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What would Hitler Do?: Notorious ‘80s agit-punks The Feederz return to fuck shit up in the Trump era
09:22 am

In the disorienting immediate aftermath of the 2016 US presidential election, a notion I saw expressed so often that it almost felt virally memetic was the idea that “At least with Trump as president, there’ll be great political punk rock again.”

I found this puzzling.

Of course it’s absolutely true that the Reagan era was a musical goldmine for politically-engaged punks, but the arguably worse George W Bush era was notably fallow in that regard—if American Idiot counts as “greatness,” then I guess I don’t need any greatness in my life—and with the debatable exception of the 2004 Punk Voter Rock Against Bush tour, a wishfully grandiose attempt by the pop-punks at Fat Wreck Chords to create a latter-day Rock Against Reagan type of event, no other punk-influenced protest music made all that much of an impression. Going back a minute or two further, not even the stunning and inspiring social movement that emerged from seemingly out of the blue in defiance of the World Trade Organization around the turn of the century seemed to inspire any rebel rock worth discussing—Punk Planet even did a contemporary feature on that notable lack, pity there’s no online archive of that publication.

But though I still expect that the hoped-for renaissance of Reagan-era style protest punk is unlikely to happen, one actual radical band from the Reagan era has reactivated in response to the Trump threat. And it’s one of the MOST radical—Situationist-inspired provocateur Frank Discussion has resurrected his notorious band The Feederz. An unabashed outrage artist, Discussion made his band infamous with confrontational live performances in which he far surpassed even Frank Tovey’s ability to turn himself into an attention-commanding art object, and with stunts like making a sandpaper record cover for their debut album Ever Feel Like Killing Your Boss? to ruin other records on one’s shelves, and emblazoning a record called Teachers in Space with a photo of the Challenger disaster.

But after more than 35 years, The Feederz remain best known for the scandalous song with which their existence was announced to the world. “Jesus,” sometimes known as “Jesus Entering from the Rear,” got a widespread hearing when it was featured on the epochally crucial hardcore compilation Let Them Eat Jellybeans. That song sought to tweak right wing Evangelical Christians with lyrics describing The Savior™—or his corpse—engaged in rough gay sex, going way over the top by calling him “Another stupid martyr with another rectal rash” and “Just another faggot in just another mask.” Though it’s indisputably a classic, due to major values dissonance the song hasn’t aged so gracefully, and there is zero doubt that if it were written today it would be excoriated for implicit homophobia, though that was the opposite of its intent—even for the sake of outrage, Discussion isn’t one to punch down.



After a long absence from punk rock, the Trump disaster prodded Discussion to begin writing new songs again, and he assembled a band to record two of them in January, with Meat Puppets bassist Cris Kirkwood producing. The Feederz as currently constituted are a trio of Discussion, founding member Clear Bob, and drummer D.H. Peligro, a onetime Feederz member who’s much better known for his tenure in Dead Kennedys. That single was released on April 15 by the Phoenix, AZ label Slope Records (though The Feederz made their mark as a San Francisco band, Discussion is a native of Phoenix and was a presence in the infancy of its punk scene). The single, WWHD: What Would Hitler Do?, sports an unsurprisingly unsubtle cover illustration of Donald Trump affecting a Hitlerian pose and wearing a swastika armband, and it’s fucking good—it’s the most hi-fidelity recording to which the band has ever been treated, and the songs, while they’re thematically of a piece with Discussion’s Reagan-era work, sound like the work of a contemporary band. The A side, “Stealing,” bears an ominous riff and lyrics that champion looting and assaulting police. The flip, “Sabotage,” opens with a chant of “TIME TO PUT THIS COUNTRY OUT OF OUR MISERY,” and includes call-to-arms written in Spanish. Here’s the translation:

What you see with your eyes, destroy with your hands
To be as combustible as a cop car
We don’t need leaders
I love you! Say it with a brick!


After the jump, the always outspoken Mr. Discussion treated Dangerous Minds to an audacious and lively interview…

Posted by Ron Kretsch
09:22 am