FOLLOW US ON:
GET THE NEWSLETTER
CONTACT US
Your favorite rock ‘n’ roll, country and R&B legends as marionettes

01_Little_Richard_George_Miller.jpg
 
What have you been doing during the COVID-19 Lockdown?

Binging on boxsets? Drinking too much? Self-medicating? Finding all your good clothes have shrunk from lack of wear?

All of the above?

George Miller spent his time lockdown making a set of beautiful marionettes featuring some of the biggest stars of rock ‘n’ roll, country, and R&B.

Miller is a Glasgow-based artist, singer, musician and iconic pop figure who’s better known as the front man to the legendary Kaisers and more recently the New Piccadillys. I’ve known Miller a long, long time. Well, since he dressed like a rocker in a black leather jacket and sported a quiff like a zeppelin, combed back like a barrel most surfers would die for. Something like that, though memory is fickle.

Since then, Miller sang and played guitar with the Styng-Rites (“We got on telly once, made the independent top 20 once, got in the music papers a bit, built a cult following and gigged ourselves to exhaustion.”); played guitar with Eugene Reynolds’ band Planet Pop; then gigged with the Revillos and Jayne County and the Electric Chairs.

In 1993, Miller formed the Kaisers:

“We ended up making six albums and a bunch of 45s, toured the USA twice, Japan once and gigged all over Europe. We did John Peel and Mark Radcliffe sessions amongst others and got on the telly a few times. I think we lasted about seven years and everything we earned just about covered the bar bill.”

Most recently, Miller was involved with the New Piccadillys, worked with Sharleen Spiteri, then toured and recorded with Los Straitjackets across America. About five years ago, the Kaisers reformed due to public demand and will be releasing a new album in the fall—more on that another time.
 
075_George_Miller_rock_god.jpg
George Miller: Portrait of the Artist as a Young Band.
 
I reconnected with Miller through social media. Over the past few months, he would post a photograph of his latest marionette in progress. Sculpting heads of rock stars like Little Richard, Jerry Lee Lewis, Chuck Berry and Buddy Holly or country greats like Johnny Cash. They were beautiful, fabulous models, which were then dressed by Ursula Cleary and placed in boxes designed by Chris Taylor.

How did these marionettes come about?

George Miller: I’d been working on a BBC children’s drama for a few weeks (I’m a freelance Production Designer, gawd help me) and as lockdown was approaching, production stopped so I went from super busy to completely idle pretty much overnight.

I’d made some marionettes for a video a few years earlier and since then had been toying with the idea of making one of Link Wray but never seemed to have the time, so lockdown seemed the ideal opportunity. I liked the notion of spending time making something that had no ultimate purpose other than self amusement and no deadline for completion. With his outfit made by my partner Ursula, Link turned out pretty satisfactorily but after a few days I got the itch again, so I got to work on Bo Diddley, another guitar favorite of mine. Bo gave me a bit of trouble and the first attempt went in the bin. Realizing I’d tried to rush it, I reverted to lockdown pace, which I’ve employed ever since.
 
02_Jerry_Lee_Lewis_George_Miller.jpg
 
Why did you choose the classic rock ‘n’ roll, R’n'B icons?

GM: I wouldn’t call myself a musical luddite, but nothing has ever thrilled me more than a good rock ‘n’ roll record, so I decided to keep making favorites from the 1950s until my day job resumed. Although a couple of the subjects are still with us, the notion of “resurrecting” the others in some way appealed to me. I like seeing them bursting out of their “coffins.” It’s also a way of expressing my fascination with these people and the music they made. If I start to run out of subjects, I’ll move forward in time, but I doubt I’ll go past 1965 as the joy goes out of it a bit for me around then.

Maybe I’ll fast forward—Joey Ramone would be a good subject.
 
03_Chuck_Berry_George_Miller.jpg
 
Where did the boxes for the marionettes come from?

GM: When I posted a photo of the Buddy Holly puppet, a Facebook friend by the name of Chris Taylor sent me a mock-up of a box label with a great illustration and excellent graphics. Chris got me thinking that this could be a “proper” project and we’ve been working together on ideas for an exhibition and a range of merchandise, as the marionettes have been developing a bit of a virtual fan base online. Chris’s illustrations have a great deal of style and though instantly recognizable, they have their own identity, which complements the puppets which are more rigidly representational. It reminds me of opening a box to find that the toy inside looks different to the illustration, something that always registered with me as a child. Chris’s work has definitely steered things in the direction of an art project, albeit with the (for now) all-important absence of deadline.

Where can we buy these Kaiser George Marionettes?

GM: The marionettes are one-offs and aren’t for sale as they take so long to make. I wouldn’t want to sculpt any of them twice, though mould making could be an option. As someone commented on Facebook, it would be a bit like selling your children. Chris and I are working on a set of bubblegum cards which will be for sale and we’re unashamedly excited about it. Second childhood? Definitely.
 
040_Marionettes_Trading_Cards_George_Miller.jpg
KGM Trading Cards.
 
What other plans do you have for your rock ‘n’ roll children?

