FOLLOW US ON:
GET THE NEWSLETTER
CONTACT US
Revenge Porn: That time Linda Lovelace taught Sammy Davis Jr. how to deepthroat… her husband

003lindsamblo3.jpg
 
Sammy Davis Jr. was a singer, a dancer, an actor, a comic, and an impressionist. He was a superstar. One of the greatest all-round stage and screen entertainers. Davis was also one of the hardest working men in show business. He worked hard he said because he was a short black one-eyed Jew.

When Davis first started out in vaudeville—working with his father and an uncle—he claimed he never came up against any racism. That happened when he joined the army. He was once beaten up for looking at his white female commanding officer while she was giving him orders. Some lowlife bigots beat him up and wrote “coon” in white paint across his forehead, and “I’m a n*gger” across his chest. They beat Davis until he almost passed out. Then they poured turpentine over him.

Davis was both soldier and entertainer. At night he put on shows for his comrades. The day of his beating, Davis didn’t want to do his act—to “go out there and smile at people who despised me,” as he told Playboy interviewer Alex Haley in 1966.

But I made myself do it anyhow. I was fighting myself so hard to stay out there that the fighting made me do maybe one of the best shows I ever did in my life. And I’m glad it did, because I discovered something. I saw some of those faces out there grudgingly take on different expressions. I don’t mean for a minute that everybody suddenly started loving me—I didn’t want that from them anyway—but they respected me. It taught me that the way for me to fight, better than with my fists, was with my talent.

Davis’ need to win respect may later have made him seem somewhat insincere. When Steve Martin appeared on The Tonight Show, Davis fell off the sofa laughing at his material. Martin thought he must be one helluva comic if his routine was this funny. Until he saw Davis fall off the sofa every time any comic told a joke.

But that’s just small brushwork and not the whole painting.

Davis was a hip, cool cat. He helped make Frank Sinatra and Dean Martin look cool. He made playing Vegas cool—something Elvis never quite managed.

He was into sex, drugs and Satanism long before it was the in-thing to do. Davis went his own way—good or bad—others followed in his wake.

Davis even bucked Hollywood when he left the Democratic Party to support Richard Nixon (who invited Davis and wife to be the first black overnight guests in White House history) It’s fair to say he even had an unacknowledged influence on other American Presidents. Obama’s slogan “Yes we can” runs very close to the title of Davis’ biography Yes I Can. While Davis’ belief that blowjobs aren’t really sex was echoed by President Clinton when he said he not have sex in the Whitehouse.
 
01samdavrighswing.jpg
Sammy Davis Jr.: ‘I Gotta Right to Swing!’
 
Sammy Davis Jr. loved getting his dick sucked. It was part of his “code of marital fidelity.” Blowjobs were fine, but full intercourse? That would be cheating on his wife. Or at least that’s what he claimed.

When Davis was married to his third and last wife, the actress and dancer Altovise—the couple had an open relationship. Davis played the field but kept to his “code of marital fidelity”—only having girlfriends blow him. Of course, sometimes it went a bit further—but Sammy always convinced himself he wasn’t really being unfaithful.

After a long night performing on stage, Davis liked to have people over to his house to chill. He liked to have couples over so he could swing. He’d drink booze, snort coke, and pair off with his chosen woman for the night. They would go off into Davis’ private cinema where they’d watch porn together and “get it on.” Altovise meanwhile was supposed to get it on with whichever man was left.

One couple who came to the Davis’ house in the early 1970s was Chuck Traynor and his wife Linda Lovelace.

Traynor was a creep. A manipulative bully who pimped his wife out for sex. Lovelace had made a couple of “loops”—short 8mm porn movies—and had suddenly become (in)famous overnight as the star of Deep Throat.

Deep Throat was Davis’ favorite porn movie. One ex-lover Kathy McKee said Davis watched that film about a hundred times. It seemed kind of inevitable that Sammy Davis Jr. and Linda Lovelace would one day hook-up and become lovers.

According to McKee:

When Linda Lovelace became part of our entourage, the main event for Sammy was watching Linda swallow his cock—just as she’d done for the camera while filming Deep Throat.

 
03depthro3.jpg
 
In her biography Ordeal, Lovelace described her relationship with Davis and how she once used the singer to get revenge on her violent and abusive husband.

The first night Linda went to Davis’ house Chuck told her:

“If Sammy suggests anything—I mean anything—you just go along with it one-hundred percent.”

