JJ Burnel, Richard Jobson and John Ellis on the cover of ‘The Stranglers and Friends Live in Concert’
 
Busted for possession of various drugs late in 1979, Hugh Cornwell was tried the following January and sentenced to an eight-week stretch in Pentonville. The sentence was bad news for Hugh, and it was bad news for ticketholders to the Stranglers’ upcoming engagement at the Rainbow with opening acts UB40 and the Monochrome Set (night one) and Joy Division and Section 25 (night two).

The Stranglers rallied. Instead of canceling the Rainbow dates, they put together a special set with guests from the Cure, the Members, Steel Pulse, Hawkwind, Stiff Little Fingers, Dr. Feelgood and the Vibrators. Hazel O’Connor, Toyah Willcox, Ian Dury and Richard Jobson took turns at the mike, and the missing singer and guitarist was hung in effigy to mark his absence. 

Best of all, they got Peter Hammill to sing two songs from The Raven, the title tune and “Shah Shah A Go Go,” along with the crowd-crushing first track from Black and White, “Tank.” On the second night’s performance of “Tank,” they managed to reunite Hammill with his sometime collaborator, the good, great and excellent guitarist Robert Fripp. “Tank” was the only number to feature both men; Fripp also played on the evening’s versions of “Threatened” and “Toiler on the Sea,” the latter sung by Quadrophenia star Phil Daniels.
 

JJ Burnel and Ian Dury onstage at the Rainbow (via Aural Sculptors)
 
There are fewer photos of these shows floating around than I would have thought, considering how many and how vivid are the images they conjure before my mind’s eye. One concertgoer remembers that when Billy Idol tried to join the company onstage for the second night’s encore, he “was promptly put on his arse by JJ Burnel.”

Highlights of the second night at the Rainbow appeared (at least semi-officially?) on the CD The Stranglers and Friends Live in Concert, and a bootleg with additional tracks exists. Cornwell wrote about his time behind bars in the booklet Inside Information, which is reprinted in his autobiography, A Multitude of Sins. Below, hear the angelic sounds Hammill and Fripp made as short-term Stranglers.
 

 
From the Dangerous Minds archives…

Although history will recall the Van der Graaf Generator as being a “progressive rock” group, in many respects, this assessment has more to do with timing than the actual music this far ahead-of-their-time band actually made. Imagine if Pawn Hearts, their masterpiece, was released in 1981 instead of 1971, if you take my point.

It wasn’t for nuthin’ that the likes of John Lydon, Julian Cope and Marc Almond were all such massive fans of the group. David Bowie, too.

And speaking of Pawn Hearts, this is an album I’ve loved for decades, and yet I remained blissfully unaware of the existence of this single, solitary live filmed performance of “A Plague of Lighthouse Keepers,” the sprawling, 23-minute-long epic suite consisting of ten separate movements that takes up the entirety of that album’s side two. I found this by accident yesterday, looking for something else. My jaw dropped as I watched it.

This 1972 performance from Belgium television—which is nothing short of astonishing and quite intensely intense—was shot piecemeal and edited together because it was impossible to play the song all in one go. Apparently, this is the only time “A Plague of Lighthouse Keepers” was ever performed live like this by the original classic line-up of Hugh Banton, Guy Evans, Peter Hammill and David Jackson.

Peter Hammill told this to the Sounds music newspaper about the theme of the enigmatic suite:

“It’s just the story of the lighthouse keeper, that’s it on its basic level. And there’s the narrative about his guilt and his complexes about seeing people die and letting people die, and not being able to help. In the end—well, it doesn’t really have an end, it’s really up to you to decide. He either kills himself or he rationalises it all and can live in peace… Then on the psychic/religious level it’s about him coming to terms with himself, and at the end there is either him losing it all completely to insanity, or transcendence; it’s either way at the end… And then it’s also about the individual coming to terms with society—that’s the third level…”

 

 
Van der Graaf Generator performed “A Plague of Lighthouse Keepers” each night of their 2013 summer tour dates.