To the extent that he’s known at all, SPOT is known for his time as the in-house producer for SST records in the 1980’s. His were the hands on the board for unimpeachable classics like Meat Puppets II, What Makes a Man Start Fires?, Zen Arcade, Milo Goes to College, and the first four Black Flag albums. He eventually retired from producing (and really, not even he could have saved What The…) to focus on performing music.
But all that time, he had another, lesser-known talent as well—as a photographer. The new book Sounds of Two Eyes Opening collects SPOT’s photos of L.A., spanning from the surf/beach scene of the ‘60s to the punk/skate scene of the ‘80s, and he is (was?) a very fine shooter, with a solid eye for composition. From the publisher’s hype-sheet:
Spanning the late 1960s through the early 1980s, Sounds of Two Eyes Opening offers an amazing portrait of Southern California coastal life: surfing, bikinis, roller skating and skate boarding’s fledgling days are set in contrast to iconic shots of all the key denizens of hardcore punk rock as it is being invented; candid shots of Black Flag, The Germs, Minutemen abut those of everyday punks, fans, cops, clubs and now-shuttered rehearsal spaces.
Some editions of the book come with an Ed Templeton-designed picture 7” featuring SPOT’s song “Too Wise to Crack.” I scoured the web in vain for a streamable version to play for you, but I turned up squat. I quite like it though, it’s a loose, free, and economical piece of music with spoken vocals that recalls moments from Funambulist, Worldbroken-era Saccharine Trust, or Keith Morris’ Midget Handjob project—and what an idiot I was to search for videos of that band.
Sinecure Books were kind enough to share these images from Sounds of Two Eyes Opening. Enjoy.
Fun on wheels after the jump…