GM: When the “cast” of puppets grows to 20 or so, I’m planning on making a video showcasing their individual musical styles plus a series of short clips based on the photographs of Gene Vincent and Eddie Cochran passing time in the dressing room of the Glasgow Empire theater. I quite like the idea of two marionettes in a small room not doing very much, just idle movements.

Now, if I was an enterprising businessman, I would certainly be thinking of investing in mass marketing these to-die-for Kaiser George Marionettes. You know you sure as hell want one. And damned if I wouldn’t be collecting all those trading cards too.
 
04_Johnny_Cash_George_Miller.jpg
 
See more of George’s Marvellous Marionettes, after the jump…
 

READ ON
Posted by Paul Gallagher
|
07.21.2020
04:06 pm
|
Famous Rock ‘N’ Rollers in the style of old Mani-Yack monster transfers


 
These are off-the-charts cool.

Illustrator Tommy Bishop, the madman behind the weirdo children’s book Incredibly Strange ABCs recently introduced a killer set of die-cut vinyl stickers depicting legends from the early years of rock and roll in the style of the old Mani-Yack horror movie transfers.

Mani-Yack transfers were the first widely available commercial t-shirt iron-ons. Their monster designs were some of their most popular in the 1960s.
 

A sample of the classic 1960s Mani-Yack monster transfer style.
 
Bishop has two sticker sets available, each containing three images, of iconic rockers in the Mani-Yack monster illustration style. Set one contains Bo Diddley, Chuck Berry, and Little Richard. Set two contains Esquerita, Jerry Lee Lewis, and Screamin’ Jay Hawkins.

I asked Bishop if he plans to do future sets and he indicated that an instrumental rocker set is in the works, likely to feature Link Wray and Dick Dale. He is also considering a James Brown set featuring three phases of Brown’s career:

[I thought about] pulling from time periods and nicknames like the Famous Flames era, Mr. Dynamite, Godfather of Soul or Hardest Working Man in Show Biz, or Soul Brother #1… something like that.

Bishop has also expressed interest in doing a classic country set as well.

The sticker sets are available for $5.00 each from his web store.
 

 

 

 

Posted by Christopher Bickel
|
02.17.2017
07:56 am
|
The Killer & Friends: Keith Richards, Gary Busey & Ruth Buzzi jamming with Jerry Lee Lewis

Gary Busey, Keith Richards, Ruth Buzzi and Jerry Lee Lewis
Top L to bottom R: Gary Busey, Keith Richards, Ruth Buzzi and Jerry Lee Lewis
 
Hosted by Dick Clark, Salute! was a short-lived syndicated TV variety show centered around Jerry Lee Lewis that ran for a year from 1983-1984. Each week the show featured different musical guests like Marvin Gaye, Johnny Cash, Ella Fitzgerald and Glen Campbell, all who performed with Lewis during the show. Since that sounded pretty great, I decided to see if I could dig up any video footage from Salute!.

Thankfully the all-giving Internet didn’t let me down and produced a video of Lewis performing “High School Confidential” (originally recorded by Lewis in 1958) with Keith Richards (!) and what appears to be a cocaine-powered Gary Busey. And Busey (former vocalist and drummer for his own band from the 70s called Carp), who always remembers to bring the crazy to the party, does not disappoint here.
 
Keith Richards, Mick Fleetwood and Jerry Lee Lewis on Salute! 1983
Keith Richards, Mick Fleetwood and Jerry Lee Lewis on Salute!,1983
 
There are also a few other clips from Salute! out there that pair the likes of Lewis with Mick Fleetwood and Keef (performing of cover of Chuck Berry’s “Little Queenie”) and the woman who gave us the gift of purse-wielding spinster Gladys Ormphby, the great Ruth Buzzi (who looks super-hot BTW) performing and amusing version of Lewis’ song, “Breathless.” All three videos are posted after the jump. A word of caution, watching the 1983 version of Gary Busey (or any version of Gary Busey for that matter) might give you a contact high.

READ ON
Posted by Cherrybomb
|
09.28.2015
09:43 am
|
Watch all four Johnny Cash Christmas specials

The Christmas Spirit by Johnny Cash
 
From 1976 to 1979, CBS ran a Johnny Cash Christmas special every year—it must have been a significant Christmas tradition in many homes (alas, not my own). For those who remember Cash as the ultimate rebel par excellence, these specials make for some interesting viewing. During the 1970s Cash experienced a slump in record sales, and during this period he was a familiar face on TV, appearing as a guest star on Columbo and Little House on the Prairie and doing commercials for Amoco.

In these specials, the sentimentality of the occasion can’t be ignored, so Cash gamely refashioned himself as a family-friendly country music TV host. We’re far from the middle-finger Johnny Cash or Folsom Prison Blues; there’s a decent amount of corny levity to be seen here. You might say that this is the closest that Cash came to a figure on Hee Haw (of course, he appeared on Hee Haw as well).
 
Johnny Cash as Santa Claus
 
Of course, June Carter Cash is every bit as present as Johnny—the emphasis here is charmingly on family, and many of June and Johnny’s wide-ranging clan of relatives are featured, especially in the 1976 and 1979 specials, which were taped in Tennessee.