Chuck was pimping his wife to get into the showbiz circuit. He wanted young pussy for himself.

That first night Chuck kept edging the conversation to having “a scene”—swinging—but Davis passed. The next night, the couples met again but this time Davis took Lovelace into his private cinema leaving his wife with Chuck. It was the start of a relationship between Davis and Lovelace.

At first they spent their time talking. Davis rapping about his favorite songs, playing old records, and discussing where his career was going. He allegedly never asked Lovelace about her past. Instead, he encouraged her to get into show business, do something in Vegas, and get into mainstream movies.

Davis had “an understanding” with Traynor. Whenever he led Lovelace away for the evening, Chuck would say nothing and wouldn’t come looking for them. This was because Chuck hoped Davis would “fix him up with a lot of far-out chicks.”

While Linda was giving Sammy a blowjob, Chuck was having his “scene” with Altovise. But their scene didn’t last long because Altovise “despised Chuck and wanted her husband to find someone else for her.”

According to Lovelace, Altovise wasn’t into swinging but only did it to keep hold of Sammy.

For a time, the two couples spent every night together—even going on holidays at Davis’ expense.

One night, Altovise was out. Linda was on her knees deep-throating Sammy while he watched a porn movie with Chuck.

“I really dig that,” Davis said to Lovelace. “I’d like to know how you do it. When are you going to teach me? When are you going to show me how you do that?”

Sammy apparently “often talked like that.” Linda never knew if he was joking or not. This particular night Sammy looked over at Linda’s husband Chuck sitting just a few feet away, eyes fixed on the screen.

“Hey, you think Chuck would mind?” said Davis in a low voice.

“Mind? No, that’s the kind of thing he’d go for in a big way. But let me set it up for you,” Lovelace quietly replied.

Linda knew Chuck would mind. It was not the kind of thing he would be into. It was, according to Linda, his greatest fear—the very thing he dreaded most.

More of when Linda taught Sammy to deepthroat, after the jump…

READ ON
Posted by Paul Gallagher
|
08.09.2016
08:40 am
|
‘Movin’ with Nancy’: Go-go boots, miniskirts, eyeliner and Nancy Sinatra


 
Although it certainly can’t hurt when your father owns the record company, Nancy Sinatra wouldn’t have sold millions of records in the 1960s if she wasn’t putting out great pop music. In fact, had Sinatra not met songwriter/producer Lee Hazlewood, she might’ve been dropped, even by Reprise. Nepotism only goes so far (just ask her brother) and Sinatra’s early attempts at the pop charts went nowhere. Hazlewood had her sing in a lower key and tailored her material for a straight-talkin’ sassy “hip” image that was closely associated with go-go boots, eyeliner and miniskirts. Together they had a long string of chart-topping hit records, most sung by Nancy, but still some were duets they recorded together.
 

 
1967’s NBC TV special Movin’ With Nancy was produced at the height of Sinatra’s career and featured guest appearances from her father, his pals Dean Martin and Sammy Davis Jr., as well as an onscreen appearance by Hazlewood. Written by Tom Mankiewicz (who’d go on to the James Bond films and the Superman franchise of the 70s) and directed by Jack Haley Jr. (son of the “Tin Man” actor, one-time husband to Liza Minnelli and future producer of That’s Entertainment!), as far as variety specials went, Movin’ With Nancy was considered quite “different” for its time. For one thing, it’s not shot in a studio, but mostly outdoors, on various locations like a travelogue. The set pieces simply drift from one to the next and each is like a music video. Haley won an Emmy for his directing.
 

 
The show was sponsored in its entirety by the Royal Crown Cola company (“It’s the mad, mad, mad, mad cola!” as you will be reminded over and over and over again) and their commercials are in the video below, so we get to see Movin’ With Nancy exactly the way it aired on December 11, 1967. Of special note is the premiere of that classic oddball psych number “Some Velvet Morning,” which made about as much sense then as it does today. If that doesn’t send a special thrill up your leg, I don’t know what would. Also, at the very end of her bit with Sammy? That innocent peck on the cheek was apparently the very first (non-scripted) interracial kiss on network television. This proved to be controversial, but was done spontaneously as Davis was actually saying goodbye to Sinatra in that shot and leaving the set for another job. There wasn’t a second take.
 

