Although they never really seemed to quite enter the posthumous pantheon of great late and lamented post-punk bands like, say, the Gun Club, and are unlikely ever to inspire any sort of critical reappraisal, the Lords of the New Church—a “supergroup” formed in 1981 by Dead Boys vocalist Stiv Bators, original Damned guitarist/songwriter Brian James (he wrote “Neat Neat Neat,” “New Rose” and most their first two albums) and the insanely tight and powerful rhythm section of former Sham 69 bassist Dave Tregunna and ex-Barracudas drummer Nick Turner—are, in my opinion, pretty worthy of it. Well at least their first album is.
The group’s rhythm section originally consisted of Generation X bassist Tony James (later of Sigue Sigue Sputnik) and two-time Clash drummer Terry Chimes (he was a member of the only band that matters both before Topper Headon joined and after his sacking) and the Damned’s Rat Scabies had also played drums for a single gig before Turner replaced him. The classic line-up of the Lords, a brash, trashy punk tornado of a band in the mold of the Stooges and the Dolls had all the subtlety of a flame thrower. I saw them live on their first tour and they were utterly awe-inspiring. Their messianic revolutionary street gang warlord “message” was original for the time and spoke to kids like me who were tired of their parents’ religion during the early Reagan years, an epoch that felt like the end of the world was just around the corner from a nuclear attack launched by a senile Republican president…
Perhaps sniffing something similar in the air, the first Lords of the New Church album was re-released by Blixa Sounds Records last week as a deluxe two CD edition along with a blistering 1982 live set included. I’ve had a review copy for about the past two months and I must say, hearing that album again for the first time after… what… 36 years… every single note and every word was still etched in my memory like something by the Stones or Led Zeppelin. That album—practically every single song—is fuckin’ catchy. These riff-heavy songs stick in your craw like the catchiest things on the Nuggets comp and indeed they cover Balloon Farm’s “A Question of Temperature” so this isn’t exactly a coincidence that one might note this. After all those years, it sounded really really good to me and once The Lords of the New Church went into my car’s CD player several weeks ago, well, I still can’t find any reason to hit eject on it. It’s a short album—just over 30 minutes and a frantic burst of energy from the start to finish—and I’ve played it over and over and over again and I’ve yet to grow tired of it. If you fondly recall this album like I do—I mean, to be honest I had practically forgotten that it had ever existed—or even if you’ve never heard of it, I highly recommend it to you either way. It’s an unsung classic and it’s really fucking good…
After that first one the Lords got a bit too Billy Idol meets Hanoi Rocks for me and I stopped following them.
Now here’s a tale about the end of the band: The Lords were dropped by their record label, IRS, in 1986. They got a new drummer and continued gigging around England and Europe sporadically for a few years. During one show at London’s Astoria Theater, Stiv—a physical performer who once became unconscious and nearly died after a theatrical onstage “hanging” went awry—badly injured his back. The band was set to play another show at the Astoria on May 2nd of 1989, but Bators was apparently not being very cooperative and Brian James placed musician wanted ads in various UK music papers to find someone to replace him.
Bators heard about the “NAME BAND” help wanted ad and he was furious. With a black felt-tipped marker he reproduced the ad large on a white tee-shirt, and agreed to perform with the band at the Astoria not letting on that he knew about the move to turf him from the group he led.
During the encore, Stiv comes out with the tee-shirt on, making sure that both the audience and his fellow band members can clearly read it.
More after the jump…