If you find yourself inundated with cheesy Christmas songs in every retail establishment you dare to enter, you can surely improve your life by dialing up The Johnny Cash Christmas Special, with its mix of Christmas classics and country-western fare, in their stead.

Taped in Nashville, the special that kicked it off is the most homespun of the bunch. The entire second half of the show is framed as an expansive musical visit around the Cash family hearth. Earlier, Johnny and June join Tony Orlando for “Tie a Yellow Ribbon Round the Ole Oak Tree,” and (back at the hearth) Barbara Mandrell, several years before she and her sisters got a show of their own on NBC, engages in some ass-kicking steel guitar wizardry before singing “A Beautiful Morning with You.” Billy Graham ends with a downbeat sermon.
 

 
The 1977 edition may be the strongest from a musical perspective, or maybe it’s just my own bias in favor of rock over country. There’s scarcely any humor sketches, which would predominate in the next two years, and the core of the show is dedicated to three of rock and roll’s most venerable heroes, all associated with Sun Studios, just as Cash himself was. In rapid succession we get Carl Perkins singing “Blue Suede Shoes,” Roy Orbison singing “Pretty Woman,” and Jerry Lee Lewis singing “Whole Lotta Shakin’ Goin’ On” before Lewis essays a reverent rendition of “White Christmas.” Then the three of them and Cash come together to sing “This Train Is Bound For Glory” in a tribute to Elvis, who had died just a few months earlier. Also, Johnny spends a good chunk of the show wearing Army fatigues (!).
 

 
The 1978 Johnny Cash Christmas Special, like the 1977 edition, was taped in Los Angeles, and it shows a little. The guests include Kris Kristofferson, Rita Coolidge, and Steve Martin, who as a budding superstar is given a fair amount of time for his hijinks. The high point is probably Cash and Kristofferson singing the latter’s “Sunday Morning Coming Down” together.
 

 
It’s not news that DM is very Andy Kaufman-friendly, so it was something of a shock to hit play on the 1979 special and see none other than Kaufman himself in the opening bit. For this version of the special, Cash returned to Nashville, and the presence of an appreciative Opryland audience is a blessing. Kaufman scarcely strays from his Latka character, except when he does a completely straight version of Elvis Presley’s “That’s When Your Heartaches Begin.” It’s well known that Elvis loved Andy’s impersonation; here’s a fine chance to see it.
 

Previously on Dangerous Minds:
Johnny Cash Sings Austrian Jams
Shit-hot: The PERFECT Johnny Cash set from German TV, 1972

Posted by Martin Schneider
|
12.06.2013
02:23 pm
|
Killer interview: Henry Rollins shoots the shit with Jerry Lee Lewis, 1995
09.09.2013
12:29 pm
Topics:
Tags:

Rollins and Lewis
 
It’s always a treat to see Henry Rollins interviewing anyone, even more so when it’s one of the early architects of rock ‘n’ roll. Hank’s hosting skills are exceptional. Clearly a fan, he’s very proficient in the relevant rock history, and he knows how to keep an interview interesting. But Jerry Lee Lewis? I mean, hey I love Jerry Lee Lewis’ music, but Jerry Lee Lewis is just as well-known for being a dirtbag as he is for his amazing music.

I don’t expect Rollins to give a damn about petty ethics, of course, but he’s a man with a reputation for being just a teensy bit self-righteous and rigidly moral. It’s weird to watch him interview an artist who very publicly married his 13-year-old cousin, as if there’s not a giant pervy elephant in the room. (And before you go all cultural relativist on me, cousin-marrying was not more common in the south than anywhere else in the US, and while marriages average younger in poorer communities, I can assure you, an adult marrying a 13-year-old would still be considered fucking creepy by every old redneck I know.)

Still, Lewis has great stories about Sun studios, and intergenerational rock ‘n’ roll kibitzing is always a fascinating thing to watch.
 

 

Posted by Amber Frost
|
09.09.2013
12:29 pm
|
Fantastic Little Richard concert with Bill Haley, Jerry Lee Lewis, and Chuck Berry, 1972
12.11.2012
09:33 am
Topics:
Tags:

image
One has to admire the boldness required to photo-bomb Little Richard
 
It’s always fun to find stuff from Little Richard in the 70s, (between his Christian phases). Every bit of the footage from this mini-documentary is mad and druggy; it’s almost as fun to watch the fanatical counter-culture audience as it is the performers, well past the height of their popularity, but clearly evolving artistically with the rawness of the times.
 

Posted by Amber Frost
|
12.11.2012
09:33 am
|
Rare French video of Serge Gainsbourg and Jerry Lee Lewis talking about music and f*cking.
08.28.2010
03:56 am
Topics:
Tags:

image
 
Serge Gainsbourg and Jerry Lee Lewis rhapsodizing about women and fucking in Bourges, France, 1987. Raw video footage shot for French TV but never broadcast for obvious reasons. This is epic.
 

Posted by Marc Campbell
|
08.28.2010
03:56 am
|