fanny. And I will feel that my work is done”

Their biggest hits were “Charity Ball” and “Butter Boy.” Fanny broke up in 1975. Fanny bassist Jean MIllington later recorded and performed live with David Bowie. She is married to Bowie’s longtime guitarist, Earl Slick.
 

 
In 2002, Rhino Handmade released the excellent Fanny Rocks.
 

 
Above, performing “Charity Ball” on The Sonny & Cher Show in 1971.
 
More Fanny after the jump…

 
Some claim the 1963 hit single Sally Go Round The Roses by The Jaynetts is the first recorded psychedelic pop tune. While this may or may not be true, it’s certainly a beautifully hypnotic, circular number with mysterious and whimsical lyrical imagery. It’s also, I’ve discovered, one of the most covered songs ever so I’ve decided to line up most of the versions I’ve found. Play ‘em one after the other or mix and match to make your own trance-inducing rose parade. Let’s begin with the original. I have no proof, but it’s claimed that the drummer on this session was Buddy Miles, later of Jimi Hendrix’s Band of Gypsies.

 
Many more roses after the jump…