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Joan Jett and The Jam’s Paul Weller talk New Wave on ‘The Tomorrow Show,’ 1977
11.18.2014
09:58 am
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In October of 1977, Tom Snyder’s Tomorrow Show hosted one of US media’s early attempts at a thoughtful discussion of the then-new phenomena of punk and New Wave. Disappointingly, but still understandably, the discussion mostly features establishment figures, whose basic understanding of what was actually even happening varied wildly. Legendary concert promoter Bill Graham, perhaps unsurprisingly, doesn’t get it at all. He’s here representing the old guard, and all his knowledge of the new noise appears to derive from sensationalistic rumor, though at least he admits to limited first-hand knowledge. (At one point he talks about bands burning Stars of David and wearing KKK uniforms. Wuuuuuuuut?) Also unsurprisingly, LA Times music writer Robert Hilburn offers some of the most thoughtful and informed comments. The Runaways’ producer Kim Fowley is obviously approaching the discussion from a knowledgeable position, but he clowns around and snarks incessantly—he claims to see the trend-orientation of the discussion as a farce that diverts attention from the artistry of the bands and their music, but he’s hardly one to talk about that, now, is he? Though his remarks are often too insidery to actually be informative to the civilians watching this, at least he knows what makes for good TV.

B+ for effort, seriously, but it’s all pretty dry and speculative until the real marquee names arrive. You can see the beginnings of the discussion on YouTube in three parts (1) (2) (3), but it was really only once the RunawaysJoan Jett and the Jam’s Paul Weller joined the conversation that things got significantly more interesting and relevant. It’s one thing to hear oldsters blather on about music they’d never even heard (to his credit, Snyder came around to a deeper understanding of the stuff), and another to hear about the music from the people making it. And amusingly, after Jett and Weller started talking, everyone else’s comments improved. It’s a good deal harder to throw around bullshit about swastikas and self-mutilation when you’re talking face-to-face with thoughtful artists who defy the stereotypes you’ve been fed. Watch it here, it’s good stuff.
 

 
More after the jump…

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Posted by Ron Kretsch
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11.18.2014
09:58 am
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The Jam: Perform A Powerful Showcase in Paris 1981

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A powerful performance from The Jam, recorded in Paris in 1981, and originally shown as part of the French TV series Chorus (presented by Antoine de Caunes, no less). Here The Jam thunder through:

01. “David Watts”
02. “Private Hell”
03. “Butterfly Collector”
04. “But I’m Different Now”
05. “When You’re Young”
06. “Eton Rifles”

It’s a fine selection of songs, which highlights The Jam’s musical progression from the influence of sixties Mods, through Punk to New Wave and onto Paul Weller’s distinct political commentary with “Eton Rifles”.  Excellent stuff. Mind you, it’s still hard to believe Tory PM and professional nincompoop, David Cameron was naive enough to claim he had a great liking for “Eton Rifles”, during a radio interview in 2008. However, the Eton-educated Cameron’s admiration for the song did not impact on his politics, something Paul Weller picked up on:

“Which part of it didn’t he get? It wasn’t intended as a jolly drinking song for the cadet corps.”

The song reached number 3 in the U.K. in November 1979, and was the beginning of The Jam’s dominance over the charts until 1982, when guitar bands were replaced by Blitz Kids, and synthesizers.

During their 5 years of recordings, The Jam brought an edge to pop music by fusing musical ambition to strong Left-wing conviction, which wouldn’t happen on such a similar scale until Pulp in the 1990s, and the likes of which are very much required today.
 

 

Posted by Paul Gallagher
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04.10.2012
03:27 pm
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