Posted by Richard Metzger
|
04.27.2015
04:28 pm
|
‘Poor Devil’: Starring Sammy Davis Jr. (and Christoper Lee as ‘Lucifer’!) 1973
04.01.2013
04:33 pm
Topics:
Tags:

image
 
If you’re not familiar with the 1973 TV movie pilot, Poor Devil, starring Sammy Davis Jr. as a bungling devil, Jack Klugman as his intended victim and Christopher Lee as Satan, you’re in for a campy, kitschy, somewhat surreal treat. I mean, it’s a cast from Hell, right?

A lighthearted spin on the Faustian bargain, you’d have to assume that this NBC-financed project was inspired by its star’s membership in the Church of Satan—the “Candy Man” showman was inducted as an honorary warlock at the Circle Star Theater in April 1973. (There is a CoS reference in the dialogue when Davis is heard to say “I’ll call the Church of Satan downtown. They’ll know how to contact him.”)

In any case, it’s pretty amusing if you like this kind of thing. TV’s Batman Adam West and familiar-looking character actor Gino Conforti are also featured. This originally aired on Valentine’s Day, 1973.
 
image
 

Posted by Richard Metzger
|
04.01.2013
04:33 pm
|
Amazing hand-carved phonebook portraits of Marty Feldman, George Carlin, James Brown and others

image
George Carlin

When I blogged about Alex Queral‘s hand-carved phonebook sculptures back in 2009, I only featured his ace George Carlin piece as a prime example of Queral’s work.

I still like George the best, but Alex has added a lot more work since then. Check these out:

image
Marty Feldman
 
image
Sammy Davis Jr.
 
More after the jump…
 

READ ON
Posted by Tara McGinley
|
03.04.2013
06:22 pm
|
Terrible/great ‘Mary Hartman, Mary Hartman’ disco song by Sammy Davis Jr. (1976)


 
Inexplicable song choice from Sammy Davis Jr’s 1976 album The Song and Dance Man. Make your ears bleed with this redonkulous disco homage to Mary Hartman, Mary Hartman.

 
Bonus: Below, Sounds of Inner City perform their funky disco version of Mary Hartman, Mary Hartman.

 
(via WOW)

Posted by Tara McGinley
|
12.26.2012
04:49 pm
|
Sammy Davis Jr. in Vietnam: Documentary from 1972
09.06.2011
03:57 pm
Topics:
Tags:


 
I’ve always loved Sammy Davis Jr. As a kid, I read his 1965 autobiography “Yes I Can” and as an adult I still have a deep fondness for his upbeat, groovy, vibe.

Sammy Davis, Jr. went to Vietnam in 1972 as a representative of President Nixon’s Special Action Office For Drug Abuse Prevention. Davis was there to observe the military drug abuse rehabilitation program, and talk to and entertain the troops.

Sammy was a peacenik. “I was so opposed to the war in Vietnam that I initially refused President Nixon’s urgings for me to go there.”  But, he ended up going to entertain the troops.

Davis walked a fine line between being perceived as a House Negro for The White House and, in my opinion, a saavy infiltrator who instigated change from within.

For Davis, his role as a high-profile Black entertainer with a desire to change the tone of American society found him engaged in a delicate balancing act between winning hearts and minds while still sticking to his core beliefs of racial equality, peace, love and understanding at a time when the USA was deeply divided along race lines as well as pro-war and anti-war factions.

“Being a star has made it possible for me to get insulted in places where the average Negro could never hope to go and get insulted.”

He got shit from all sides, called an “Uncle Tom” by some Blacks, hated by whites for marrying a white woman, and ostracized by trendoids for being a faux hipster, he defied them all by letting his talent do the talking.

In the following footage, you see Davis, working with a bare bones production, a trio of back-up dancers and a small band, creating some dynamite energy. It’s like a chitlin circuit roadhouse review compared to Bob Hope’s lavish USO tours. In one scene, Davis sings for a small group of soldiers working with nothing but a microphone and a drummer - no band, no backing tracks.

Davis chooses his words very carefully while discussing Vietnam and the drug issue. 
 

Posted by Marc Campbell
|
09.06.2011
03:57 pm
|
Sammy Davis Jr.‘s ultra-groovy Japanese whiskey commercial, 1974

image
 
Sammy Davis Jr. scats for Suntory whiskey, 1974.

Adlibs followed by the final take after the jump.
 

 
Final take after the jump…

READ ON
Posted by Marc Campbell
|
10.12.2010
04:23 pm
|