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Tripping Cyborgs and Organ Farms: The Fictions of Cordwainer Smith
09.22.2010
02:40 pm
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When someone whose opinion you respect—in this case Steve Silberman of Wired News—sends you a link and the note “I promise you, the weirdest story you’ll read today (mine)” you take it seriously in my line of work. In this article for his new Neurotribes blog, Tripping Cyborgs and Organ Farms: The Fictions of Cordwainer Smith, Steve tells the unusual tale of Paul Linebarger, psychological-warfare expert and spy for the U.S. government. Writing under the pen name Cordwainer Smith, Linebarger wrote some unusually prescient science fiction tales that depicted bizarre advances in science and predicting dystopian futures as disturbing as anything in Philip K. Dick’s oeuvre:

After Scanners, Linebarger’s most unnerving creation was “A Planet Named Shayol.” (Sh’eol or שְׁאוֹל — “the pit” or “the abyss” — was the ancient Hebrew name for the land of the dead.) The story is one of the most haunting visions of an utter hell outside of Dante, with plot points anticipating current developments in tissue engineering and the infamous Vacanti earmouse that caused a flap at M.I.T. in 1996.

Published in 1961, it’s even druggier than Scanners, with a hipster nurse who gets her patients stoned on the fictional equivalent of Transcranial Magnetic Stimulation and a cow-faced organ farmer proffering a synthetic opiate called super-condamine. Linebarger writes about strung-out states of mind so convincingly, it’s clear that his experiences in the hospital as a kid left an indelible impression. One might even say that these experiences — along with his perpetual dislocation as the son of a spy — made the body itself, and all of culture, seem like an elaborate prosthesis imposed on the essential man. Ich bin ein Scanners, waiting for the next cranch.

Read more of Tripping Cyborgs and Organ Farms: The Fictions of Cordwainer Smith (NeuroTribes)
 
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Posted by Richard Metzger
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09.22.2010
02:40 pm
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Beat Poet Peter Orlovsky dies (1933-2010)
06.01.2010
05:33 pm
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Photo of Peter Orlovsky and Allen Ginsberg by Richard Avedon.
 
I was saddened today, to hear of Beat poet Peter Orlovsky’s death. The longtime companion of Allen Ginsberg passed away on Sunday at the age of 77 from lung cancer. Wired’s Steve Silberman wrote a sweet, beautiful elegy for Peter that was published at Shambhala Sun titled Impossible Happiness, here’s an excerpt:

The night I met Allen Ginsberg in 1976, his lifelong companion Peter Orlovsky raised a handkerchief to Allen’s nose a fraction of a second before he sneezed. We were in a basement club in Greenwich Village commemorating the death of Neal Cassady, one of Allen’s great loves, and the muse of Jack Kerouac’s novel On the Road. The poet had a bad cold, and it was his second reading of the night.

Anticipating Allen’s need for a handkerchief was just one way Peter manifested what photographer Elsa Dorfman called his “unearthly sensitivity and caring” in an email to a friend after Peter died last Sunday. Kids, animals, and growing things adored Peter. Just before writing “Howl,” Allen pledged his love to him, recognizing in him a character out of a Russian novel: the saintly shepherd, a holy innocent. In Foster’s cafeteria in San Francisco in 1955, the two men grasped hands and vowed never to go to heaven unless the other could get in — a true marriage of souls. “At that instant we looked into each other’s eyes,” Allen wrote, “and there was a kind of celestial cold fire that crept over us and blazed up and illuminated the entire cafeteria and made it an eternal place.”

At Allen’s urging, Peter also became a poet. In 1978, City Lights published a collection of his work with the memorable title Clean Asshole Poems and Smiling Vegetable Songs. (The vegetables were those Peter grew with tireless enthusiasm on the couple’s organic farm in Cherry Valley, New York, bought as a respite from the grit and druggy temptations of their neighborhood on the Lower East Side.) While no one would have compared Peter’s creative output to Allen’s, his poems – sometimes only a single line – could be remarkably pure and surprising, even luminous.

Impossible Happiness: An Elegy for Peter Orlovsky by Steve Silberman (Shambhala Sun)

Anne Waldman on Peter Orlovsky’s death (Patti Smith.net)

Posted by Richard Metzger
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06.01.2010
05:33 pm
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